Until this weekend, I knew…thinking…one (1) person who had seen “Master and Commander,” one of my old KWF fellows in Ann Arbor. I said, “Jay, did you see any movies this weekend?” “Yeah, I checked out ‘Master and Commander.’ “How was it?” “I liked it.”
And with that, I forgot about “Master and Commander” for 20 years or so, when I learned the film, which is technically titled “Master and Commander: The Far Side of the World,” is now a Thing, mainly and almost exclusively with young men, who apparently do things like this:
That’s the opening title of the film, directed by Peter Weir and starring his countryman Russell Crowe, based on – here’s another thing I simply didn’t know – what Roger Ebert calls the “beloved” novels of Patrick O’Brian, and there’s a whole series of them.
Clearly, on my own this weekend as Alan went fishing up north, it was time to check out “Master and Commander.” And like Jay, I liked it. Didn’t love it. I’m not a guy. But I liked it.
If you wanted to know what life at sea on a British man-o-war (the HMS Surprise) was like at the beginning of the 19th century (see tattoo above), this is your movie. Craftwise, it’s excellent; the battle scenes are amazing and give the viewer a real sense of what it must be like, to be far offshore on a wooden ship being hit by cannon fire. In between the framing battles that open and close the narrative, it’s kind of episodic. Here’s the scene where we see field medicine performed on deck by the ship’s surgeon. Here’s the scene where the surgeon operates on himself, using a mirror. Here’s the stop in the Galapagos Islands. And so on.
Essentially I’m in agreement with this GQ writer, a woman, who contends:
If you kidnapped a hundred of Hollywood’s top minds and forced them to work around the clock, they could not engineer a more exquisite Dad Movie. Though Master and Commander is ostensibly about the Surprise sailing to intercept a French enemy warship, the battle scenes, exhilarating as they may be, are few and far in between. The bulk of the film—and the heart of its charm—is instead a meticulous rendering of daily life at sea: the monotony of hard labor, the palpable threat of scurvy, the dirty-faced sailors who sleep in close quarters and grin through yellowed teeth. (You know it smells crazy in there.) Even better? All the screen time devoted to close conversations between Aubrey and Maturin, and their two-dude violin and cello jam sessions. You come away with a sense of satisfaction at their accomplishments and camaraderie, and just a bit of longing over a bygone way of life.
That’s just right. Check it out if you find yourself with a couple hours at your disposal and nothing on the teevee.
Otherwise, this weekend was a blur, running from one place to the next, although it was almost all fun. Met up with some friends at an out-of-the-way spot in the post-industrial stretches of Southwest Detroit. We sat on the patio while inside, a DJ mixed pop dance hits with mariachi. At one point I went inside to get another beer and noticed a satellite feed from some Spanish-speaking country, featuring, no shit, bare-knuckle boxing. I guess gloves are for “Master and Commander” fans. Saturday was a whirl of activity until I got home around 3:30 in the afternoon and said, Enough. Time for some Russell Crowe. Today I cleaned until Alan came home. We’ll celebrate Father’s Day tomorrow or later in the week; the Derringers don’t set much store on the Hallmark holidays.
Meanwhile, I read the news:
Sen. Joni Ernst says Iowans want someone who can “pull together” a divided country, and good luck with that, hon.
Yikes. The week lies ahead. Enjoy what’s left of your day, dads.