First things first. Let’s have a kiki:
Some of the language in that video is NSFW, but hey, it’s the Scissor Sisters. I need to get in a gay frame of mind, because “Project Runway” is starting, and I’m giving it a try this season. I got a little pissed when the girl with the Skrillex hair won, she and her series of flowy, drapey, dress-like outfits. They were very wearable, if you were a six-foot-tall skeleton with no tits whatsoever.
I’ll tell you, the first flowy-drapey thing that wins, I’m totally outta there. Although I can see the crowd includes an insane Japanese guy with an afro, so I have high hopes.
[Long pause.]
And with that, I must confess: I fell asleep on the couch in the second half hour of “Project Runway,” it’s now Friday morning, and I just learned that your generic crazed American madman in Aurora, Colo., killed 14 people at a midnight showing of the new Batman movie.
I thought we were done with that in this country. Guess not.
Now CNN is reporting the casualties include children as young as 6. Because that’s where you take a 6-year-old these days — to a midnight screening of a dark, violent comic-book movie. Which is not to say any parent shares the blame for this. Only, as they say on the internet, smh.
(Shaking my head, for you geezers.)
Watching CNN, the choppers are circling what looks like an apartment building. Presumably, that’s the killer’s house. It looks like the kind of place you see in every city in the land. If I were looking to hide in plain sight, I’d move into one of those — maybe a dozen units, every one the same, window air conditioners, neighbors only known as a collection of thumps and noises on the other side of a wall. Maybe that’s what he was after.
Not much bloggage now, but maybe one fitting piece — Alex Pareene on “The Newsroom,” Aaron Sorkin’s hugely disappointing HBO show. I’ve given it four chances, but I have to agree with Pareene:
Even his sparkling banter is one-note. His characters always say exactly, precisely what they mean, at all times. There’s no subtext, no irony, nothing ever left unspoken in his dialogue. His characters don’t even get to be sarcastic without someone asking them if they’re being sarcastic. Everyone alternates between speechifying, quipping and dumbly setting up other people’s quips. It’s exhausting.
I’m imagining how the crew from “The Newsroom” would cover this tragedy. Probably with much rushing around, and a dramatic moment where someone has to decide whether there’s a 15th victim, based on sketchy reports. Then the plucky intern would slam down the phone and say, “I just talked to the anesthesiologist! She’s out of surgery, and she’s alive!” That actually happened in the last episode, which dealt with the shooting of Gabrielle Giffords. I actually guffawed. Because, as a journalist who’s tried to contact many doctors in the course of my work, I can tell you with absolute confidence that you don’t just ring up the anesthesiologist after trauma surgery. Unless, of course, the anesthesiologist is the caller’s college roommate’s father, and she just happens to have the number of his cell phone, and he answers it, and he decides talking to the media is a great idea. (And yes, that connection has been used a time or two so far, in only four episodes. What a well-connected group of journalists.)
The Today show just went to a commercial. I guess what that means is, it’s not that important a story.
Have a good weekend, all.
Oh, and for those who watched: Was “Project Runway” any good?

