Hey, whaddaya know. Now it’s my turn:

Today’s the day, but we celebrated last night in the usual fashion. My present this year was a pair of L.L. Bean moccasins, lined with shearling just to be extra-fancy. Dog-walking boots for every kind of weather.

Oh, and a waffle iron. But that’s more a house present.

Otherwise, a nice weekend. Kate and Alan worked for hours on a project for her physics class. The task was to construct a catapult that would fling a marshmallow 5 meters and land in a bucket. If you know Alan, you know this required multiple trips to the hardware store, math, power tools, drilling, testing, tape measures, more testing and, of course, marshmallows:

My job was to purchase the marshmallows. Wendy handled fielding the ones that missed the bucket. Given the rules — exactly five meters, one marshmallow, landing in the bucket — I feel bad for the kids who don’t have a handy dad. You can make one with a shoebox, rubber bands and a tongue depressor, but it won’t go five meters.

I think there are lots of non-handy dads in Grosse Pointe. One thing I’ve noticed, when I look at estate sales — the more expensive the house, the fewer the tools. And more sporting goods. Many, many more of those, skis and boxing gloves and hockey sticks and high-end bicycles and boat stuff and horse stuff. But rarely so much as a hammer. You hire that shit done.

Otherwise? I watched “Olympus Has Fallen,” and marveled once again at a few things:

1) Great actors can go a long way toward rescuing a dumb script.
2) American movies are just ridiculously violent. Torture and gunplay is really baked into our bones.
3) There’s a reason Melissa Leo is nearly unrecognizable. She probably insisted on that dark wig to conceal her identity.

So, bloggage? Here’s something I wrote, a little different sort of thing for Bridge, for a slow holiday week. Hit it and keep me employed.

We did this — mulch nearly all our leaves — this year, to cover the bare topsoil in the still-unfinished back yard, and hopefully spare us a winter of muddy dog footprints throughout the house. Interesting that policy is nudging homeowners in that direction now:

In the past few years, lawn signs have sprouted in this Hudson River village and across Westchester County, proclaiming the benefits of mulching the leaves in place, rather than raking them up and taking them away. The technique involves mowing the leaves with special mulching blades, which shred them into tiny bits. That allows them to quickly decompose and naturally feed lawns and shrubs.

Officials are encouraging the practice for its cost savings: Westchester spends $3.5 million a year on private contractors who haul away leaves in tractor-trailers and bring them to commercial composting sites in places like Orange County, N.Y., and Connecticut. At the same time, environmental groups and horticulturalists are praising the practice’s sustainability, devising slogans like “Leave Leaves Alone” and “Love ’Em and Leave ’Em.”

The new film “Philomena” tells the story of Philomena Lee and her search for the child she gave birth to in one of those notorious Irish slave-convents, a story I’d been unaware of until reading the pre-release publicity. Here’s a Guardian story about the book the film is based on. It is breathtaking to think this happened in my lifetime. Just awful.

Now, I’m off to have a happy birthday. For you, just another Monday.

It had to happen sometime, and it finally did: Alan and I went to the movies Saturday night. Saw “All is Lost.” As the line moved forward, we heard a lot of people ask for two tickets, and be told, “That’ll be $20.”

We got to the head of the line. “That’ll be $15,” the ticket-seller said.

As we walked away, Alan wondered aloud why this movie was apparently priced lower than all the others. I told him to check the tickets. Sure enough, we’d been given the senior discount. Without even asking! We wondered if, perhaps, every single person who cared to watch 77-year-old Robert Redford battle with increasing despair for one hour and 40 minutes that night was a senior, so we just got it by default. I think that might be the answer. It was definitely an old crowd.

But a good movie. I read somewhere that the script was only 31 pages long. The sum total of words spoken wouldn’t fill half a page, single-spaced. The story of how one man, sailing along somewhere in the middle of the Indian Ocean, finds himself in a long, slow battle with the unforgiving ocean would seem to require more of them, but no. Redford is impressive in how he manages to convey the look of desperation, thought and calculation without having to prattle aloud to himself, a la Tom Hanks in “Cast Away.” I was surprised at how affecting it was, and how skillfully done.

The rest of the weekend was the usual — a drink or three Friday night, errands galore Saturday, the aforementioned movie, and then the first concert of the year for Kate’s jazz group. Hers is the creative jazz ensemble, where the rule is that if you show up with an instrument, they’ll figure out a way to fit you in. Sometimes these configurations are downright strange: This cycle, they have three violinists, two guitars, bass, drums and percussion. It helps that the most experienced violinist plays like Jean-Luc Ponty. A very enjoyable ensemble.

I hope all the rest of you had the same.

Bloggage? Sure:

We had to leave Wendy alone today for what turned out to be almost six hours. She was very anxious when we returned, which led me to google the Thundershirt, which means that every site I visit now shows me an ad for the Thundershirt. Neil Steinberg considers the implication of this sort of benign Big Data:

Could facial recognition and GPS and drones all unite into some grand web of repression? Sure, but it would be hard-pressed to top the old Soviet-style informant and jackboot repression. Teens are already bored with Facebook, and it’s easy to see why. There’s only so much Farmville you can play. We like technology, but we insist on it being our choice, or seeming to. You can trace an arc of increasing personal liberty for the past 300 years. A new chip isn’t going to change that. We build anarchy into our systems — the speed limit may be 55, but auto speedometers still go up to 160.

Gun madness continues. No comment. America has made its bloody bed — lie in it.

Finally, an illustrated mini-guide to why the world finds hipsters so irritating. After we dropped off Kate at Orchestra Hall, we had about an hour to kill, and went down the block for a drink. I used the bathroom. They were arrayed in the usual way, but hey, not separate by gender:

No, you have a choice. This:

Or this:

Both were occupied, and a man came out of better lighting first. He was wearing sunglasses.

Have a good week, all.

On Sunday, trying to distract myself from the throbbing in my knee, I dialed up “How to Survive a Plague” on my iPad. A history of the AIDS Coalition to Unleash Power, aka ACT-UP, it first got on my nerves. My patience for ShakyCam is growing short these days, and apparently no one in the ACT-UP publicity crew owned a tripod.

But that was a quibble, and soon I was absorbed into the bad old years again, the mid-’80s, when gay men were falling ill and at first we didn’t know why, and then we did. And knowing didn’t make it better; there wasn’t a cure, there was barely a treatment and the incubation period was so long — it seemed if you’d been gay and sexually active for any length of time, you were doomed.

And one by one, they were. I lost two close friends, several more in the outer friendship circles. First they lost weight, then came the pneumonia or the Kaposi’s sarcoma, then came the spiral. “How to Survive a Plague” brought it all back, with the overlay of the birth of ACT-UP, which was pretty far from Columbus, Ohio at the time. They, as much as anyone, brought the anger the community was feeling into America’s living rooms, mainly through their outrageous protests. They carried giant condoms up the steps of St. Patrick’s Cathedral. They called Jesse Helms “that pig in the Senate.” They were rude and confrontational and made over-the-top demands. They insisted the FDA had drugs that could save them, but was holding back, or not trying to modify the agency’s long timeline for approval.

There’s a scene from a protest where a pharmaceutical company was invaded, an executive summoned forth, and a man hectors him at length: “You have my blood on your hands,” he shouts, and even now, knowing how absolutely justified ACT-UP was in their anger, this seems a bit much. Science has its own timeline. It doesn’t always match yours.

But there are other moments that bring the loss home — an ad executive talking about why we so want to blame people for mistakes they make while “being human.” That they have sex they shouldn’t, swallow drugs they shouldn’t, misbehave in ways that make the rest of us say, “See, it is your fault, after all.” When there is not a single one of us who isn’t guilty of being human. When we all misbehave, at least sometimes.

A lot of the ACT-UP protests set the tone for stuff I quickly grew tired of — the red ribbons, the quilts, all that awareness-raising. But it helped to be reminded, yet again, of what spawned it all, the incandescent anger felt by a community that found itself dwindling, young men dying at 26, 30, 42, the prime of their lives, and almost no one seemed to care.

In other words, Jesse Helms was a pig in the Senate. The Catholic church was preposterously wrong to suggest that condom use would lead to more cases, not fewer. ACT-UP’s tactics you can argue with. But they were right. The times cried out for a furious response. We all should have been acting up. I’m glad they did. Silence did equal death, in the movement’s famous T-shirt. They stood for life.

We haven’t discussed the shooting last Friday at the Los Angeles airport, at least not much. A publication I can’t quite get a handle on, nsfwcorp.com, which has a strange paywall system, is alone in pointing out how loud the anti-TSA clamor has been from both the left and the right, and how perfectly the LAX shooter seemed to be dancing to their drumbeat. I read their story today, but it’s back behind the paywall, and so alas.

What does everyone think? Or am I the only one. I fly infrequently enough that I don’t share in the anger, but it does seem like overkill — the scan, the shoeless shuffle, all of it. There must be a better way to do airport security.

Not much bloggage today, but a good Bridge package drops that might be of interest outside Michigan, about legacy costs for retiree pensions and health care that cities are simply not prepared to meet. Part one is here. It’s happening everywhere, maybe in your town, too.

Otherwise, the week is coming to its denouement. Knee feels better, and let’s hope it continues to do so.

Not to appear ungrateful for the spectacular weekend weather — on Saturday, I found myself sitting in blazing sunshine, watching the boats go by on the Detroit River, wearing sleeveless linen — but we could use some rain. A mulch-don’t-rake fall lawn-care strategy only works if there’s enough rain to beat down all those shredded oak leaves to the earthworms, for whom they’re intended. Otherwise it just looks like leaf confetti.

On the other hand, who’s going to argue with 75 degrees in October? Not too many, that’s for sure.

And what a weekend it was. Dinner with friends, drinks with a friend, enough exercise to feel non-slothful, a new haircut. Shorter, because why the hell not? I’m still figuring out what it really wants to look like, but it no longer wanted to be the length it was. Nothing like a new haircut to welcome the fall. If it ever stops being summer.

Oh, and the Tigers won. (EDIT: Also, they lost.) Almost forgot about that, although I can assure you, no one here did.

So. We watched “Room 237″ Friday night, new to Netflix, and recommended, even though I think it’s a rather flawed film. It’s about a number of batshit fanboys (no women, interestingly) of “The Shining,” who are convinced the film contains layers upon layers of deeper meaning than what’s commonly understood. Some of these are reasonable (the film is about the Holocaust) and some are insane (the film is Stanley Kubrick’s confession that he used his talents to help NASA fake the moon landing) and all are, at the very least, interesting.

Alan had less patience with it than I did, but we both found it both amusing and exasperating, and — as long as we’re looking for deeper meanings than the obvious — to really be about internet culture, and how it’s taken so many things and turned them into a colossal waste of time.

The bit about the red and yellow Volkswagens was funny, though. I have to watch “The Shining” again, now.

Some quick bloggage before I run a couple errands in the last of the afternoon:

Chuck Klosterman on “Room 237.” Good stuff.

Thomas Frank on the creativity industry, which is not particularly creative, and is, in fact, almost entirely wrong. When I say “the creativity industry,” I’m talking about the talkers — the people who write books and give TED talks on what’s allegedly this incredible creativity renaissance we’re allegedly experiencing, at the same time we’re stripping income streams from actual creative people and making it harder to make a living. Being creative, that is.

The Affordable Care Act signup website is a disaster, or so the NYT says. Has anyone here used it? How did it go?

Oh, and speaking of: Neil Steinberg finds Dan Savage’s defense of the ACA to be most persuasive.

And let’s hope the week goes well for all of us.

First things first: As most of you have figured out by now, our connectivity problems continue. It is out of our hands, in large part, but J.C. is sitting in the NN.C control room, which is encased in lead and concrete and located deep beneath the earth in an undisclosed location, working on it. To the extent that he can. Long story short, we hope it will improve soon. If not, we’ll find a new hosting company.

In the meantime, don’t try to resubmit comments! J.C., yesterday: We’re doing a cache thing to help our poor hobbled server and the downside of that is that you may not see your comment show up immediately.

Thanks for hanging in there with us. This site is nothing without you guys.

Because I don’t have much to offer, many days, do I? But here’s this: A movie recommendation, now that it’s out on streaming/DVD — “The Bling Ring,” which we watched over the weekend. (Alan’s a big Sofia Coppola fan.) A light fictionalization of a real story, about how a gang of Los Angeles teens robbed a series of Hollywood stars’ homes, aided and abetted by the internet and the stars’ own carelessness (for the most part, they entered through unlocked doors and windows). They took clothes, jewelry and cash, but mainly seemed interested in stealing as much stardust as possible.

“Is this Herve Leger? I LOVE it!” one says, pawing through Paris Hilton’s closet. “This. Is a Birkin,” says another, helping herself. In a world where luxury brands are shoved in the faces of these vapid teenagers — or all of us — it’s almost a case of can-you-blame-them? Paris Hilton kept the key to her front door under the mat, and had to be informed of the thefts; she had so much stuff, she didn’t notice anything missing. And so this aimless and empty little band drifted from one house to the next — getting tips on their owners’ absences from TMZ and other gossip sites — collecting luxury items and cash and crap. An emptier existence could hardly be imagined, but uncommon? No way. Didn’t we spend some time yesterday batting around those Emmy runway photos? “Who are you wearing?” is a common question. We all know who Herve Leger is.

It’s not a great movie. It’s sort of depressing, especially when you consider how many stories I’ve read about what a clotheshorse Sofia Coppola is, how much she swims in this world she holds in such contempt. But I liked it anyway.

We have some good bloggage today.

Newspapers have stripped away so much of their content in recent years I almost forget how much I enjoy reading a smart critic from time to time. Especially Hank Stuever, writing about a forgettable sitcom that wants to be a nostalgia trip:

You could set your atomic clock by the predictable rhythms of retromania: When I was a boy in the ’70s, we briefly wanted nothing more than to be Fonzie in the ’50s (inasmuch as “Happy Days” struggled to depict the ’50s; in reruns it just looks like the ’70s). Out came the Dippity-Do and switchblade combs.

If only our forebears had possessed the wisdom to outlaw public displays of nostalgia! When I got to college in the mid-’80s, every other dorm room had a Jim Morrison or John Lennon poster on the wall, yet our preoccupation with the ’60s while living in the ’80s is something you never see in today’s films and TV shows that are set in the ’80s. The anachronisms — then and now — require too much nuance and an understanding that the passage of time and accumulation of popular culture is a fluid experience: It’s less like a free-flowing river and more like a dammed-up lake.

Meanwhile, someone explain to me how this bizarre story about a horse biting a man’s penis works: It’s written in English, but the quotes are in (presumably) Tagalog.

Criticizing AIG bonuses is just like being a Nazi. The AIG executives say so. Talk about confirmation bias.

Hump day. Thank ya lord.

What a weekend. High pressure, unlimited ceiling, temps in the 80s. After a delightful improvement over last summer — Rain! Temperatures in the 60s! IN JULY!!! — it seems 2013′s is going out with what everyone expects and wants. I’m watering for the first time this season. But everything is still juicy.

And with that, I’ve once again violated Elmore Leonard’s No. 1 rule of writing. Oh, well. It’s what Midwesterners do — talk about the weather.

Besides, nothing much else happened, other than the usual weekend-y things — farmers market, dry cleaners, grocery, laundry cooking, exercise, sailing. We took the dog:

She has to wear her life jacket until we can trust her not to take a flying leap after a passing flock of geese. Also, it’s easy to grab her by the handle on top when we need to move her quickly.

As I was in aggressive fun-type mode this weekend, I wasn’t exactly trolling for linkage, although I’m pleased to report Mitch Albom had the day off Sunday and did not write anything about Elmore Leonard, which is a very good thing. They’d still be cleaning the brain explosion from the walls.

However, there is this, from the NYPost, not a paper I read regularly. Call it the confessions of a high-dollar college-admissions counselor:

One father requested that my meetings with his son take place in the Midtown offices of his private-equity group. His son would take the train in from Greenwich and meet me there. I offered to meet the boy somewhere easier, but no. It wasn’t safe, the father explained, as he led me into the vast glass space of his office, where his son was sitting; in fact, he had personally walked to Penn Station to meet his son’s train and escort him here.

Then he took out his checkbook and asked me, in front of the boy, what I’d charge to write his essays.

Oh, and I watched “History of the Eagles,” at least the first part of it; my interest in the solo career of Henley and Frey died in a 1980s aerobics class that used “The Heat is On” once too often. Bill Simmons take on it, linked last week, was pretty much dead on.

And we found our way to “Beware of Mr. Baker,” another rockumentary, but amusing where the Eagles thing wasn’t. Ginger Baker — what a wild man. At first I thought we were going down a path that would lead to another great musician robbed of his treasure by a trick of the copyright laws. He’s broke, he makes no money off the Cream catalog, what an injustice, etc. Later we learn he received $5 million for the Cream reunion, enough to take care of him for the rest of his life — if he hadn’t immediately gone out and spent it on 38 polo ponies and an endowment for a veterinary hospital.

Musicians. Go bloody figure.

Anyway, good Monday to all and a good last week of summer.

The thing about the death of most 87-year-olds is, their heyday is usually long past. The other day Kate was mourning the loss of Ray Manzarek, and I pointed out the Doors stopped making music more than 40 years ago. Acknowledge great work when its maker passes, sure, but don’t soak your pillow with tears. We live in the age of the internet. Everybody’s best work is right here at our fingertips.

Elmore Leonard, though — he’s an exception. At 87, he got a lot more years than our allotted threescore-and-ten, and made them count. He was working, and writing exceptionally well, until the very end. I don’t think “Raylan,” “Djibouti” or “Road Dogs” (his last three novels) belong in his very top rank, but they were still better than 90 percent of the crime fiction published today, still very entertaining reads. If I’m doing work like this past my 80th birthday, I will die happy.

Leonard has been dead less than 24 hours, and already I’m tired of reading his 10 tips for writing, which is a good lesson, but if you really want to learn how to write, just read his books. Figure out how he does it.

In “Unknown Man #89,” a process server is looking for a man and thinks he may have found his wife. She’s an alcoholic, drinking the afternoon away at he Good Times Bar in the Cass Corridor in Detroit. (Just those details alone — the name of the bar and the neighborhood — tells you something, at least if you’re a Detroiter.) See the way he captures a drunk’s speech patterns, how they laugh at their own jokes and go off on their little verbal jags. Less observant writers make it all about slurring. Later on, he sets up a showdown at a bar, deep in a black neighborhood, called Watts Club Mozambique. It’s midafternoon, hardly anyone in the place, when the shit starts to go down:

The manager and the lady bartender, in the pen of the U-shaped bar, standing by the cash register, didn’t move. It it wasn’t a robbery, they assumed it was dope business. The employee in the cloakroom stood by the counter of the hall door. No one in the place screamed; no one said a thing.

You go to work in a place called Watts Club Mozambique, you know how these things play out.

A friend of mine, an English professor, says that when the historians of the future want to know how we lived, the details of our daily lives, they’ll turn to the genre novelists to tell us. They will find a deep vein in Leonard’s work. Take “52 Pickup,” a great slice of ’70s life in Detroit. It’s about an extortion attempt on a successful businessman who’s been having an affair. He runs an auto supplier in Mount Clemens, lives in Bloomfield Village. The girlfriend was in on it, and has turned over some home movies to the two guys running the deal, one of whom is showing him the spliced-together film of him on the Bahamian beach with her, narrating the action:

“Here comes sport now, rum collins for the broad and a Heineken. Loaded and he still drinks beer. That’s your background showing, man. Eleven years on the line at Dodge Main. Couple of shots and a beer every day after the shift, right?”

Loaded and he still drinks beer. Perfect. You can learn more about white-collar and blue-collar lives, and how they intersected in Detroit, from that novel than any dissertation on class boundaries in the Wayne State library.

There’s more, there’s so much more, but I don’t have time to pull down every book and transcribe long passages. I do want to hit some bullet points, though:

** He wrote great female characters, not the way women write them, but the way a man who likes women does. I interviewed him once, and commented on it. He said, “I don’t think of them as women. I think of them as people.” Quick, read “The Switch,” published in 1978, before Hollywood pollutes it forever.

** His villains are great, too. I’m with Matt Zoller Seitz:

His books were tough, but his heart was warm. He liked people. He felt for them. He was able to see through their eyes, no matter how naive or cruel or dumb or scared they were. He didn’t seem to believe in evil, only in stupidity: meaning, you have to be stupid, or stupidly selfish, to be evil. Most of his villains are pathetic and deluded. He never wrote a Hannibal Lecter or Tom Ripley. No masterminds, no puppet masters, no Corleone-style crime lords. His criminals were criminals because they were too dumb or greedy to do anything else, or because they’d fallen into crime a long time ago and never got out. Maybe they were lazy. Maybe they had bad luck. Whatever the explanation, Leonard understood it, even if he didn’t condone it. He believed in free will, but he also had compassion. He got it.

** Speaking of Hollywood. For a writer best-known for his great dialogue, filmmakers hardly ever got his material right. Leonard told the story many times of how he coached Barry Sonnenfeld on how to direct his characters in “Get Shorty,” which many acknowledge as the first adaptation to be worthy of the source material. He told Sonnenfeld no reaction shots, medium shots only and tell your actors that they are saying funny things, but their characters don’t know they’re funny. Personally, I think “Get Shorty” is overrated as an adaptation; it can’t hold a candle to “Out of Sight,” which to this day remains my favorite EL movie, my favorite Detroit movie and my favorite George Clooney movie — the actor was just emerging as a heavy-duty movie star but didn’t act like it and (more important) director Steven Soderbergh didn’t shoot him like one. Can we also say that Soderbergh achieved the miracle of a fine performance out of Jennifer Lopez? Because he did. Her wardrobe in that movie was killer, too. Favorite scene:

And though “Out of Sight” is my No. 1, “Jackie Brown” was also very good. After that, it mostly sucks. Some profoundly so. “Freaky Deaky,” shot in Detroit two summers ago, went straight to video and who can be surprised, when it was uprooted out of its time period and cast with standouts like Crispin Glover? “Killshot” did even worse; thanks, Mickey Rourke and …Joseph Gordon-Levitt? As the bad guy?

** Leonard was refreshingly bullshit-free. About pretty much everything. He always told the truth about writing, anyway. Besides the 10 rules, mainly you just have to sit down every day and do it.

So, I have some links for you:

First and best of all, the Detroit News, bless ‘em, re-ran a 1978 piece by the man himself, a deep embed with a Detroit homicide squad. It’s great:

Five a.m. on Terry Street, Detroit’s Northwest side. The fire equipment had left the scene. The gutted two-story colonial stood empty, with its door open, windows smashed, the smell of wet ashes filling its darkness, a faint sound of water dripping in the basement. Someone said the woman found down there, lying on a bed, had been “iced.” A curious verb to use. The woman had burned to death, or had been beaten to death with a blunt instrument. The fire had been started to destroy evidence.

Dick Newcomb, Executive Sergeant of Squad 7, came out of the house with his foot-and-a-half-long flashlight and a photo album of smiling high school graduates in red caps and gowns.

One of them, a 17-year-old girl named Michelle, was at that moment in intensive care at Mount Carmel. She had been found unconscious — severely beaten and bleeding from deep lacerations – in an abandoned house several doors north of the burned-out colonial.

“You can go in if you want,” Newcomb said, “but you’ll smell of smoke all day, have to have your suit cleaned.”

While we’re at the News, a seven-year-old piece by columnist Neal Rubin on EL’s relationship with Woodward Avenue, the city’s spine and east-west dividing line. Again, very good but maybe of less interest outside of Detroit.

A five-year-old profile by Neely Tucker at the WashPost.

Glenn Kenny, to whom I link because lots of you probably don’t know about him. A film blogger, but an appreciator of prose as well. I had to laugh because Abel Ferrara agrees with me about “Get Shorty:”

He rolled his eyes. “God. So studio-ized. Every time they shoot Travolta from a low angle they’ve got the fucking key light giving him a halo.”

I laugh because Ferrara was fired midway through a p.o.s. movie a friend of mine worked on here, and achieved the remarkable feat of being banned from every single restaurant in the Book Cadillac hotel in something like 10 days. And Kenny takes a look at a typical paragraph of EL text, and explains why it’s good.

Here’s an audio piece I did years ago, for WDET, a version of the blog I linked to yesterday. My takeaway: I hate the sound of my own voice.

Finally, the Onion. Because.

Have a good Wednesday, all.

When it comes to Mitch Albom columns, I’m getting harder to impress. I’ve become numb to week after week of hastily dashed-off I-was-just-thinkin’ or join-me-in-my-outrage-over-something-dumb or weren’t-the-good-ol’-days great, etc. I believe it’s been three consecutive Sundays that he’s been peeved about something having to do with the Internet, because the Internet is baaaad.

Sunday’s column, however, was beyond the pale. Couched as a ringing defense of celebrity privacy, pegged to Tigers first baseman Prince Fielder’s recently revealed divorce filing, it is positively Grandpa-Simpsonian, whining about “Internet morsels” and “cyberspace monsters” and how-dare-we (which is to say, you), and a truly bizarre section about the abuse of the Freedom of Information Act, which is weird, as the mere fact of looking up a person’s divorce filing has nothing to do with FOIA. You just go down to the courthouse and check the file. Never mind the irony of a guy who’s invoked his status as a professional journalist (as opposed to those wicked bloggers) who went to professional journalist school not knowing this.

But never mind all that. I read it and decided to just let it all go, or at least wait and see if I still thought he was full of shit after I went for a long bike ride. Fortunately, by the time I got back — 22 miles — someone else had taken it on. Very satisfying takedown. I’m glad he could do it, because 22 miles in the direct sun takes it out of you. Although I felt so good that I sprinted the last half-mile or so home. The pavement on my last leg was like glass, and I just felt like it. The app on my phone said I hit 19 mph. Take that, Lance Armstrong.

What a glorious weekend it was. Lovely weather, not too hot or cold, sunshine all the way. I failed to mow the lawn, but it’s stopped growing anyway. August. The driveway is covered with acorns, the markets are tumbling with peaches and tomatoes, and the light is coming in at a new angle. I want to enjoy every final minute.

So, bloggage:

I know lots of people run hot and cold on Bill Simmons, but when he gets rolling, I’m there for every word (if I understand what he’s talking about). His examination of a Showtime documentary on the Eagles is a great specimen. If you grew up in the ’70s, you will like it. Whether or not you like the Eagles.

Guess what I made for dinner last night? Corn and tomato pie. With a biscuit crust. Yum.

Kate’s going away for a few days over the weekend, so last night we went to the movies. No action tentpoles this time, but “Twenty Feet From Stardom,” an engaging documentary about a handful of great background singers. Like? Like Darlene Love, Merry Clayton, Claudia Lennear (to exhaust the ones I’d heard of), as well as Judith Hill, Lisa Fischer, Tåta Vega and many others (whom I hadn’t heard of).

Most Stones fans know who Clayton was: The voice doing the wailing-woman breaks in “Gimme Shelter.” Whenever I listened to that song, I pictured her as a Tina Turner manqué, but the reality is both funnier and more mundane — rousted at bedtime and told to get down to the studio p.d.q., she showed up in her pj’s, a scarf over her curlers, and was handed a lyric sheet that said, Rape, murder, it’s just a shot away. Mick Jagger wryly observes that sometimes, when you record at 2 a.m., you don’t know something is good until you listen the next day.

The film bogs a bit toward the end, when we examine how these talented women failed to make it as soloists, but it’s a small complaint. I was touched a bit by Lennear, whom we first meet as one of the sexiest Ikettes and later see touring with the Stones. She now teaches Spanish and didn’t look how you say fulfilled by it. It all ends on a certain lamentation for talent, period, in pop music, now that so much can be auto-tuned and fixed in the mix.

Human beings — can’t live without ‘em, although some people would sure like to.

So. Unlike many people, I don’t block ads from the news sites I visit, although I do practice some avoidance. Embedded-text links I avoid like potholes, and Mac Keeper can kiss my elderly ass, but I understand ads pay salaries, so I will let them play, most days. (Besides, I’ve found if you allow one to play, you can avoid more later.) However, lately I’ve been thinking about what’s fair, ad-wise. Fifteen seconds, I think. A 15-second ad is fair, but a 30-second ad is not. Most web videos are less than two minutes, and I think asking for 25 percent more in the form of a Toyota ad is an ad too far. What say you?

As for me, I think I’m going to bed. Enjoy the end of the week, but I still have a lot to do.

In the never-ending stream of Excuses for Lame Blogging, add this:

Tonight the three of us, plus one of Kate’s friends, had two peak experiences:

1) First visit to a Hooters, ever; and

2) “World War Z.”

I have to say, I enjoyed them both. And both beat swimming the Detroit river.

I promise better tomorrow.

EDIT: What. The HELL.