The pretty parade.

We had one of those super-intense spring thunderstorms Monday evening. One minute I was talking to a friend in his back yard, the next I was thinking I probably didn’t need sunglasses anymore, the next a cloudburst with serious straight-line winds was upon us. It didn’t last long, but managed to take a bite out of my friend’s neighbor’s tree. Split it down the middle. As I left he was dragging the branches to the curb.

“I’m sorry this happened to you,” I called out the car window as I backed out.

“So am I,” replied.

Then it was home to scan the outfits at the Met Gala. My interest in fashion is pretty much entirely as a spectator these days, although I appreciate an opportunity to get a little dressed up. And I’m of two minds on the Met Gala, the fundraiser for the Costume Institute at the Metropolitan Museum of Art, held the first Monday in May. It is considered the absolute peak of the season for fashion, even more so than the Oscars. After this, Hollywood stars, models and other professional pretty people are free to dial back the Ozempic and fuck off to Greece until the Emmys in September.

And it’s a night for fashion, pure fashion, all stops out. Avant garde? Oh yes, this is the night for it. And in recent years, it seemed there was no limit to how far people were willing to go to dress to the annual theme — this year, it’s “Costume Art.” And here’s where the two-minds thing comes in. One mind says sure, why not, fly your freak flag, choose something outrageous, bold, creative. And the other says, don’t be ridiculous. The line between outrageous/bold/creative and ridiculous is almost invisible. The other thing the other hand says is, keep in mind while this is fashion, it’s still clothing, and clothing has to work with the human body, not against it. You should be able to walk in it, and maybe even sit down. If your whole ensemble is suitable for only one pose, you’ve crossed the line. This, for instance, was unquestionably on-theme, but thoroughly ridiculous:

That’s Heidi Klum, by the way, who throws a Halloween party every year where she does stuff like this, but appears to like it too much.

Mr. and Mrs. Jeff Bezos paid $10 million to be official co-sponsors of the event. Here’s what Mrs. B wore:

Supposedly she’s playing off John Singer Sargent’s “Portrait of Madame X,” The dress is pulling across her midsection, her boobs look like they’re struggling to escape and she had to be helped up the steps because it was so tight around her legs, but sure, Madame X, who was also said to be a relentless social climber. Where’d you get it, Macy’s?

Ultimately, I agree with Tom and Lorenzo in Cosmo, about this particular dress they observed:

As the wife of one of the richest men in the world, an over-the-top display might have invited blowback. Still, the whole look is a little basic, too tight, and doesn’t really fit either the art or the high fashion vibe of the evening. She looks like she’s at some high-roller gambling event.

Or Mar-a-lago, I’d add.

What else, today? Oh, how about a progress report from the yard? Three views

Three views, from roughly the first of March, April and May. It’s been a chilly spring, o it’s a bit behind its usual glory. But you can see why we long for this season so much, at this latitude. It was a long, cold winter. They all are, but this one in particular.

Posted at 12:46 am in Current events, Popculch |
 

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