I see the word got out that my alma mater, the News-Sentinel of Fort Wayne, Ind., alma mater of my husband as well, not to mention a few of our commentariat and some very good journalists who used it as a stepping stone to bigger careers elsewhere, is muerte.
Or rather, not dead, just downsized. How, you might be wondering, is that even possible, when the staff — around 80something when Alan and I worked there — is now down to eight? Easy. You lay off seven of them. This allegedly daily newspaper, which dispensed of its print product when it downsized to eight, will now be staffed by a single soul, who happens to be the right-wing columnist who also does news stories, because hey, having a columnist is kind of a luxury, when ya think about it.
Here’s the closest thing to a company press release, delivered two full days after the layoff happened. Get a load of this bullshit:
“We’ll still have a website. We’ll still have a page in The Journal Gazette every Monday through Saturday. And we’ll still have a presence at key events in the area,” he said. “Kevin Leininger is staying with us to provide great community, business and political coverage.”
That’s the “publisher,” a company man recently called back to corporate HQ in West Virginia. I hope he enjoyed his time squeezing every last nickel out of the place. I wonder who will get the Pulitzer hanging on the wall when they finally call it quits.
Guys! Let’s put together a raiding party and steal it! If the building security is anything like it used to be, it’ll be a proverbial candy/baby situation. (Once a female security guard maced herself. It’s a long, embarrassing [for her] story; another time.) We can donate it to the Newseum or find a more useful place for it than on the wall of an empty newsroom, or, worse, on their corporate boardroom wall, assuming they have one. For all I know, this outfit operates out of a former strip-mall insurance office down there in Parkersburg, West-by-God.
Yes, a little testy about this, I must say. I’ll also say this: There is always meat on a carcass’ bones, no matter how long after it dropped to its knees and expired out there on the prairie. And there is always a scavenger willing to gnaw off its share.
Otherwise, not a bad weekend. Got a fair amount done, including two workouts and a dinner on the table. Alan’s been curious about Filmstruck, the new all-movies streaming service, for a while now, and finally bit the equipment-upgrade bullet necessary to get it here — it only works with the second-generation AppleTV, evidently, unless you want to link it to your laptop somehow. So I’m accustomed to hearing chortling coming from downstairs as I drift off to sleep, as Alan plows through the entire Jim Jarmusch catalog, for instance.
Last night we watched “Reflections in a Golden Eye,” a John Huston adaptation of Carson McCullers’ novel, c. 1967. Talk about ahead of its time: Marlon Brando plays a repressed homosexual Army major, teaching “leadership” or some such on a remote southern base, so far off the beaten path it could be existing in a dream. (It’s dedicated to the mounted — as in, on horseback — cavalry. This after World War II.) Elizabeth Taylor is his wife, described in the synopsis as a “nymphomaniac,” which I guess means that she finds sexual solace other than in her gay husband’s arms. Her lover is Brian Keith, of all people. Her role is basically Martha from “Who’s Afraid of Virginia Woolf,” almost down to the letter — she’s a middle-age spoiled brat whose husband will never be as manly and powerful as daddy. Then there’s Julie Harris as Keith’s neurotic wife, Zorro David as her mincing Filipino houseboy and “Introducing Robert Forster.” He plays a young private, gifted with horses, who becomes obsessed with Liz while Brando becomes obsessed with him. (He — the private — likes to take a horse out for a bareback spin, stopping to shed his own clothes after he’s out of eyeshot of the barn. Bareback and bareassed.
It’s quite a story, and of course it tanked. The gay stuff was probably unheard-of for a mid-’60s audience, and very explicit without being so; at one point Liz takes off all her clothes to taunt her husband, who flies into a rage. The idea of America’s violet-eyed sex goddess not being devoured by a healthy man couldn’t have sent a stronger message that Maj. Penderton was not all there, sexually.
Fun fact, via Wikipedia: Stills of Brando in character, and in uniform, as Maj. Penderton were used in “Apocalypse Now” — they’re the pictures in the dossier about Col. Kurtz that Martin Sheen looks through as he goes upriver.
Now I think I’ll go downstairs and start scaring up some dinner. There might be some purple involved:
Have a good week ahead, all. The pace should be slower. I certainly hope so.