I forgot to tell you about Steppenwolf. OK, here goes:
This was yet another outing organized by my friend Dustin, who has yet to reach 30 but, as he often says, is devoted mainly to musicians who qualify for Medicare. And the ‘Wolf — as John Kay referred to the band from the stage — certainly qualifies. Kay does, anyway, and for all intents and purposes, he *is* Steppenwolf. He’s now 74, and announced from the stage that this would be the final! Steppenwolf! Tour! EVER.
Sorry you couldn’t be there to hear them plow through a completely standard oldies-act set, with all the usual hits, from “Sookie Sookie” through “Rock Me,” “Snowblind Friend,” blah blah blah, “Monster” and then the band introduction, followed by “Magic Carpet Ride,” “Born to be Wild” and one more I can’t remember…oh right, “The Pusher.” (Thanks, Setlist.fm!)
I was hoping for a MAGA-led riot during “Monster,” as anti-America a song as was produced in the ’60s, but no deal. The Trump voters in the audience — and I’m confident a straw poll would have shown a crowd as red as blood — either saw it as a nostalgia piece or just didn’t know what it was about.
But of course I wasn’t there for the music, which I burned out on before junior year of high school. I was there to see the amazing audience of elderly bikers, who looked sort of like the Confederate Army in full retreat, if the Rebels had still had decent boots, four-footed canes and health insurance. There was so much evidence of hard living — beer bellies, prosthetic legs, baroque surgery scars running up and down legs from where they’d had to lay the bike down on that bitch of a turn that one time.
Being a biker is a look that doesn’t age well, but hey, no one cared! And so there were women who looked 70 if they were a day, still wearing skintight jeans, Harley-Davidson tank tops, engineer boots and American-flag bandannas on their hair, a face full of wrinkles like W.H. Auden, in total IDGAF mode. Once an old lady, always an old lady. And their dudes were similarly dressed, and guess what? They made for some cute couples.
Lots of this sort of thing:
When was the last time we used combat paratroopers? That guy’s hair looks too young to be a Vietnam vet.
Here was John Kay, signing a last autograph before heading off to his bus or hotel room or something:
The ‘Wolf has had a good run, Kay said from the stage — 50 years and then some — but it’s time to move on. He’s planning to save the elephants in his remaining years. God bless him.
Some of you were talking in the comments about companies moving their corporate offices hither and yon in search of the young and educated. That’s certainly happening here. But I wonder how well this trend will scale, as the wonks say. The older I get, the less willing I am to sit in traffic, under any circumstances. Commuting at rush hour is one of my least-favorite things to do, ever, and I’ll do almost anything to avoid it — take surface streets, be an hour late, whatever — because it’s the closest I get to murder these days.
If I had to get into a dense downtown via car every day, I’d go insane. Fortunately I mainly do so off-peak, or else take the bus.
Just one piece of bloggage as we slide into the weekend — the peerless Robin Givhan on Paul Manafort’s revolting, expensive wardrobe:
His is the story of a man’s inexorable slide into a nauseating spectacle of insatiable consumption — a parable, or perhaps, a farce that included salivating merchants flying across the country to cater to his appetites. There are so many enticing, beguiling entry points in this story of unbridled decadence: the use of wire transfers from foreign bank accounts to pay his clothing bills, the capacity to spend more than $929,000 on suits in a five-year period, a perplexing fixation on plaid sport jackets. But ultimately, the one thing that most folks will remember from the first week of Manafort’s trial on bank and tax fraud charges is his $15,000 ostrich-leather bomber jacket.
The jacket is an atrocity — both literal and symbolic. It’s a garment thick with hubris and intent. For the prosecution, it was not an opening statement; it was an opening salvo.
As a matter of aesthetics, it’s worth stipulating that most clothes would not look particularly enticing dangling from a wooden hanger hooked over the back of an open door. And the government’s photographer is not exactly Richard Avedon. But hanger appeal is not the problem. The jacket, with its white topstitching and white satin lining, lacks finesse, artistry and sophistication. It’s simply a celebration of ostrich leather, which is to say that it is a celebration of money and excess. Ostrich, after all, is an expensive, exotic skin. Manafort also owned python, which he had stitched into an equally unimpressive but expensive jacket.
Now that. Is fashion writing.
Happy weekend, all. Rock on.