Many thanks for keeping the stove stocked during my absence. As far as I know, the all-hands-on-deck effort at the Board of Elections — or at Cobo/TCF Center, their seasonal setup — was successful, and we got all 40,000 ballot requests processed.

It was an interesting experience. I drifted between boredom and curiosity and the simple satisfaction of the paper-pusher or snow-shoveler, or any other task-oriented worker. The sidewalk is clear of snow. Everything in the Inbox has been moved to the Outbox. Tomorrow it may snow again, and the inbox will refill, but for now, the job is done. Go home and sleep.

And I left believing, even more fervently, that the president and his enablers pushing voter-fraud bullshit are the worst people breathing right now.

The training we had was on a need-to-know basis, probably for time conservation, so I’m making a few assumptions here. Day one was an orientation to the online version of the state Qualified Voter File, i.e. the registration database. We temps did one of two jobs – spotting or checking in. Spotting was taking a single application, removed from the envelope or printed from an online request, and looking up the voter in the QVF. Their precinct number and counting board was noted, in two colors of pencil, in the top right corner of the page.

Another set of workers sorted these pages by counting boards, and gave them to the checking-in people. That involved looking them up again in the QVF, comparing signatures on the application to the one on file, rechecking that they were in the correct counting board, assigning a ballot number and printing a label for the mailing.

I’d think, as I plodded through the sheer analog-i-ness of these chores, how they could be re-engineered. Why have human beings look up voters — so many of them! — twice? If the data was already attached to their QVF entry, why not let the computer do most of this? Colored pencils? What the heck?

I don’t know the answer, but I suspect it boils down to a combination of This Is The Way We’ve Already Done It + The Value of the Human Eye + Something Something Whatever, but my takeaway was this: You might game this system once or twice, but not in the numbers it takes to sway an election. I became an amateur signature analyst and sent through a few on the bubble, but I rejected plenty, and so did others. People’s signatures change over time, particularly when they were born in 1935. It’s impossible to send multiple ballots to a single voter, because once one ballot is assigned (it’s numbered), the computer won’t let you assign another. There might be a way to somehow crack this system and legit influence a major election, but I can’t figure out what it is. Its plodding, many-eyes, multi-step process may be the best defense. I’ve talked to smart people who point out that when you can deposit a check in your bank account by taking a picture of it, it should be possible to streamline this process, and they’re no doubt correct. But that’s a question for another election, and certainly not this one.

Meanwhile, the president came to Michigan yesterday and shit-talked the governor, the one who was the focus of a kidnap plot, what? Two weeks ago? The crowd responded with “lock her up” chants.

So now I’m back. Do I have anything for you to read? I’ve only started this, but it looks interesting. I’m always interested in making libertarians look silly, though.

The GOP/QAnon alliance. Mmm, great.

Me, I’m on to cleaning closets, taking a bike ride and whipping up a nice soufflé for Kate’s dinner visit tonight. Have a great Sunday, and I’ll be back later this week.

Oh! Also check out “The Trial of the Chicago 7” on Netflix. Far better than I expected. You’ll like it.

You know, once you try to stop touching your face, you really notice how much you touch your face.

And what’s more, it’s nearly impossible to stop. I mean, does leaning on your chin while you try to come up with a fresher turn of phrase count? Of course it does. My nose itches from time to time; am I not supposed to scratch it? Everyone knows nose itches left unscratched don’t go away. (Anyone who has tried to get through the savasana portion of a yoga class knows this.) I wear glasses and occasionally — which is to say constantly — readjust them. In the process, I touch my face. This can’t be avoided.

Also, it’s still chilly here, and I get a runny nose at the weirdest times. Not a cold, just a little clear drip when the temperature is uncomfortable, or even when I’m sweating. Does a sleeve dragged across one’s nose count?

This is going to be a long slog for some of us, unless we want to go around with our hands cuffed behind us.

For those who wondered: Yes, Shadow Show, Kate’s band, was supremely bummed that SXSW was cancelled. I told them to slide through town anyway, or keep their ears to the ground, because there’s no way all those people closing in on Austin are going to stay home. There will be shows, there will be networking — just go. They’re taking this under advisement. But they have a long drive across the country in the coming days:

💫 HELLO WORLD 💫 your enshrined Shadows are hitting the road… UK/EU dates for April and May TBA 🔜 stay tuned ! 💗💗 💗
•
2/28 – Detroit, MI @ the film lab
3/8 – Nashville, TN @ DRKMTTR
3/12 – Oakland, CA @uptownnightclub
3/13 – Los Angeles, CA @BobBakerTheater pic.twitter.com/XROrLDMS9c

— Shadow Show (@shadowshow_det) February 26, 2020

Meanwhile, they recorded a single for some obscure psychedelic label called Hypnotic Bridge, and damn if it ain’t pretty good. Very proud of these girlies. They played a show Friday night at Third Man Records and didn’t put a foot wrong. Also, Kate wore go-go boots:

Verdict: “God, those things are so uncomfortable.” You don’t say?

And that was the weekend, in between reading about COVID-19 and trying not to touch my face. Oh, we watched “Ford vs. Ferrari.” Three stars, and I hope I never again have to watch a movie about a car race where a wife watches from home, her face lit by the TV screen and making various expressions of concern, fear and elation.

Primary coming up in 48 hours. We’ll see how that goes. I have no prediction, if you’re wondering.

Guys, I think we’d have been better off explaining climate change, early on, as something other than simply “global warming.” Most people hate winter; you say it’ll be shorter, and they shrug. Big deal, I planned to move to Kentucky after I retired, anyway, etc.

If, on the other hand, we’d have laid out more details: Polar vortices, blistering summers, super-hurricanes, apocalyptic wildfires, and so on, maybe we’d not be in the fix we are now. Oh well, too late now.

I write this looking out my bedroom window. We’re supposed to get 3-5 inches of snow today, at a time when lots of trees are still retaining leaves, most of those that have fallen have still not been picked up from the curb, and oh my it will all be a melty freezey mess. The upside? I’m working from home today. So there’s a balance.

An appropriately emotioned Veterans Day to you all. (It feels dumb saying “happy,” which I suppose only people who get the day off can claim.) Hope you all had a good weekend. Mine was…adequate. We watched “Midsommar” on the iTunes device, and it was that rarity of rarities — a horror movie I enjoyed, if enjoyed is quite the right word. It was flawed, but every flaw was a defensible choice, and parts of it were simply spectacular.

More Morocco? I thought you’d never ask! A short scooter video that I hope doesn’t clog the download time.

Scooters at night.

This was our first night in Marrakech. I was trying to capture the insanity of these scooters buzzing through the tight streets of the medina, but didn’t quite get there. But it is a good look at the unfashionable parts of the medina at pedestrian rush hour, and you get a sense of street life. I did notice, when we were there, how much same-sex affection you see on the street, but that it doesn’t necessarily feel…sexual. Women walk arm-in-arm, men with arms slung casually over one another’s shoulders. (Did I already talk about this? This feels like deja vu, but I’m too lazy to check.) Morocco was a big gay destination in the old days, but I don’t think people there are any gayer than they are anywhere else. I didn’t get a this-is-my-lover feeling from any of these couples; it was just different than here, where men have that weird urinal-choice etiquette.

Now that it’s fading into the past, I think about the things I saw that I was either too slow or too polite to get a picture of: The strolling couples, for one, but also the four or five Berber men I saw squatting around a big wok-like pot at lunch hour in the markets, scooping out their lunch (right hand only!) bite by bite. A kid racing toward me on a bicycle in Essaouira, his basket stocked with two sizable swordfish, swords sticking out one side of the basket and tails out the other; I jumped out of his way for fear of incurring a wound I’d have a hard time explaining at a clinic.

Such a magical place.

OK, now it’s snow and work and more snow, and I must get to it. Happy Monday.

You know what makes me feel old? Watching something on TV or in the movies and thinking, “Wow, that guy looks just like William Hurt/Bill Hader/Meryl Streep/etc.,” looking them up win IMDB, and discovering they’re either William Hurt’s son or Dennis Quaid and Meg Ryan’s son, or Meryl’s daughter or whoever.

And if you read that right, yes, Dennis and Meg’s son looks so much like Bill Hader that if I were Dennis I’d be checking my back calendars to see whether Bill was working anywhere nearby when young Jack was conceived. Although, to be sure, Jack Quaid looks like a perfect amalgam of both his parents. Maybe Bill Hader is their other son.

William Hurt’s son, Alex, looks freakishly like the old man. And Meryl Streep’s daughters are her virtual twins. It’s almost creepy.

I’m talking about actors and actresses because this is what’s happening in the Bahamas, and I’m trying not to start screaming:

Big problems on the ferry from Freeport to Florida — announcement just made that any Bahamian without a visa must now get off. This is not normal. Nornally Bahamians can travel to USA with passport and a printout of their police record. This is a mess. pic.twitter.com/DESUm2qBGE

— Brian Entin (@BrianEntin) September 8, 2019

Turning away victims of the worst environmental disaster in years. We lift our lamp beside the velvet rope. And you can’t come in.

Also, this, on the MIT Media Lab quagmire.

Happy goddamn Monday.

I am absolutely not a fan of Steven Spielberg’s work, although I did like “Munich,” but that was probably because Eric Bana wore pants cut ’70s-style (with those big belt buckles that only emphasize his hard flat lower abdomen and swoon…). Also Daniel Craig and also that Irish guy, Ciarán Hinds. It started with his wildly successful early work, all those children’s faces turned up in a golden-lit closeup, blah. Work out your boring childhood neglect somewhere else, dude. But even his later, “mature” work left me barely more than lukewarm; I’m thinking about “Lincoln” here. Spielberg paints in primary colors, leads his audiences along well-trod paths with a big orange RIGHT THIS WAY FOLKS flag in hand.

I further acknowledge I am in the minority here, and that’s fine. I might not have watched “The Post” if I’d known it was a Spielberg deal; for some reason I thought Ron Howard directed it. And while it had the usual problems I mentioned, along with a few more, I liked it pretty well, even though I fell asleep for a few minutes along the way.

The story of how the New York Times and Washington Post competed to publish the Pentagon Papers in 1971 is established history, and is the capsule plot description, which is maybe why I avoided it – journalism movies leave me cold for the most part. It should have been called “How Katharine Graham Got Her Groove Back,” which is closer to what the story is about, just as “Close Encounters of the Third Kind” and “E.T.” should have been bundled as the Steven’s Parents Were Cold and Neglectful Collection.

What saves it is the cast. Which is, as it was in “Lincoln,” stellar to the last man and woman. Forget Hanks and Streep. There’s also Matthew Rhys, Bob Odenkirk, Tracy Letts, Bradley Whitford, Carrie Coon, Bruce Greenwood (in a hilarious Robert McNamara ‘do), Jesse Plemons, Sarah Paulson, OMG it was a delight. Some of these folks got one or two scenes, but they all held their own against the megastars at the top of the bill, and even though you knew how it would end and the script was pretty much paint-by-numbers, it was still fun to watch. I may not like Spielberg, but he knows how to wrangle a cast, evidently.

:::pause:::

I wrote all of the above thinking “The Post” came out for Oscar season in 2018, and just discovered no, it was the year previous. So forgive me. I did my taxes this weekend and some work today, so it wasn’t much of a weekend. We have to pay this year, so I’m particularly happy about that, as you can imagine. America just feels greater and greater to me these days.

Starting this week, I will not be concerned with silly movies, anyway. Rather, I will be speaking in a British accent, which is actually a Westerosi accent, with occasional lapses into High Valyrian. Yes, “Game of Thrones” kicks off next Sunday, and I will be So There. If you don’t watch and don’t care, keep your yap shut, because I’m into it. And I’ve been waiting a long time for this final season.

Some bloggage to consider:

Rick Reilly on presidential cheating at golf:

And it’s not just the cheating. It’s the way he plays the game—with all the golf etiquette of an elephant on Red Bull. Trump promised to Make America Great Again. He’s definitely Made Golf Gross Again.

He drives his golf cart on greens. He drives it on tee boxes. He never, ever walks, even on the courses he owns that have banned carts (Trump Turnberry.)

…It stinks because we were finally getting somewhere with golf. It used to be an elitist game, until the 1960s, when a public-school hunk named Arnold Palmer brought it to the mailmen and the manicurists. Then an Army vet’s kid named Tiger Woods brought it to people of color all over the world. We had ultracool golfers like Woods, Rickie Fowler, and Rory McIlroy, and pants that don’t look like somebody shot your couch, and we’d gotten the average round of golf down to $35, according to the National Golf Foundation.

We were finally making the game cool and healthy and welcoming, and along comes Trump, elbowing his way into the front of every camera and hurling my sport backwards 50 years to its snobby roots.

I’ve been indifferent to golf my whole life, having been raised in Jack Nicklaus’ hometown, and can at times be hostile to it — the overbuilding of courses near ecologically sensitive rivers in northern Michigan, to name but one burr under my saddle — so I don’t give a shit whether Trump is ruining it. But this is a good read.

My editor at Deadline Detroit was raised by Yiddish-speaking parents, so it’s safe to say that in a few months I feel I’ve picked up enough of the allegedly dead language to move into a 19th-century shtetl and at least be able to indicate that I’m a meshuggeneh shiksa from the future and would maybe enjoy a little schmaltz on a piece of rye bread, thanks so much. Anyway, I know what he’d say if he could see the photo accompanying this story: A shanda.

The animals take their revenge. In Africa.

OK, let’s get the week ahead moving, shall we?

I wish I could say I were surprised by stuff like Betsy Devos’ budget proposal for the Department of Education, the one that zeroes out funding to the Special Olympics, but who could be surprised at this point? And yes, it’s just a budget proposal; it won’t pass any more than zeroing out support for the Great Lakes ecosystem will.

But it says something. Doesn’t it?

I wish I could shut out what’s happening to the country, but that can only happen for brief snatches of time. So I was fortunate to get a couple of tickets to “Amazing Grace,” the long-delayed — like, 40-some years delayed — film of the sessions that produced Aretha Franklin’s album of the same name. It was her gospel album, made after years of pop hits. A return to her roots, two nights of performance at a Los Angeles church with James Cleveland guiding the session and Sydney Pollack filming it all.

Needless to say, the songs are great. The film is imperfect — lots of ’70s technique, which is to say, cut to out-of-focus shot and several-second delay while camera finds focus; grainy film stock; lots of cuts because cinema verité, dude — but imperfect in a great way. Aretha sweats through her makeup, along with everyone else, because gospel music is hard work. There’s a spectacular choir backing her up, and an even more spectacular choir director with the amusing name of Alexander Hamilton.

The film was shelved because Aretha didn’t like it, probably because of all the sweating. She doesn’t look glamorous, but she looks about as taken by the spirit as it’s possible to be. And now she’s dead, and her estate is not so picky, so here we are.

My favorite number was this one, “How I Got Over.” Mainly because of the choir.

It was screened at the Detroit Institute of Arts, the second night of a two-night run. The first night, the Franklin family threw things off by putting a few close friends on the guest list — a few hundred, which meant there weren’t enough seats, which meant a second night was added. We were lucky to get the seats, but it was worth it.

This was actually a Plan B. We were originally going to Extreme Midget Wrestling at some bar. Next time, maybe. You have to leave your Tuesday nights open from time to time, for stuff like this.

So, bloggage:

Actually, I don’t have any. You can look up Betsy Devos if you like. It’s not going to be a good week for her.

The Mueller story is breaking as I write this, and I’m treating it like a mass shooting; I’m not paying attention until more facts are on the ground. Besides, I want to talk about “Us.”

We saw Jordan Peele’s new film Saturday night. I was fearing a sophomore slump, after “Get Out.” I thought I might want to see it, and avoided reading too deeply into the early reviews. A couple had headlines that suggested it was OK, but not quite as good as “Get Out.”

People? I found those reviews…wrong.

I loved “Us.” I spent most of Sunday cleaning the house, and thought about it much of that time. I kept putting it through new unified theories, thinking of new metaphors you could tease out of it. Horror is my least-favorite genre. I find most repulsively violent, and even the well-reviewed ones like “A Silent Place” I mostly avoid. But if Jordan Peele keeps making horror movies, I am entirely down. He uses everything in his head – his deep knowledge of film history, his fondness for pop culture, his insistence that the audience rise to meet him, rather than stooping to the horror-fan level – to make scary movies like no other.

“Us” is about a family of four on vacation at their summer home, when a strangely dressed family appears at the foot of the driveway. As they come closer, something strange is evident: They’re them, the same family, played by the same actors, only…off, somehow. Only the mother (Lupita N’yongo) speaks clearly enough to understand, and she lays out what these doppelgängers want: What the other family has.

“We’re Americans,” she croaks.

Unfortunately, they’re all carrying a pair of golden shears, and they’re not there to make paper dolls. (Well, one is, but not for many, many minutes.)

It’s a violent movie, but not stomach-turningly so. I was too busy, as all this was unfolding, trying to think if this was about…slavery? Trumpism? Class? The answer is all of the above, and then some more. A lot more. There are Easter eggs galore, a veritable basket full of them, with unexpected laughs. Just one: A character under attack gasps to her smart speaker, “Call the police.” The speaker responds by blasting NWA’s “Fuck Tha Police.” Mis-hearing smart speakers may well be the new no-signal plot device, but this one is genuinely funny.

Also, there’s a Hands Across America plot line. Seriously, this is a very original movie. I loved it.

What else happened this weekend? The aforementioned house-cleaning, and Alan handled the yard, which is ready for spring. I got my bike tuned up, along with a new, better-padded seat, so I’m ready when it finally gets warm for good. We had some nice weather, but there was too much work to do to enjoy it.

We did get to the dog park for a bit. Too soon — it was a muddy mess.

Wendy worked that hole all last summer. It was the first thing she headed to this year.

Forecast tomorrow? A high of 40. Oh, well. It is coming.

I envy those of you who have vivid dreams, funny dreams, the kind with truly David Lynch-ian symbolism and imagery. I hardly ever remember my dreams, and when I do, they involve one of two things, and sometimes both: Houses and water.

In dream symbolism, these are primary colors, no-brainers, the sort of thing Sigmund Freud would delegate to the interns. Houses are oneself, water is…well, it’s usually emotions, but it’s also anything you might find in poetry. I never wake up groggy and think, “What did that mean?” I know as soon as I wake up.

When I was pregnant, I had a recurrent dream of a koi pond. I could see the brightly colored fish moving around just under the surface, with one occasionally breaking the surface long enough for me to catch a glimpse, then diving down again. It was so obvious. I was very disappointed in my unimaginative subconscious.

Here’s my typical house dream: I am living in one, and one day I open an interior door and find…a previously unknown room. Which is actually part of a whole warren of undiscovered rooms, in a variety of states of repair, but usually good, but maybe with outdated decor. In the end, I realize that my house is far bigger than I knew.

Then I wake up.

I am large, I contain multitudes — of rooms.

How was your weekend? I put a couple of 2018 things behind me, and now truly feel ready for the new year. I was going to have a schvitz, but opted to clean a bathroom instead. One makes me feel as good as the other, and the schvitz will be there next weekend, whereas my bathroom needed cleaning now.

The auto show begins tomorrow — it’s already begun, actually — and that means the Charity Preview is Friday, and that means I have to spend a few days thinking about whether it’s OK that my jewelry is silver and my clutch, sorta gold. Weigh in, if you like.

Bloggage: This is a terrible story that will make you hate the pharmaceutical industry even more than you do already:

In the meantime, a portion of the more than 7 million diabetic Americans who take insulin are stuck with debilitating costs. Though most don’t pay the full list price for insulin because of insurance coverage and other rebates, some do, especially those who are uninsured, underinsured or facing a coverage gap through Medicare. “The most vulnerable patients are subsidizing the system,” William Cefalu, the chief scientific, medical and mission officer of the American Diabetes Association, told a Senate committee in May.

At the same hearing, a father from Maine told senators that a 90-day prescription for just one of his son’s insulins would cost him $1,489.46. That’s with his high-deductible insurance. He testified that he has taken to buying the same three-month supply from a Canadian pharmacy for about $300 plus $50 in shipping. (It’s technically illegal to import medication from other countries, but the Food and Drug Administration generally doesn’t prosecute individuals if it’s a short-term supply for personal use.) He is not alone in his dilemma: The website GoFundMe has thousands of posts with people pleading for help to pay for insulin.

This stupid country. A friend just got back to the U.S. after an extended stay in France. He’d needed an ultrasound while he was there, and had to pay out of pocket. “But it’s so much money!” the clinician fretted. Never mind that, he said; he’d pay. The bill was $60. For an $800 procedure in the U.S.

Couch-based entertainment update: Now watching “Killing Eve” (excellent), just finished “Leave No Trace,” which is merely heartbreaking.

Hello 2019, hello auto show. Hello, week. Hope yours is good.

No big themes emerging as I sit down to wrap up the weekend, so accept this mixed grill:

Lately my social media feeds are showing me ads for undies — all sorts of undies, almost all of which I will never buy, because I think $20 for a pair of plain old panties is highway robbery. I think I mentioned the phenom of Startup Underwear here a while back, but that’s not why I bring it up.

It’s because the short video clips included in these ads frequently include un-models, i.e., normal-looking women with pregnancy stretch marks, fat asses and similar real-women bodies, and please note that I didn’t describe the above as “figure flaws.” Apparently women respond well to advertising that shows clothing on women’s bodies they actually identify with.

As part of my Delete campaign, I’ve been going through closets and looking for crap to pitch. I found a strapless/backless bra with still-firm elastic that doesn’t fit anymore, but might fit Kate, so I offered it to her. “It’s not something you’ll wear every day, but when you need it, you’ll want it,” I said. As I passed it over, I noticed the label: Victoria’s Secret. I remembered I bought it in…Fort Wayne, probably at Glenbrook Mall. Glenbrook was Da Place back then, but it’s a shadow of its former self. Also, malls in general are shadows of their former selves. And Victoria’s Secret, with its “fashion shows” featuring models with nine-foot-long legs, tight abs and gigantic fake breasts, is now a low-quality joke, mainly coveted by middle schoolers who still want PINK emblazoned across their butts. How the wheel, it do turn.

We took the holidays to the curb Sunday. It was Epiphany, a few days later than we usually do the chore. For a person like me, very little feels better than sweeping up that giant pile of pine needles and saying sayonara, tannenbaum. Kate said it makes her sad to not smell the tree in the house anymore, so there goes my scheme for a bare-branch tree next year, but oh well.

If I’m committed to Delete, deleting the holiday decorations feels pretty damn consequential, even if they’re just going back to the basement. A fellow blogger once observed that taking out the tree on New Year’s Day is like getting a room added to your house. Nothing to do now but wait for spring, and in the meantime, read some books and watch Netflix.

On that front: Watched “First Reformed” on Saturday, which I do not recommend to the Rev. Jeff, as it will probably make him want to stick his head in the oven. I liked it, Alan didn’t. Also watching the second season of “Atlanta,” which is spectacular. I’m reading “The Real Lolita” and “Dead Girls,” both of which I received for Christmas, both good so far. I also got the Sister Pie cookbook, a local bakery’s, which looks promising.

Finally, everybody’s talking about Rashida Tlaib’s comments about the president last week. You may want to see what she wrote two years ago, after she disrupted then-candidate Trump’s speech to the Detroit Economic Club. It was a planned protest that involved more than 20 people, who bought tickets, spread out in the room and, one after another, rose to yell at him, and then were frog-marched out of the place. In other words, she’s been after this motherfucker for a while. Good background to know.

With that, I bid you and the holiday season adieu, and look ahead to deleting more stuff.

I see the word got out that my alma mater, the News-Sentinel of Fort Wayne, Ind., alma mater of my husband as well, not to mention a few of our commentariat and some very good journalists who used it as a stepping stone to bigger careers elsewhere, is muerte.

Or rather, not dead, just downsized. How, you might be wondering, is that even possible, when the staff — around 80something when Alan and I worked there — is now down to eight? Easy. You lay off seven of them. This allegedly daily newspaper, which dispensed of its print product when it downsized to eight, will now be staffed by a single soul, who happens to be the right-wing columnist who also does news stories, because hey, having a columnist is kind of a luxury, when ya think about it.

Here’s the closest thing to a company press release, delivered two full days after the layoff happened. Get a load of this bullshit:

“We’ll still have a website. We’ll still have a page in The Journal Gazette every Monday through Saturday. And we’ll still have a presence at key events in the area,” he said. “Kevin Leininger is staying with us to provide great community, business and political coverage.”

That’s the “publisher,” a company man recently called back to corporate HQ in West Virginia. I hope he enjoyed his time squeezing every last nickel out of the place. I wonder who will get the Pulitzer hanging on the wall when they finally call it quits.

Guys! Let’s put together a raiding party and steal it! If the building security is anything like it used to be, it’ll be a proverbial candy/baby situation. (Once a female security guard maced herself. It’s a long, embarrassing [for her] story; another time.) We can donate it to the Newseum or find a more useful place for it than on the wall of an empty newsroom, or, worse, on their corporate boardroom wall, assuming they have one. For all I know, this outfit operates out of a former strip-mall insurance office down there in Parkersburg, West-by-God.

Yes, a little testy about this, I must say. I’ll also say this: There is always meat on a carcass’ bones, no matter how long after it dropped to its knees and expired out there on the prairie. And there is always a scavenger willing to gnaw off its share.

Otherwise, not a bad weekend. Got a fair amount done, including two workouts and a dinner on the table. Alan’s been curious about Filmstruck, the new all-movies streaming service, for a while now, and finally bit the equipment-upgrade bullet necessary to get it here — it only works with the second-generation AppleTV, evidently, unless you want to link it to your laptop somehow. So I’m accustomed to hearing chortling coming from downstairs as I drift off to sleep, as Alan plows through the entire Jim Jarmusch catalog, for instance.

Last night we watched “Reflections in a Golden Eye,” a John Huston adaptation of Carson McCullers’ novel, c. 1967. Talk about ahead of its time: Marlon Brando plays a repressed homosexual Army major, teaching “leadership” or some such on a remote southern base, so far off the beaten path it could be existing in a dream. (It’s dedicated to the mounted — as in, on horseback — cavalry. This after World War II.) Elizabeth Taylor is his wife, described in the synopsis as a “nymphomaniac,” which I guess means that she finds sexual solace other than in her gay husband’s arms. Her lover is Brian Keith, of all people. Her role is basically Martha from “Who’s Afraid of Virginia Woolf,” almost down to the letter — she’s a middle-age spoiled brat whose husband will never be as manly and powerful as daddy. Then there’s Julie Harris as Keith’s neurotic wife, Zorro David as her mincing Filipino houseboy and “Introducing Robert Forster.” He plays a young private, gifted with horses, who becomes obsessed with Liz while Brando becomes obsessed with him. (He — the private — likes to take a horse out for a bareback spin, stopping to shed his own clothes after he’s out of eyeshot of the barn. Bareback and bareassed.

It’s quite a story, and of course it tanked. The gay stuff was probably unheard-of for a mid-’60s audience, and very explicit without being so; at one point Liz takes off all her clothes to taunt her husband, who flies into a rage. The idea of America’s violet-eyed sex goddess not being devoured by a healthy man couldn’t have sent a stronger message that Maj. Penderton was not all there, sexually.

Fun fact, via Wikipedia: Stills of Brando in character, and in uniform, as Maj. Penderton were used in “Apocalypse Now” — they’re the pictures in the dossier about Col. Kurtz that Martin Sheen looks through as he goes upriver.

Now I think I’ll go downstairs and start scaring up some dinner. There might be some purple involved:

Variations on a theme of #Purple. #farmersmarket #detroit

A post shared by nderringer (@nderringer) on Aug 11, 2018 at 5:23am PDT

Have a good week ahead, all. The pace should be slower. I certainly hope so.