Warren Zevon died more than two years ago, and ever since, I’ve been wondering if I could learn to love again. Never mind the essential question of whether a woman my age should even have an imaginary rock-star boyfriend; could my heart stand it? After all, chances are anyone I would pick would be old ‘n’ stuff, and likely headed for decrepitude at roughly the same accelerated rate I am. Musicians are famous for their misspent youth, which has a way of catching up with one later in life. (Hello, David Crosby. Hello, Keith Richard. That blood change working out for you?) Anyone I loved would be far more likely to take sick than your average Backstreet Boy. Does a girl need this in her life?
Well, yes. Mooning over unattainable performing artists with which one has made an entirely imaginary bond keeps one young. At least as long as firearms stay out of the picture. This is something I believe.
So congratulations, Rodney Crowell. I picked up “Fate’s Right Hand” over the weekend and decided it’s you. Sorry, but I won’t be able to see the shows the way I saw Warren’s, but what the hell — I’m buying the back catalog. This is the best I can do.
I should listen to more alt-country. The “alt,” I’ve found, means “not a redneck asshole singing about wanting to take a poke at Osama if only he didn’t have this three-record deal that keeps him tied down stateside.” You want to go out drinking with Lucinda Williams, you know?
Speaking of excitable redneck assholes, have you ever seen Bill Maher do his Kobe Teeth character? Not too far off the mark, if you ask me.
After blogging yesterday’s story about the Kronk, I had to see if the script for “Out of Sight” was online. It is. “Out of Sight” is a remarkable movie, proof that once Jennifer Lopez had something close to acting talent, among other things. It’s also, for my money, the best single Elmore Leonard adaptation, mainly because the screenwriter, Scott Frank, had the sense to leave the source material alone. Except in the final scene, which isn’t in the book, which shows that even Leonard can be improved upon, if you do it right:
Before Foley can say anything, the back door is opened once more and the Marshal helps ANOTHER PRISONER — a black man with a shaved head — into the back of the van.
FEDERAL MARSHAL
Jack Foley meet Hejira Henry.
An annoyed Foley stares at the guy as the marshal shuts the door then gets in up front with Karen.
FOLEY
Hejira? What kinda name is that?
HEJIRA
Islamic.
FOLEY
What’s it mean, “No Hair”?
HEJIRA
The Hejira was the flight of Mohammed
from Mecca in 622.
FOLEY
The flight?
HEJIRA
The brothers in Leavenworth gave me
the name.
FOLEY
You were at Leavenworth, huh?
HEJIRA
For a time.
FOLEY
Meaning?
HEJIRA
Meaning time came, I left.
FOLEY
You busted out?
HEJIRA
I prefer to call it an exodus from an
undesirable place.
FOLEY
(interested now)
And how long was it before they caught
up with you?
HEJIRA
That time?
FOLEY
There were others.
HEJIRA
Yeah. That was the ninth.
FOLEY
(really interested)
The ninth?
HEJIRA
Ten, you count the prison hospital in
Ohio I walked away from.
FOLEY
You must be some kinda walker, Henry.
HEJIRA
Hejira.
FOLEY
And so now you’re off to Glades.
HEJIRA
Apparently, yeah. I was supposed to
leave last night with the lady marshal,
but for some reason she wanted to wait.
FOLEY
(looks at Karen)
She did, huh.
HEJIRA
Cheaper I guess, take us both down in
one van.
FOLEY
Yeah, could be. Or maybe she thought
we’d have a lot to talk about.
HEJIRA
Like what?
FOLEY
I don’t know.
(then)
It’s a long way down to Florida.