The thing about the death of most 87-year-olds is, their heyday is usually long past. The other day Kate was mourning the loss of Ray Manzarek, and I pointed out the Doors stopped making music more than 40 years ago. Acknowledge great work when its maker passes, sure, but don’t soak your pillow with tears. We live in the age of the internet. Everybody’s best work is right here at our fingertips.

Elmore Leonard, though — he’s an exception. At 87, he got a lot more years than our allotted threescore-and-ten, and made them count. He was working, and writing exceptionally well, until the very end. I don’t think “Raylan,” “Djibouti” or “Road Dogs” (his last three novels) belong in his very top rank, but they were still better than 90 percent of the crime fiction published today, still very entertaining reads. If I’m doing work like this past my 80th birthday, I will die happy.

Leonard has been dead less than 24 hours, and already I’m tired of reading his 10 tips for writing, which is a good lesson, but if you really want to learn how to write, just read his books. Figure out how he does it.

In “Unknown Man #89,” a process server is looking for a man and thinks he may have found his wife. She’s an alcoholic, drinking the afternoon away at he Good Times Bar in the Cass Corridor in Detroit. (Just those details alone — the name of the bar and the neighborhood — tells you something, at least if you’re a Detroiter.) See the way he captures a drunk’s speech patterns, how they laugh at their own jokes and go off on their little verbal jags. Less observant writers make it all about slurring. Later on, he sets up a showdown at a bar, deep in a black neighborhood, called Watts Club Mozambique. It’s midafternoon, hardly anyone in the place, when the shit starts to go down:

The manager and the lady bartender, in the pen of the U-shaped bar, standing by the cash register, didn’t move. It it wasn’t a robbery, they assumed it was dope business. The employee in the cloakroom stood by the counter of the hall door. No one in the place screamed; no one said a thing.

You go to work in a place called Watts Club Mozambique, you know how these things play out.

A friend of mine, an English professor, says that when the historians of the future want to know how we lived, the details of our daily lives, they’ll turn to the genre novelists to tell us. They will find a deep vein in Leonard’s work. Take “52 Pickup,” a great slice of ’70s life in Detroit. It’s about an extortion attempt on a successful businessman who’s been having an affair. He runs an auto supplier in Mount Clemens, lives in Bloomfield Village. The girlfriend was in on it, and has turned over some home movies to the two guys running the deal, one of whom is showing him the spliced-together film of him on the Bahamian beach with her, narrating the action:

“Here comes sport now, rum collins for the broad and a Heineken. Loaded and he still drinks beer. That’s your background showing, man. Eleven years on the line at Dodge Main. Couple of shots and a beer every day after the shift, right?”

Loaded and he still drinks beer. Perfect. You can learn more about white-collar and blue-collar lives, and how they intersected in Detroit, from that novel than any dissertation on class boundaries in the Wayne State library.

There’s more, there’s so much more, but I don’t have time to pull down every book and transcribe long passages. I do want to hit some bullet points, though:

** He wrote great female characters, not the way women write them, but the way a man who likes women does. I interviewed him once, and commented on it. He said, “I don’t think of them as women. I think of them as people.” Quick, read “The Switch,” published in 1978, before Hollywood pollutes it forever.

** His villains are great, too. I’m with Matt Zoller Seitz:

His books were tough, but his heart was warm. He liked people. He felt for them. He was able to see through their eyes, no matter how naive or cruel or dumb or scared they were. He didn’t seem to believe in evil, only in stupidity: meaning, you have to be stupid, or stupidly selfish, to be evil. Most of his villains are pathetic and deluded. He never wrote a Hannibal Lecter or Tom Ripley. No masterminds, no puppet masters, no Corleone-style crime lords. His criminals were criminals because they were too dumb or greedy to do anything else, or because they’d fallen into crime a long time ago and never got out. Maybe they were lazy. Maybe they had bad luck. Whatever the explanation, Leonard understood it, even if he didn’t condone it. He believed in free will, but he also had compassion. He got it.

** Speaking of Hollywood. For a writer best-known for his great dialogue, filmmakers hardly ever got his material right. Leonard told the story many times of how he coached Barry Sonnenfeld on how to direct his characters in “Get Shorty,” which many acknowledge as the first adaptation to be worthy of the source material. He told Sonnenfeld no reaction shots, medium shots only and tell your actors that they are saying funny things, but their characters don’t know they’re funny. Personally, I think “Get Shorty” is overrated as an adaptation; it can’t hold a candle to “Out of Sight,” which to this day remains my favorite EL movie, my favorite Detroit movie and my favorite George Clooney movie — the actor was just emerging as a heavy-duty movie star but didn’t act like it and (more important) director Steven Soderbergh didn’t shoot him like one. Can we also say that Soderbergh achieved the miracle of a fine performance out of Jennifer Lopez? Because he did. Her wardrobe in that movie was killer, too. Favorite scene:

And though “Out of Sight” is my No. 1, “Jackie Brown” was also very good. After that, it mostly sucks. Some profoundly so. “Freaky Deaky,” shot in Detroit two summers ago, went straight to video and who can be surprised, when it was uprooted out of its time period and cast with standouts like Crispin Glover? “Killshot” did even worse; thanks, Mickey Rourke and …Joseph Gordon-Levitt? As the bad guy?

** Leonard was refreshingly bullshit-free. About pretty much everything. He always told the truth about writing, anyway. Besides the 10 rules, mainly you just have to sit down every day and do it.

So, I have some links for you:

First and best of all, the Detroit News, bless ’em, re-ran a 1978 piece by the man himself, a deep embed with a Detroit homicide squad. It’s great:

Five a.m. on Terry Street, Detroit’s Northwest side. The fire equipment had left the scene. The gutted two-story colonial stood empty, with its door open, windows smashed, the smell of wet ashes filling its darkness, a faint sound of water dripping in the basement. Someone said the woman found down there, lying on a bed, had been “iced.” A curious verb to use. The woman had burned to death, or had been beaten to death with a blunt instrument. The fire had been started to destroy evidence.

Dick Newcomb, Executive Sergeant of Squad 7, came out of the house with his foot-and-a-half-long flashlight and a photo album of smiling high school graduates in red caps and gowns.

One of them, a 17-year-old girl named Michelle, was at that moment in intensive care at Mount Carmel. She had been found unconscious — severely beaten and bleeding from deep lacerations – in an abandoned house several doors north of the burned-out colonial.

“You can go in if you want,” Newcomb said, “but you’ll smell of smoke all day, have to have your suit cleaned.”

While we’re at the News, a seven-year-old piece by columnist Neal Rubin on EL’s relationship with Woodward Avenue, the city’s spine and east-west dividing line. Again, very good but maybe of less interest outside of Detroit.

A five-year-old profile by Neely Tucker at the WashPost.

Glenn Kenny, to whom I link because lots of you probably don’t know about him. A film blogger, but an appreciator of prose as well. I had to laugh because Abel Ferrara agrees with me about “Get Shorty:”

He rolled his eyes. “God. So studio-ized. Every time they shoot Travolta from a low angle they’ve got the fucking key light giving him a halo.”

I laugh because Ferrara was fired midway through a p.o.s. movie a friend of mine worked on here, and achieved the remarkable feat of being banned from every single restaurant in the Book Cadillac hotel in something like 10 days. And Kenny takes a look at a typical paragraph of EL text, and explains why it’s good.

Here’s an audio piece I did years ago, for WDET, a version of the blog I linked to yesterday. My takeaway: I hate the sound of my own voice.

Finally, the Onion. Because.

Have a good Wednesday, all.

Sorry no new post today; I was out last night and we had some big home-improvement projects going, and work and blah blah blah. But this morning I’m hearing that Elmore Leonard died, and it seems appropriate to have a moment of silence and think about what one might say about that.

For now, though, I think this old entry should suffice. He really was the very, very best.

I didn’t realize until yesterday that it was the 10th anniversary of the great midwest blackout, which I am not going to capitalize and you can’t make me. The Free Press headline writer asked where I was, and OK, I’ll bite:

I was at the pool at Veterans Memorial Park in Ann Arbor, enjoying some idle time before my Knight Wallace Fellowship commenced at the end of the month. Kate and her buddy were enjoying the water slide when suddenly the water stopped sluicing down the chute. There were a few moments of confusion, and then the lifeguards started whistling everybody out of the pool. Power was out, pool was closing. This was around 4 p.m. or so.

So we went home, just a couple blocks away. Power was out there, too. I turned on the battery-powered radio, and learned power was out in a whole lot of places. The NPR reporter’s voice was shaking; just two years after 9/11, it was plain she feared this was a terror attack, and if the terror was lacking for now, it would surely be on its way.

Alan came home, and we assessed the situation. We’d been intending to go back to Indiana in the next couple of days anyway, and with no juice for the foreseeable future, we packed up and hit the road, already low on gas. We pulled off the freeway in Jackson. No power, and hence no working gas pumps. Tried again around Marshall. Nope. On I-69 we dropped our speed to save fuel and crossed our fingers. There’s a truck stop just over the Indiana line with enough gas to fill an ocean. As it hove into view, it hove into view — we could see the lights and the warm glow of civilization.

We coasted in on fumes and filled ‘er up, then filled ourselves with Wendy’s. I reflected that Indiana is out-of-step with its neighbors on so many things, but I’d finally found something I could get behind — it’s even on a different power grid. But that time, it was one that worked.

Most people’s stories of how they weathered important events are boring, and I am no exception. Man, those Wendyburgers tasted good.

Bloggage:

So today, the same guy who did the Crisco Fist art prank pulled another — putting For Sale signs on street lights, public statues and other buildings around the downtown area. As jokes go? Pretty lame, but you can see how the media covered it dutifully. It went a little like this:

(God, I loved that movie.)

Second somebody-explain-this-guy request of the week: I don’t read sci-fi (with a few exceptions), and so know nothing about Orson Scott Card, but I thought he was a generally respected author in the genre, albeit one with a problem with gay people. Now it appears he is, instead, actually nuts. Do these crazy ideas get passed around in a newsletter or something? This is the second or third time I’ve heard the Obama’s Band of Urban Gangs theory.

Over and out. I’m thinking it’s Oberon time.

Kate was born two months after my next-door neighbor had her second child, and decided to quit full-time dental hygienin’ and start her own business and otherwise craft a working-mother-of-small-children income. Which meant she had time to babysit Kate along with her own, Allison (two years older) and Drake (the new baby), and I could go back to work knowing my precious infant was in good hands.

And so Kate spent the first seven years of her life living next door to these two kids, with whom she spent half of her days, even after preschool started.

In other words, they were the three musketeers. Here’s Halloween 1997:

I don’t know why that picture is so small; I need to rescan it. (Pre-digital.)

It turns out if you keep feeding and watering children, they’ll grow. Five years later:

And two years after that:

I’m not sure why Drake was a ghost in both these years, except that it’s pretty easy. Here’s 2008, a non-Halloween shot:

And then it was 2013, and Allison graduated from high school, and we went to Indiana for her party. She’s headed for Oregon to get a job and find herself and do the things when you’re 19 years old. One last picture:

I’m hoping Allie gets the Purple Dreadlocks scholarship at Reed College. She’s smart enough.

It was a great trip, brief as it was. The near-perfect weather has made the farm fields of Ohio and Indiana emerald-green and perfect. The new Fort-to-Port road between Toledo and Fort Wayne means no more white-knuckle passing of semis on two lanes. Alex’s garden looks like a Thomas Kincaid painting. The party featured beers buried in piles of ice, and vividly-frosted cupcakes. If anyone had a better time on Sunday, I don’t know how.

Then came Monday, and these were the events, which will be the bloggage. Because I don’t trust myself to express opinions about them:

The Washington Post was sold to the founder of Amazon.com. I see several possible outcomes of this, and many are not good.

The collection of the Detroit Institute of Arts is being formally appraised as part of the city’s bankruptcy process, prompting morons all over the globe to express ignorant opinions that drive me insane, which is why I ask that you not read, for example, the stupid ones under this Gawker item, because it will make you insane if you have even a few facts about the situation in your head.

Elmore Leonard had a stroke. He’s recovering, but still. Eighty-seven. Stroke.

Oh, and did anyone read this Sunday piece in the NYT about the artificial-joint cartel? You Hoosiers should check it out; it’s a necessary counterpoint to the bootlicking local coverage.

All of which is to say, Monday is behind us and let’s hope the rest of the week improves.

Taking a break today; I’m in Fort Wayne for a graduation party, and not coming home until Monday.

Until then, this is what’s happening in Detroit: “Transformers 4” is shooting downtown. But Detroit isn’t Detroit. The production constructed an elaborate set in a vacant lot — of Hong Kong. There are photo galleries at Deadline Detroit and the dailies, certainly better that this crappy shot I grabbed Saturday after my bike ride. But you can see the Chinese billboards (fake) and the Tom Ford sign (ditto). Somewhere back in that mess is Mark Wahlberg and Michael Bay, making a shitty movie.

See you Tuesday.

We’ve mentioned the pile of pet coke on the Detroit River here before, but short version: A company owned by the Koch brothers (yes, this rhyming gets a little strange) is storing large piles of petroleum coke — a byproduct of oil sands refining — on the banks of the river here. It’s a dirty fuel, bound for countries where dirty fuels aren’t a problem.

A couple weeks ago, a local journalist wrote a column about it in the Wall Street Journal, boiling down to, what’s the problems? Jobs! And if you squinted and cocked your head, you could see it that way. If you were inclined to put stock in passages like this:

In fact, Detroit Bulk Storage has handled the material to the letter of state and federal regulation. To minimize dust, the pet coke is treated with an epoxy at the Marathon site before being transported in covered trucks to Detroit Bulk Storage. There, a water truck routinely wets down the material before it is loaded on barges.

And then a thunderstorm happened. And this happened. Click the link; there’s a video.

“We had a ship in to load some of the inventory,” said Daniel Cherrin, spokesman for Detroit Bulk Storage. “When loading the inventory they have to break the seal of epoxy (a spray used to hold down dust) to load the vessel. On that day there was a storm and wind that moved in. It carried some of that into the air as a result.

“You could say it was a perfect storm where they were loading the vessel (with petcoke) and it broke away into the wind. That’s what people saw.”

The stuff was only here for a few weeks, and the perfect storm hit, sending a cloud of dust all over Windsor. Sorry, Canada!

Guys, I’m having my midweek slump. I should give you a dog picture. Wendy loves Alan:

Now you know the truth: We own a recliner.

I remember, many years ago — and how many of these entries contain that soporific phrase? — a great reporter I worked with was doing a story about a teenage kid whose death some months before had become a cause for his parents.

The boy had been found hanging from a tree at a nearby park, his pants pulled down. Police ruled it a suicide, but the parents were insistent he had done nothing of the sort. It had to have been some strange assault that had turned into a homicide. My colleague was preparing a story on a third possibility — it was an accident.

Accidental because, as you sophisticates out there surely know by now, the death was caused by autoerotic asphyxiation. He was choking himself while masturbating, and lost control of the situation. It’s pretty common among those who practice “breath play” alone. It’s the ultimate “kids, don’t try this at home” sex game.

We’ve all heard about it by now; it’s almost common knowledge, but in the early ’80s, I found it astounding. The reporter was similarly amazed by the practice, and found only a few experts who could explain it to him. At the time, some sex researchers were on a campaign to educate law enforcement and coroners, because an incorrect cause-of-death determination could mean the difference between a life insurance payout and a denial. The people who do this aren’t suicidal; in fact, you might say they’re filled with a lust for life. They just chose a foolish way to masturbate.

I thought of that today when a local artist/provocateur played a prank, installing a giant can of Crisco under the Joe Louis memorial known everywhere as the Fist. Photo at the link. To “ease the pain of bankruptcy.” It was naughty, obviously, but I was amazed at how widely it was understood. In the years since my introduction to autoerotic asphyxiation, almost all non-Amish adults know now that some people like to stick their whole hand into some other person’s body, and it requires some heavy-duty lubricant.

I blame AIDS and the internet. Although some remain innocent. This was on the local Fox affiliate’s Facebook page, under a picture of the installation:

Local artist Jerry Vile has created something he calls “Vessel of Hope”. He hopes it may in some way ease the pain of having the Detroit bankruptcy shoved into our faces. Can anyone explain what this means???

At last count, it had been shared 1,545 times. I’m glad there are a few people left in the world who’ve never heard of such a thing. Long may they run.

Brian Stouder alert: Here’s a link to a podcast of an Indianapolis radio show last week, on the current charter/voucher school situation in Indiana. One of the guests is my old radio co-host Mark the Shark, who is also a school board member, and I am pleased to say he came out guns blazing and didn’t give an inch the whole hour. I find it hard to listen to many podcasts while I’m doing something else — something about the concentration required — but this one held my interest.

Wednesday already? Time flies when you’re working.

Today was…a day. A long one, with many events happening in it. It included driving through three howling thunderstorms, the kind where you put your wipers on top speed and still lose sight of the taillights in front of you between swishes. In sane parts of the world, this is when drivers slow down, because you never know where the puddle lies that will send you hydroplaning into eternity. Also, because it’s good to know where the driver ahead of you is, and when they’re disappearing in the course of a second, tops, it’s wise to slow down.

So of course Michigan’s insane motorists were blowing past me at 60-plus. Passing on the right, because it’s INTOLERABLE that this woman is driving 50 in what is, after all, just some rain.

OK, but enough of that. A north wind is blowing away the lingering heat and it might be in the 50s by morning. Scratch the early a.m. swim workout and pencil in cycling. We’ll see.

In the meantime, I was away from the net most of the day, and so I missed the Anthony Weiner dick-pic story AND the royal baby’s unveiling. Fortunately, the internet kept up. Gents, when should you send a lady a dick pic and hey, it’s a royal baby.

I long ago lost track of the national punditry about Detroit’s bankruptcy, but Jonathan Chait got off a good line in his piece. It’s the last one in this graf:

Ze’ev Chafets, a native of the Detroit suburb of Pontiac, borrowed “Devils Night” for the title of his 1991 book about the city and its political culture. He compared Detroit to a liberated colony, whose politics was defined by continued resentment of the departed white occupier. White and black politics were locked into mutually reinforcing pathologies. Whites fled the city, blamed blacks for its destruction and, in many cases, gloated in its failures. Hostility toward the white suburbs shaped Detroit’s politics, which frequently amounted to race-to-the-bottom demagogic contests to label the opposing candidate a secret tool of white interests, with the predictable result on the quality of government. The worse Detroit got, the more whites hated and feared, fueling black racial paranoia, which made the city worse still. (Some national commentators recently suggested that Mitt Romney be brought in to turn around the city, which is a bit like suggesting that Benjamin Netanyahu would make a great Prime Minister for the Palestinians — hey, he’s from around there!)

Chafets’ book is very good, and I’ve read it twice — once before we moved here and once after. Yes, he wrote a fawning bio of Rush fucking Limbaugh, but “Devil’s Night and other true tales of Detroit” is worth your time.

I have to duck out now, however, as I’m a) exhausted, on several levels; and b) out of time. Let’s try for more tomorrow.

Sorry for the no-show yesterday. We had to go to Kate’s summer camp one last time, so she could play her final concert with the camp’s international jazz ensemble:

They had a concert Tuesday night at a club in Detroit, then Wednesday at camp, as recruitment for next year’s European travelers. As you can see, it’s your standard big-band setup, and they played a repertoire of classics from the genre. The highlights, for most of the crowd, were the finale – “Sing, Sing, Sing,” which they KILLED – and just before that there was a Dixieland strut:

When Kate was unpacking last week, she pulled a tambourine from her bag. “What’s that for?” I asked. She waved me off — “Oh, this…thing.”

I found out, Tuesday night, what the thing was. As she played an electric instrument, she needed something else for the walkabout. And so, TOTALLY EMBARRASSED TO DEATH, that’s what she played.

She really doesn’t mind being in the back line. Not much of a showboat, this one.

It was almost 10 when we left the sunset coast of Michigan, 1:30 when we pulled in the driveway. So no blog.

Well, the showdown between the Detroit emergency manager and the city’s creditors has come to this: Chapter 9 municipal bankruptcy, filed late Thursday, the largest ever. As this is, as we say in the trade, a developing story, I’ll keep my mouth shut. However, let’s all keep a good thought for at least one of our commenting community, who is a city employee and probably feels his nearing retirement is on a fast-descending elevator at the moment.

Just to give you a sense of the scale involved, here you go:

A Chapter 9 filing would leave the restructuring to (Detroit emergency manager Kevyn) Orr and a federal bankruptcy judge and could take years, experts say, despite hopes by the governor and Orr that the case can be wrapped up in a year. A bankruptcy judge could trump the state constitution by slashing retiree pensions, ripping up contracts and paying creditors roughly a dime on the dollar for unsecured claims worth $11.45 billion.

Detroit, always blazing a path. Just not the one you always want. This is a good analysis of the stakes — very high.

Any more bloggage before we stumble out of this suffocating week? Just this: Lewis Black, rallying the New York troops against the menace that is Texas.

Heat is supposed to break today. God, let’s hope so.

If I were a trout, I’d be fat and happy these days. But I’m not.