Well, that was a strange semi-illness. Not sick enough to be sick, not well enough to be well, just sorta in-between. I’m grateful I have the leisure now to fully indulge my little complaints, and not have to drag ass to work in spite of them. In any event, by Thursday I was fine. Took my boxing class on Saturday morning and made the heavy bag whimper a little. All better.
Otherwise, we spent the weekend chasing wild geese, trying to see “The Holdovers” and getting the time wrong, which led to a mediocre Thai meal in a strip mall in Sterling Heights (locals may shudder at this point) and no movie, but at least we got out of the house. So we came home, watched two episodes of “Fargo” and went to bed, only to learn the very next night that “The Holdovers” was available to stream all along, so we did. It was very good, and with “May December,” “Oppenheimer” and “Barbie” already under our belts, we may actually be able to form our own informed opinions on the Oscar race next year.
Speaking of movies, this morning I read a column in The Detroit News about the Israeli film that’s making the rounds of, as we say, opinion leaders and other big shots. It’s a compilation of atrocity videos seized after October 7, from security cameras and prisoner captures. I won’t link (paywall), but I’ll quote a bit more liberally than I generally do:
“Bearing Witness to the October 7th Massacre” was presented to a small group of Metro Detroiters by the Los Angeles-based Simon Wiesenthal Center and the Israeli Consulate to the Midwest. Much of the film was compiled from the cell phones and body cameras of the Hamas terrorists as they rampaged through Jewish settlements butchering civilians.
The footage is terrifyingly graphic. It is a reminder, as if we needed one, of the depths of inhumanity to which hatred can sink human beings.
What we saw Sunday night was excruciating to watch, harder still to discuss. When it was over most of us walked to our cars barely speaking.
Imagine watching the most gruesome horror flick, without the benefit of knowing the gore on screen is make-believe. In this movie, the blood is real. The bodies are real. The evil is real.
A snuff film, basically, prepared to counter the it-didn’t-happen propaganda coming from the other side. The sponsors are showing it here and there, to small audiences, with strict rules: Phones surrendered at the door, no notes taken, but you’re free (obviously) to write about it later, and given that many of those invited are journalists, that seems to be the intent. I wish this columnist had thought to write a better story, like this one in the L.A. Times, explaining more of the context, and the protest over it, but oh well.
The writer has certainly internalized the intent of the screening:
But the atrocities are why Israel is in Gaza, and why it can’t and won’t be deterred in its mission. The snake of fanatical jihadism must be killed, or it will strike again and again.
That is no doubt satisfying to write, but ignores the how of that statement, and that’s the problem. I don’t even listen to those who throw around terms like colonialism and resistance; Israel has a right to exist and defend itself. But the question that makes so many of us wince is this: How many dead civilians does it take to kill that snake? How many children? Because so far, it doesn’t seem to be going so well, and never mind the whole Netanyahu question, among about a million others. Of course Hamas committed terrible atrocities on October 7; this has never been in doubt. It’s whether those atrocities warrant the response so far that’s in question.
When I was a Knight-Wallace Fellow (’03-’04), we had a seminar one day, a discussion with the father of one of our international fellows, who was Palestinian, and a professor at the university at Ramallah. It went well until one of the others, who was Israeli, asked a question in a rather impertinent tone. The professor didn’t explode, but the temperature rose sharply. He angrily spoke about the destruction of vital highways in the Palestinian areas (which made it impossible for those employed entirely within those areas to get to their jobs, or anywhere else) and other Israeli actions. He talked about the crush at the checkpoints, where the few who could pass into and out of Israel were pushed by soldiers into tight spaces as they waited for their credentials to be checked; at one of these, an Israeli soldier standing on an elevated platform over the crowd unzipped his pants and urinated on them, moving in a wide arc to hit as many as possible.
That’s not an atrocity. It’s not a suicide bombing. But imagine being underneath him.
At the time, I knew much less about the conflict than I do now. A few months after this, I had a tryout for a job in public radio. Talking to the producer to plan upcoming shows, we threw around some topics, and something about the conflict was in the news, and hence, a possibility. “I hate those shows,” she said. “You end them despising everybody, on both sides. It’s so depressing.”
That’s kind of where I’m at now. I’m also kind of agog at how wars will be conducted in the future, when every soldier and civilian will carry a cheap video recording device in their pocket, when artificial intelligence reaches the point that virtually anything can be deepfaked. And legit journalism is shrinking-shrinking-shrinking, and fewer and fewer professional journalists will even be near the fields of battle.
I wasn’t invited to the screening of the Israeli compilation. At the very least, I wanted to know who else was, and I didn’t learn that from the column, either. Maybe even that description was verboten, too.
Don’t know how to wrap this, other than to say keeping up with the news is hard and depressing, but I’m not opting out.