One of my most treasured former colleagues is Bill McGraw, who spent his career — virtually all of it — at the Detroit Free Press, and now, in retirement, contributes weekly flashback stories for readers who either never knew, or forgot them. This week’s was a corker:
He was an outgoing guy. He introduced himself as Tony Jones.
But Detroit police found him suspicious, with his fancy cameras, British accent and habit of jumping out of a rented orange car to shoot close-up photos of cops arresting suspected criminals. He had no current ID.
It was January 1974. Crime was a big problem in Detroit. Cops were jumpy. So they hauled him off to the old 1st (Central) Precinct, and there they discovered the truth.
His full name was Antony Charles Robert Armstrong-Jones, the Right Honourable 1st Earl of Snowdon. He was a global celebrity, the husband of Princess Margaret, the younger sister and only sibling of Queen Elizabeth.
Yes, the very same. Tony Jones wasn’t really arrested, more like detained. He was in Detroit taking pictures for a Times of London assignment on the American “urban crisis.” We know Lord Snowdon as a portraitist, especially of the royal family. He did a set of Princess Diana late in her life that was really smashing, and I can’t find it now; I seem to recall her hair was wet and slicked back, and she looked amazing, but oh well. But he was also a good photojournalist, with the right instincts to get in close and be fearless.
He tried to stay Tony Jones, but the secret got out, and it got a little silly:
The Free Press saw an opportunity. It assigned a young female reporter, Detroiter Toni Jones, to take Londoner Tony Jones out for a night on the town. Toni Jones brought a friend, and Aris came along, too. Jones, err, Snowdon, was a good sport. Toni Jones described him in her story as modest, easygoing and witty.
They hit several long-gone night spots. At Lafayette Orleans in Lafayette Park, Snowdon met Kenneth Cockrel, the famous attorney, and appeared not to notice when a patron began heckling the band. At Watts Club Mozambique on Fenkell, Snowdon was introduced to Pistons forward Don Adams.
It’s Watts Club Mozambique that kills me. The long-gone, but spectacularly named spot burned to the ground a few years back, after appearing in an Elmore Leonard novel (“Unknown Man #89”) and playing a major role in black Detroit’s street culture. I’d love to know who came up with the name, and how they settled on it, and let’s ask the internet, and whaddaya know:
The Watts Club Mozambique was established in 1969 by Detroiter Cornelius Watts. Since the early 1960s, the African country of Mozambique had been fighting for independence, Mr. Watt fell in love with the exotic sounding name. By the late 60s, African consciousness had swept to the forefront of American culture and Mr. Watt named his latest venture Watt’s Club Mozambique. He carried the theme on and decorated the interior with bamboo wallpaper and had banana leaves draped around the ceiling. It was a hit from day one.
Never mind whether the guy’s name was Watt or Watts. I think we can all agree that “Mozambique” is a very cool-sounding name, and entirely appropriate for Detroit; the country had an AK-47 on its actual flag for a time, since removed.
The club started with jazz, but it couldn’t turn a profit, so it eventually switched to sort of a black Chippendale’s, with hot-dude dancing for women. There was a legendary dancer named Hawk, who was very popular but decided he could make a lot more money in Vegas, and bought a one-way ticket.
So many crazy stories in this crazy town. This is only one of them.
It was a good Tuesday. The centerpiece was being the guest speaker at my ex-colleague Julia’s class on feature/biographica/memoir writing at Notre Dame. I did not go to South Bend, alas — it was all via Zoom. And although I was dreading spending an hour looking into my webcam, the time flew by and it was a great class. For me, anyway.
And now I’m looking at the results of the Ohio primary, and? Ugh. We’re doomed. Ohio is, anyway.