I try not to march in lockstep with any movement, and I split with mainstream feminism over Barbie. The complaint about how her “impossible body proportions” made little girls feel bad about their own just struck me as silly. I guess you could find one or two women out there who could trace their body dysmorphia to a foot-tall plastic doll they played with as children, but it’s my experience that pretty much every woman alive has something about her body that she doesn’t like, whether they played with Barbies or not. So there.

I had a Barbie. And I had a Francie, who I always thought was Barbie’s friend but Barbie fan sites tell me I’m mistaken: She was Barbie’s “modern cousin” and wore “mod-style clothing.” Whatever. I liked her because she had long blonde hair I could brush, whereas my Barbie was the one with the brunette bubble cut, i.e. the one that terrified Sally Draper in “Mad Men.”

Anyway, I can’t say exactly when they arrived in my toy collection, but my guess is, I was around 8 or 9. I wasn’t thinking about body proportions then. My mother was a talented seamstress, and made her several outfits in addition to the striped swimsuit she came dressed in. Francie’s proportions were the same, so they shared the same clothes. And that is pretty much that, recollection-wise. The massive Barbie brand build-out seemed to trail my interest in the doll, which is to say, by the time the Dream House came onto the market, I had moved on. I had a carrying case that held the two dolls, with space in between for the clothes. The outfits were the splurge.

By the time Kate was born, the thing about Barbie that had changed most was the age period — she came into the house when Kate was very young, maybe 4? Also, the thing wasn’t to get one Barbie and a lot of outfits, but to get a ton of Barbies, period. They were cheap, and there were so many of them, you can see how the collecting mania began. (My neighbor’s in-laws were both deaf, and they all used ASL when they got together. Her mother-in-law gave her granddaughter ASL Barbie, which she was thrilled to have, but immediately told her — in ASL, presumably — that she could never take it out of the box, because it would ruin its value. My neighbor went out the next day and bought another one that the girl could actually play with. In-laws. What are you gonna do?)

Kate’s most memorable was Olympic Swimming Barbie, who came dressed in a swimsuit with a medal around her neck. You wound up a knob on her back and her arms windmilled wildly; she was a bathtub toy. She didn’t age well, and retired from swimming in a film of soap scum. There were others.

Olympic Swimming Barbie wasn’t in Greta Gerwig’s “Barbie,” which the three of us saw the other night. I…loved it. It was zany and funny and heartfelt and spot-on and just felt totally original. I read somewhere that Mattel has something like 18 more movies in the pipeline, based on their best-selling toys. I think they should shut it down now, because it’s all downhill from here. I feel especially bad for Lena Dunham, who’s said to be developing the Polly Pocket movie, which I wouldn’t see at gunpoint. Who cares about Polly Pocket? No one.

But Barbie could become “Barbie” because of all the cultural weight resting on her slender plastic shoulders, and Gerwig and her writing/life partner, Noah Brumbaugh Baumbach, put it all together like Tetris. When I saw Kate McKinnon’s name in the credits, I couldn’t imagine where they’d squeeze her in, but they figured out a way. (She’s Weird Barbie. She smells like basement.) By the time Barbie rolls out of Barbieland in her pink Corvette, singing the Indigo Girls’ “Closer to Fine,” I was utterly under the spell. My only quibble might be Dan Savage’s, who wanted a scene acknowledging all the gay boys who secretly played with Barbie, and didn’t get one. A trans woman plays Doctor Barbie, and that seemed to be the only queer shoutout in the film, unless you count Michael Cera as Allan, Ken’s friend in that stupid striped beach coat. I didn’t.

Yes, there were moments late in the second act that dragged a bit, but who cares? It was a perfect, bubblegum-pink summer movie, and that’s all I want at this point. We were all charmed.

Francie wasn’t in it, though. Midge and Skipper were. I have no memory of breast-growing Skipper at all. Does anyone else?

Anyway, I had to wait a whole week to see this movie, scrolling quickly past think pieces, etc. Why does the “spoiler alert” window close after, what, 36 hours? Not everyone can see something on opening weekend. Which is my way of saying I won’t say any more. Just enjoy it.

And have a good week.

End of the week, and I’m bound an determined to get a third blog done before the weekend. Fortunately, I have a couple things to recommend, and recommend enthusiastically.

First is “Casa Susanna,” the latest PBS “American Experience” thing, which Alan watched late one night after I’d gone to bed, and liked so much he watched again, so I could, too. Here’s the link. It’s about a long-gone Catskills retreat for transgender women, and to make it clearer, specifically heterosexual men who had no other outlet to present as women. It’s absolutely fascinating, both for the level of detail, empathy and understanding it brings, without being sentimental or cringey or any of the rest of it.

It’s also an answer to those who talk about gender dysphoria as though it’s some weird, baroque mental illness. These men/women were highly functional, accomplished individuals whose main problem was that they were living in the wrong bodies. But you watch. You’ll like it.

I mention this other thing mainly because I find myself in the extremely rare situation of agreeing with David French, in the NYT. He’s writing about why the MAGA movement is so hard for people like me to fully understand. By George, I think he’s got it:

Why do none of your arguments against Trump penetrate this mind-set? The Trumpists have an easy answer: You’re horrible, and no one should listen to horrible people. Why were Trumpists so vulnerable to insane stolen-election theories? Because they know that you’re horrible and that horrible people are capable of anything, including stealing an election.

At the same time, their own joy and camaraderie insulate them against external critiques that focus on their anger and cruelty. Such charges ring hollow to Trump supporters, who can see firsthand the internal friendliness and good cheer that they experience when they get together with one another. They don’t feel angry — at least not most of the time. They are good, likable people who’ve just been provoked by a distant and alien “left” that many of them have never meaningfully encountered firsthand.

Indeed, while countless gallons of ink have been spilled analyzing the MAGA movement’s rage, far too little has been spilled discussing its joy.

He talks about the boar boat parades, too.

Believe me, I was as surprised as you to find myself nodding along.

OK, it’s nearly the weekend. Enjoy yours.

The other day I was debating whether to remove a comma from between two adjectives in this phrase…

its former, legendary zoo director, Jack Hanna

…when I remembered there’s a weird rule for adjectives, not only whether you need commas, but the order in which they should be used, if you need a few of them to describe something. I took out the comma between “former” and “legendary,” although I’ve since learned I should have left it in:

You should use a comma between two adjectives when they are coordinate adjectives. Coordinate adjectives are two or more adjectives that describe the same noun equally.

With coordinate adjectives you can put “and” between them and the meaning is the same. Similarly, you can swap their order.

The example given is the shiny silver pole. The source argues for a comma here, although I don’t think they’re strictly coordinate. To my ear, “shiny” describes the sort of silver, not necessarily the pole itself. Anyway, screw online grammar guides, because when it comes to adjectives, my favorite is the rule about order of adjectives:

Determiner
Observation (articles like this or that, plus numbers)
Size and Shape
Age
Color
Origin
Material
Qualifier

I found that list on a website for non-native English speakers, and you really have to appreciate how hard it is to learn English when you look at it. Natives would never say the “gray old mare,” because we know, even without learning the song in grade school, that it’s the old gray mare. Nor would we say “old little lady” – she’s a little old lady. We also don’t generally put commas between them, although I’ve probably edited a dozen writers who turn in copy about a little, old lady.

You can amuse yourself stringing adjectives together in the correct order, trying to make the phrase longer: nine fat yellow kittens or Bob’s old blue cotton shirt, etc., although you can get a little dizzy with the length, wondering if you really need to cram them all in there in one phrase.

But these are the things writers consider. Benjamin Dreyer, the copy editor who gave the world a Strunk & White for the modern age, noted today was the 75th anniversary of the publication of Shirley Jackson’s “The Lottery” and musing on how he might have edited its first sentence:

The morning of June 27th was clear and sunny, with the fresh warmth of a full-summer day; the flowers were blossoming profusely and the grass was richly green. pic.twitter.com/S3TIrhT3kp

— Benjamin Dreyer (@BCDreyer) June 27, 2023

(It’s a thread. Click replies for his considerations.) I remember reading “The Lottery” in, what, seventh grade, maybe? Eighth? Surely no later than that. I wonder whether it’s still taught today, or whether it’s been replaced by something more Relevant. I know it scared the shit out of me, the same way Jackson’s “The Haunting of Hill House” did the same, just in the first paragraph:

No live organism can continue for long to exist sanely under conditions of absolute reality; even larks and katydids are supposed, by some, to dream. Hill House, not sane, stood by itself against its hills, holding darkness within; it had stood so for eighty years and might stand for eighty more. Within, walls continued upright, bricks met nearly, floors were firm, and doors were sensibly shut; silence lay steadily against the wood and stone of Hill House, and whatever walked there, walked alone.

Stephen King published a book on his favorite horror fiction, and devotes a fair amount of time to ol’ Shirley, who really knew how to set a mood from the jump. I think, in this one, the phrases “not sane,” “sensibly shut” and “walked alone” are little chills down the spine, and I wonder how many times she wrote and rewrote that passage to get it perfect. (Which it is.)

OK, then, on to the bloggage:

Hey, Buckeyes: A short but essential playlist of songs about Ohio.

You may have heard about the story about the penis-enlargement industry published yesterday, and upon clicking The New Yorker link, may have been shut out by the paywall. Never fear! ProPublica co-published the story, and it’s free and totally worth the time it’ll take to read it. It’s both funny and squirm-inducing and empathetic and all the other good things a story like this should be. I nearly shrieked at this passage:

When a defense­-and-­ intelligence contractor’s girlfriend, a registered nurse, aspirated his seroma with a sterile needle, a cup of amber fluid oozed out. The one time they tried to have sex, she told me, the corners of his implant felt like “someone sticking a butter knife inside you.”

Ee-yikes. And with that, sayonara until later in the week. Or maybe next week. Depends on what happens.

Taylor Swift is coming to town for two nights, Friday and Saturday, and it appears the town has caught Swiftie Fever.

Whatever that means.

I remember standing on a corner downtown, in the Beforetimes, and watching a giant semi rumble down Woodward Avenue headed for Ford Field emblazoned 1989 World Tour. This was a couple days before the show, and I figured they needed that long to set up the stage. But with this recent visit I realize it could merely have been the merch truck. The shows are Friday and Saturday night, but the merch store opened today, Thursday, and the line was wrapped around the block hours ahead of time:

The first “Swifties” arrived more than seven hours before sales opened from a truck parked outside Ford Field. By 8 a.m., more than 1,000 fans were lined up awaiting the 10 a.m. opening to buy T-shirts, sweatshirts and other items commemorating the pop superstar’s Eras Tour.

“The merch is special, but we made so many memories waiting in line and being here and going to the shows and posting on Instagram and just listening to her music and that just means so much more to me,” said Stella Kane of Brighton, who came with sister, Ireland, 14, and arrived at Ford Field about 2 a.m. with their cousin, Ainsley Kane, 18, of Novi. “I mean, the merch is important, but it’s the memories that come with it that make it so much better.”

It’s the white-girl version of Aretha’s funeral viewing a few years back, when they laid her out in the Wright Museum of African-American History for a couple days (changing her outfit every day), for fans to pay their respects. Lots of these Swifties today didn’t even have tickets, which are selling for four figures even in the nosebleed sections. And OK then:

Swift’s 52-night, 20-city tour is anticipated to earn the singer-songwriter around $500 million, according to Forbes.

Not bad for a few months’ work. I’m unfamiliar with her body of work, although I dialed her up on Spotify while I made dinner. Perfect pop music, and I can absolutely understand why young women love her.

Otherwise, we are not experiencing the degree of misery New York is due to the forest-fire smoke, although we’re definitely feeling it. Red-orb sunrises and sunsets, and air-quality warnings every day for a week or so. We have the windows closed and the furnace running the fan. I’m not as bugged as Alan, aka Allergy Guy, but my eyes are a little itchy.

Michigan hasn’t had rain in at least three weeks, maybe more, and the northern forests are tinder-dry, just as fireworks and peak camping seasons ramp up. There was a 3,000-acre burn near Grayling last weekend, and I expect more.

Just remember: Global warming is a Chinese myth, as reported by our former president.

Speaking of whom: Indicted. Again.

Finally, would someone stuff Salena Zito in a bag somewhere:

For the record, I’ve seen nothing but constant urging for kids to explore skilled trades for years now. The column is about Mike Rowe, who is allegedly a skilled tradesman but who spends most of his time hosting a TV show and otherwise being a media guy, but never mind that. I’d link it, but paywall. Apparently he spends a lot of time talking to Fox News-type audiences. What a surprise.

OK, into the weekend we go. Swiftly!

Well, I guess we have to say something about Tina Turner. It’s hard to do, because so much has already been said about her. Now that the top ranks in news organizations have been taken over by Gen X, the headlines and obits are concentrating on her ’80s period, i.e., post-Ike. That’s a defensible stance; her struggle to leave her abusive ex-husband was the turning point of her life and career, and we’re not supposed to give bad people like Ike Turner credit, even for the good things they did.

But the first time I saw Tina perform she was with Ike, and it left a mark. They were at the Ohio State Fair, we got in early enough to be in the first rows, and their performance was…indelible. (That means “it left a mark,” ha.) This must have been in their career bump after “Proud Mary,” and they performed as Ike and Tina Turner. I remember none of Ike, lurking in the back like the dark presence and bandleader he was. You watched Tina. The three Ikettes stood to Tina’s right, a few feet behind her. But they were all dressed similarly, in short dresses with fringe that never stopped shaking, because they didn’t, either. God knows how Tina could sing as well as she did, moving all the time; she must have had the cardio fitness of a Tour de France stage leader. They did slow songs, but Tina stutter-stepped through those, too, leaving it all on the stage, which was set up on the racetrack where harness races were held, the first rows seated on the track and the rest up in the grandstand. It wasn’t a glamorous venue; the fair director was famous for x-ing out those infamous tour riders that performers insisted on, delivering the same mediocre fair food to all the acts.

I’m sure Tina was used to it. Her memoir — most memoirs of performers of that era — was pretty clear about the tour grind they went through on the way to making the charts. Stage life is difficult, especially when your cheating husband is going through Ikettes like jelly beans, and beating you when you object. And they were black, which meant the chitlin circuit to start, until The Rolling Stones invited them to open in the ’60s, and they started reaching white audiences. It is said that Tina taught Mick Jagger to dance, and I believe it.

If you saw “What’s Love Got to Do With It,” the biopic based on her memoir, you know all this, especially the dramatic split with Ike, where they fought in the back of a limousine in Las Vegas Dallas, she got out at a light left Ike sleeping in their hotel room and walked across the street crossed a busy highway to a Ramada Inn, where she told the manager she had 36 cents in her purse and a Mobil credit card, but would they give her a room anyway? He did, and she stayed at Ramadas for years afterward, mentioning the kindness in interviews whenever she was asked.

So it’s not surprising the interviews will mention the triumphant, you-go-girl part of her career first. I saw the Private Dancer tour in Fort Wayne, the shaggy-wig look, the Auntie Entity persona, and it was excellent. But you never forget your first Tina.

You guys can talk about that Tina if you want, but the record I’ll be playing in my head today is my absolute favorite, the Phil Spector production of “River Deep, Mountain High.” The story goes that Phil agreed to put Ike’s name on the recording, but only if he butted all the way out, and he did. So this is Tina-without-Ike, plus another bad man, but oh well.

One more small thing, no, two: She was really her own woman, embracing Buddhism and practicing it faithfully. And she left behind American racism, moving to Europe decades ago and settling in Switzerland. I always liked that about her, and pictured her hitting her singing bowl and chanting her mantra.

She also had the best single response to a question about whether she’d had plastic surgery, during her comeback. She replied yes, she had, because being beaten by her husband had left facial fractures that affected her breathing. And “I had my breasts put back in place,” she said. Take that, Ed Bradley, or whoever asked.

Did you ever see her? What did you think?

Some friends of ours who used to live in Detroit moved to Nashville a couple years ago and occasionally suggest they’re open to visitors, but the timing was never right until it was, and then it wasn’t. Shadow Show is headed down to SXSW again this year, and is playing gigs along the way. There was one Saturday night in guess-where, so we thought, sure, we can drive down for a long weekend, see the girls, see our friends.

Unfortunately, one of our host’s aunts died, the funeral was a can’t-miss event, so they invited us to stay at their house anyway, etc. etc., and we decided what the hell, let’s go.

I’m glad we went. I hadn’t been to Nashville in decades. It is a decidedly different city than it was then, by a factor of about a million. The changes are…well, it doesn’t matter if we approve or not. They’ve happened and they’re not going away. Yeah, I remember Broadway as a scene but not a Scene^tm; back then we went to Tootsie’s Orchid Lounge and had a few beers but did not exit into the alley behind the Ryman Auditorium, former home of the Grand Old Opry, where it was said countless performers before us had done, having one last snootful before taking the stage. On Sunday, I wouldn’t have entered Tootsie’s with a live cattle prod. It was SEC tournament weekend, and the entire strip was rockin’ with basketball fans, drunks and brides-to-be, all entranced by the cover bands playing in every bar.

Oh, those brides-to-be. Someone informed me that Nashville is now Bachville, i.e. the country’s biggest non-Vegas destination for bachelorette parties, and not having known that already makes me feel like I’m not keeping up. March is considered the beginning of Bachelorette season, and they were already evident, traveling in packs, squealing, caroling WOOOOO from pedal pubs, you know the drill. (An aside: Is there a more jarring disconnect between the people on a pedal pub and the people watching them from the street? I don’t think so.) In googling for why this is so, I came across a five year old, but still excellent story in BuzzFeed that goes deep into not only the trend itself, but what it says about the city, which is gentrifying at a staggering pace. This piece was great, too. And full of tidbits like this:

(Bachelorette parties) love taking pictures in front of murals, which, over the last decade, have come to dot every gentrifying section of the city. What started as a covertly capitalist art form (a “I Believe in Nashville” mural designed by a merch company) has become overtly so, as business owners all over town realize the free advertising potential of Instagram location tags. During peak bachelorette season, the photo line at the most popular Nashville mural — artist Kelsey Montague’s “angel wings,” just a block away from Biscuit Love — can take 90 minutes.

An hour and a half wait to take a picture!? I sent this to Alan while we were eating lunch on Sunday, and who should come in and take a nearby table?

We did get to the Country Music Hall of Fame, which was much better than I expected — thoughtfully curated, spiced up with music interludes and interesting artifacts, like Les Paul’s log guitar, outfits from Nudie’s Rodeo Tailors and a lot more. The Hatch Show Print shop is in the same building, so we stopped there, too. Worth a visit for sure.

The Saturday-night Shadow Show was, however, one of their worst, as judged by the musicians themselves. The PA was shit, there were no monitors, they had to play last — touring etiquette in these situations say the road band goes second, I’m informed — and Kate said she never wanted to play a gig like that again. As for me, I’m just glad no one gouged me for parking, which happened in nicer parts of town on Sunday. And it was nice to catch up with Mr. and Mrs. Bassett, who joined us for most of a very long evening.

Did we try hot chicken? We did. It’s a spicy chicken sandwich.

Sunday night was another show, this one at the Brooklyn Bowl, a benefit for uninsured musicians. Elvis Costello and Billy Gibbons were the co-headliners. Elvis sounded less than great; his voice wasn’t coming through, the band wasn’t tight and his roadie brought out a new guitar for nearly every song, none of which seemed to please him. Fortunately, the show was closed by Gibbons, and once he banged out the opening chords to “Sharp Dressed Man,” we knew everything was going to be fine, and it was:

Oh, and that little text block on the mural in the first picture? The one you can’t read? A version of George Jones’ infamous lawn-mower story. His wife would hide all the vehicle keys when she left, to keep her hopeless alcoholic husband from heading to the liquor store:

And I didn’t have to wait at all to take it.

Every year there’s a perennial between-the-holidays story to be written, at least here in Michigan. It’s about the unclaimed property office in the Department of Treasury, and how to search and claim what might be yours. And every year I try, because there’s a $50 gift card from Lands End waiting for me there. I have zero memory how it got there. Maybe it was a Christmas gift I never redeemed, or store credit for a sweater I returned, or something else, but there it sits, year after year, with my name on it, mocking me.

It mocks me because I can’t seem to claim it. One year it required a notarized statement, which was probably more than I could get around to that year. But every time I see it in the database, I fill out the form, and at some point the form asks me to submit proof the unclaimed property is really mine. I have said, over and over, that I don’t have the gift card, so I can’t do that.

This year, I wrote a more detailed letter. I explained the concept of Catch-22, and said it several ways: If I had the gift card, it wouldn’t be unclaimed, but I don’t, so it is. And I asked, politely, that if I was going to be denied again, I would appreciate the Department of Treasury using the card to buy clothing for a poor child, and just delete it from the database.

Most years, I never hear back at all. But this year, I opened it, and the first word was Congratulations, so it’s a 2023 miracle.

And it gets better: They’re not sending me the gift card, but a $50 check, and that’s good, because Lands End quality has really slipped over the time I’ve been angling for my phantom gift card. So I guess I should donate it to a clothing bank, or something, because I already sent that intention out in the universe. Or I could combine it with the $180 that Michigan Democrats want to send me as part of their policy package this year (“inflation relief checks” is what they’re called), and have a nice dinner with Alan somewhere.

Oh, and I should add: This year’s stories about the unclaimed property office notes that the biggest single piece it has is a $2 million life-insurance payout, so if you’ve lost any relatives in Michigan lately, might want to search that database.

So.

One of the irritating things about Madonna, to me, is how thoroughly she has snowed people who should know better. (I’m not talking about her music – even I have a playlist on my Spotify account. It’s called “Tolerable Madonna” and is about 40 minutes long. I use it on short bike rides.) As long as she’s been around, she’s been bullshitting academics, critics and others with the idea that her “reinventions” are thoughtfully calculated, thick with carefully considered details, cultural references and other frippery that makes her, basically, a walking/talking PhD dissertation in pop-culture studies. She used to tell interviewers about how well-informed she is, and that her IQ was 140, so obviously, y’know, this is all real.

When it was pretty obvious to anyone who pays attention that what Madonna does well is scan the outer regions of pop culture, the place where her soccer-mom fans don’t spend much, or any, time, and import them into her routine. Also, that she is a narcissist without peer.

This has been going on for decades now. Camille Paglia, I’m looking at you.

Now the torch has been passed, in this case to Jennifer Weiner, who takes note of Madonna’s new face, which has been there for a while but got its widest exposure yet at the Grammys:

All of Madonna’s features looked exaggerated, pushed and polished to an extreme. There was her forehead, smooth and gleaming as a porcelain bowl. Her eyebrows, bleached and plucked to near-invisibility. Her cheekbones, with deep hollows beneath them. The total effect was familiar, but more than slightly off.

…Beyond the question of what she’d had done, however, lay the more interesting question of why she had done it. Did Madonna get sucked so deep into the vortex of beauty culture that she came out the other side? Had the pressure to appear younger somehow made her think she ought to look like some kind of excessively contoured baby?

Perhaps so, but I’d like to think that our era’s greatest chameleon, a woman who has always been intentional about her reinvention, was doing something slyer, more subversive, by serving us both a new — if not necessarily improved — face and a side of critique about the work of beauty, the inevitability of aging, and the impossible bind in which older female celebrities find themselves.

Oh, pfft. Madonna is 64, and can’t stand it. So she fell into a trap many people, most of them women, have fallen into already. She’s probably had dozens, scores of procedures already done to her face and body, most of them good; until recently, she looked great. But at some point the body says, “Girl, it’s time to stop,” and she ignored it. This is not a critique of “the work of beauty.” It’s a sad woman grasping for relevance.

Has anyone noticed that Madonna always wears gloves, and has for years now? I’d bet plenty that it’s because the veins on her hands bulge, a common side effect of exercise and vigorous physical activity: Exercise delivers lots more blood to the muscles, and veins return that blood to the heart. Athletes have larger veins than non-athletes, and that’s okay.

Madonna has always been proud of her commitment to fitness; she was trained as a dancer, after all. You’d think she’d display her hands without shame. And she’s going around these days talking about how the most controversial thing she’s ever done was to “stick around.” OK, then! Look like someone who’s been sticking around for a while. Patti Smith is almost aggressively old and gray these days, as she continues to make music and write. Most of the older female musicians at the Grammys that night, like Bonnie Raitt, looked their age. What’s so terrible about being old? (Other than knee pain, she said, wincing.)

OK, enough. I’m going to wait by the mailbox for my $50.

Did I mention I’m dog-sitting this week? Not at my house, theirs. It’s just a mile or so from my house, so it’s not a huge deal, but I’m sleeping over with the dogs, one of whom is an insulin-dependent diabetic, and the other a cute little shit who thinks his cuteness excuses his in-house shitting. But whatever, they’re not my dogs, I’m just here to take care of them. What else do I have to do?

These friends of mine have all the streaming services, so I’ve been watching a lot of TV. One this week was the Pamela Anderson documentary on Netflix, “Pamela: A Love Story.” I didn’t get all the way through, but I saw enough to gather the gist: This sweet girl was fed into the sex-symbol meat grinder, had a wide range of experiences related to that, and is now telling her story, her face scrubbed of makeup.

This is, I’m sorry to say, an old story. A while back I noticed that single women past the age of 50 have a strong tendency to have lots of pets, and that all these pets sleep in their beds, up to and including 80-pound pitbulls. At the same time I can’t help but notice that when sex symbols worldwide age out of the role, they will inevitably swear off men forever and get heavily into animal charities. Brigitte Bardot, case in point. Anderson is following the same path; she sold her Malibu house for $11 million, bought her childhood home and a lot of surrounding land, and now lives in Vancouver with her parents and, you guessed it, a lot of animals.

Her latest marriage, to a construction worker on her reno project in Vancouver, didn’t last. This is a theme.

Not that I am judging. One thing that becomes clear, watching this heavily documented life play out in archival video, photos and readings from her own detailed journals is, this is a woman in love with love and always willing to take a chance on it. Also, she didn’t manage her money all that well, and from time to time she needed to marry someone with enough to support her.

And here’s the other thing: What happened to her, a process in which she was a willing and sometimes eager participant, was equal parts wild ride and tragedy. You look at old photos of her, from her teen years, and she is unrecognizable as source material for the bleached, pneumatically boobed, polished, waxed, sculpted creation that came later. Here she is at the literal beginning of her modeling career, when she was spotted at a Canadian sporting event by the Labatt’s crowd cam:

So pretty, so wholesome, right? Then Playboy magazine invited her to come down to L.A. and meet Hef, and that was the beginning. Breast implants, natch. Peroxide-blonde hair, but of course. I have no idea how many surgeries and procedures she’s had to maintain it all, but I’d guess plenty. Still pretty, still more or less natural:

Then the upper lip expanded, the eyebrows were tweezed into a high arch, the ridiculous Baywatch swimsuit was glued to her body and pretty soon she was getting married to Tommy Lee on a beach in Cancun. All this time men are staring at her, exposing themselves to her, pawing her, and, needless to say, masturbating frantically to her image. When women say, later, how uncomfortable they were with this level of literal exposure, I always want to ask: What did you think would happen? Had you ever seen a copy of Playboy? Sometimes, anticipating these questions, women will say, “They made me feel beautiful, which had never happened to me before,” and OK, I guess I understand. Anderson’s first sexual experience was a rape, and that does a number on your head. But none of this is a secret, and none of it was a secret when Anderson was drawn into it. She’s absolutely right that the obsession with her breasts was ridiculous, underlined by clip after clip of some late-night talk-show host goggling at them. (You know what that tells me? We need more female late-night talk-show hosts.)

But I can’t go along 100 percent with the “it turns out Pam was a person all along” hype. Everybody is a person, but we sometimes forget it. I’m glad that today’s sex symbols have more of a voice in these things; Emily Ratajkowski is photographed naked and semi-naked all the time, but also published a book of essays called “My Body.” I didn’t read it, but it was pretty respectfully reviewed. She had the advantage of coming along 20 years later.

Once again, we learn that women are human beings, and we should treat them as such, at least until they demonstrate, over and over, that either they consider themselves far, far better than the rest of us, or that their personhood is not something they value all that much, or that they have taken it to places where it’s clear they’re actually inviting the world’s judgment. Hello, Madonna and your latest terrifying face:

That’s her daughter, of course, Kate’s former classmate at U-M. She saw her once on the bus, and remarked, “She sure is pretty.” Careful, Lourdes. That’s what they said about Pam Anderson.

So the week starts. A few more days here, then a Shadow Show gig at the end of it. Should be good.

If you grow up in Columbus, it doesn’t seem weird to have at least three friends whose parents have turned their rec room, or guest bathroom, or whatever, into a shrine to the Ohio State Buckeyes — the buckeye wallpaper, the block-O toilet seat lid, maybe a framed picture of the coach of the moment. When a baby girl is born to Mr. and Mrs. Gray, and they name her Scarlett Ann, netting them a cute story in the local media, it just seems…normal.

It’s a measure of how far I’ve come from Columbus that when the Free Press did a story last week about all the businesses along High Street had covered any Ms in their signage, I was able to finally say JFC these people. (Borden and I used to hang out at a High Street club called Crazy Mama’s, which I suppose would have to be called Crazy Xaxa’s. The basement place next door would be Xister Brown’s Descent. Down the Street? XcDonald’s.)

This is stirring up memories of working as a reporter in Columbus, and how it intersected with OSU. In Michigan it’s the couch blazes in East Lansing, but in Ohio, it can be anything. My favorite was the two city council members whose romance went sour: The spurned boyfriend drunkenly broke into her apartment in the middle of the night, and rousted his ex and her new lover out of bed. I believe he threatened them with a barbecue fork he found in the kitchen. He made them do Script Ohio stark naked, then stabbed their waterbed to death before fleeing the scene. This prompted a city editor, a legendary drunk himself but one blessed with a Shakespearean actor’s voice and diction, to crow to the newsroom at large, “Ah yes! Miss Coleman’s companion swung his baton while she enthusiastically dotted the I!” Newsrooms were fun places, back then.

I usually don’t take a side in sports contests, because it seems to be an E-ticket to misery. But man, I have to say: When Michigan put the smackdown on Ohio State on Saturday, it felt…wonderful. Underdogs, in hostile territory, all the sports yakkers calling them sacrificial lambs – and then they not only win, but win decisively? It was nice.

The chips and dip weren’t bad, either. I see why people get into this.

I hope you all had a good Thanksgiving, and I apologize for being absent. There was work to do, my back is still KILLING me, and ever since I got this new laptop, your comments are no longer coming to my email. A few will slip through, but it isn’t a steady stream rolling across my desktop. I have to check the dashboard, or just dial up the site like anybody else. It’s no biggie, but I get behind from time to time.

Anyway, it was a good weekend for me — holiday, birthday, OSU-beatdown day.

How about a meme, then?

Ha ha.

OK, enough gloating. Occasionally, I surfaced to check out the news. And whaddaya know? Nothing changes:

Republican lawmakers have largely remained silent in the wake of former President Trump’s dinner with antisemitic rapper Ye and white nationalist Nick Fuentes, reviving a tactic they frequently relied on during his presidency.

Wonderful. Just wonderful. I should go back to bed.

Hope the week ahead is good for everyone. I’ll be here more frequently.

Note: I started to write this for Deadline Detroit, trashed it, rewrote it, trashed it again – it seemed too obvious. But now, in the last days before the election, gubernatorial candidate Tudor Dixon has unearthed dirty books as a campaign issue. So, with a sigh, I say the obvious.

Defending books from those who would ban them, burn them, keep them out of libraries – that’s porn for a progressive. It’s so easy to step up for Kurt Vonnegut, Margaret Atwood, Toni Morrison, all of whom have written something to cheese off right-wingers. It’s almost literal virtue-signaling.

It’s harder to do it for the terrible writers – hacks, pornographers, crap-merchants – who also get swept up in the net wielded by people like state Sen. Lana Theis, who last summer choked back tears on the MIRS podcast when talking about the filthy, filthy books that Michigan children are exposed to in their school libraries. Stung by her tongue-lashing from her Senate colleague, Mallory McMorrow, she sought to get a little of her own back by also crying to the Detroit News’ Ingrid Jacques, champion of put-upon conservative women everywhere. Wrote Jacques, in her last column for the paper:

Theis points to specific books that she knows are in some Michigan school libraries or being taught in the classroom. Books such as “It’s Perfectly Normal: Changing Bodies, Growing Up, Sex, Gender, and Sexual Health” depict in graphic detail masturbation, sexual positions and LGBTQ relationships. It’s targeted to children ages 10-13.

Other books such as “Push” describe a father raping his daughter, also in great detail.

“Do you believe preschoolers and elementary school children should be exposed to complex sexual and gender identity issues?” she asks. “Or do you believe children should be able to maintain their innocence at those young ages?”

Innocence. Huh. In my experience, 10-13 years is the age when puberty arrives, early for some (mortifying) and later for others (equally mortifying). Once that happens, one’s brain becomes a fetid stew of confusion, and innocence – at least, the innocence of early childhood – flies out the window. A book that explains how one’s body is changing, not just in medical terms but in a way that at least acknowledges all the weirdness one might feel as a result, sounds like a welcome addition to any school library. (Also, please: If 12-year-old boys, and some girls, aren’t masturbating, I’m Marilyn Monroe.)

I was about 12 when a different book was passed around my junior high school, like Soviets sharing samizdat. “The Godfather” was a best-seller, the ‘70s version of the Mafia tale. The paperback was everywhere, copies stained with pool water dripped by summer readers and ketchup from lunch readers, spines scored with multiple openings and closings. But we all knew what we wanted. Our copies fell open to page 21.

It’s the scene where Sonny Corleone screws Lucy, a bridesmaid at his sister’s wedding. Author Mario Puzo doesn’t spare a detail in describing Sonny’s huge penis, “an enormous, blood-gorged pole of muscle” that penetrates Lucy and causes “unbelievable pleasure” as she receives the “savage arrows of his lightning-like thrusts” which of course – of course! – end in a “shattering climax” for Lucy, the first of her life. Of course.

Junior high was different then. Most of us were still virgins. Our health classes talked about reproduction, sperm and eggs, but nothing about blood-gorged poles of muscle, needless to say. The passage was titillating, confusing and terrifying. We all had enough knowledge to understand, theoretically at least, that we’d be having sex one of these days, but we feared for the integrity of our tender interiors, should it be with a Sonny Corleone. But Lucy felt unbelievable pleasure; it said so right on the page. From savage arrows. What is going on here?

Here’s another book Theis named in her tour of aggrievement, “Push,” by an author known only as Sapphire. It opens with this devastating passage:

I was left back when I was twelve because I had a baby for my fahver. That was in 1983. I was out of school for a year. This gonna be my second baby. My daughter got Down Sinder. She’s retarded. I had got left back in the second grade too, when I was seven, ’cause I couldn’t read (and I still peed on myself). I should be in the eleventh grade, getting ready to go into the twelf’ grade so I can gone ‘n graduate. But I’m not. I’m in the ninfe grade.

Clarieece Precious Jones, the child telling her story, is not innocent, needless to say:

“Father,” (the nurse) say. “What’s your daddy’s name?”

“Carl Kenwood Jones, born in the Bronx.”

She say, “What’s the baby’s father’s name?”

I say, “Carl Kenwood Jones, born in the same Bronx.”

I can see where “Push” might not be Theis’ cup of tea. But imagine you’re a child who’s enduring this sort of abuse at home – it happens, even in Howell – and you pulled this book down from a library shelf. You might feel less alone in the world. And maybe you are a well-loved child from an intact family, and you did the same. Maybe you’d feel like the world was wider than you might have thought.

And that is the whole point of literature. To hold a mirror to the world, all of it. Children should be guided in their choice of reading material by adults, but not dictated to. (You should have heard what my school librarian had to say about Nancy Drew mysteries, my absolute favorite for a while.) In a just world, any child entering a school library in search of reading material should be treated with trumpets and salutes. If a plain old book can cut through the static of TikTok, homework, over-scheduling and the million other things competing for their attention, give that author the Nobel Prize. That’s an accomplishment.

Theis’ cause is not a lonely one. I recently stumbled across a spreadsheet, file name “inappropriate library books,” compiled by FEC United, a hard-right group that has established a beachhead in Grosse Pointe, where I live. It contains “Push,” needless to say. And there’s the 1619 Project and various books about racism. All three of the authors I mentioned in my first paragraph are there. And now, late in the race, the flailing Michigan gubernatorial campaign of Tudor Dixon has seized on dirty books, which she describes as “books describing how to have sex” as an issue. I can’t really top Gov. Gretchen Whitmer’s riposte to that (“You really think books are more dangerous than guns?”), but I will add that in my experience, no one needs to be taught how to have sex; nature has endowed us with the instincts to figure it out on our own.

Anyway, like I said, we can all get a warm glow from sticking up for Toni Morrison. But I rise today to stick up for Mario Puzo, crap-merchant. His lousy novel was the foundation of two of the best movies ever made; that alone is the basis for a decent term paper. Lucy the bridesmaid gets her own subplot, a weird medical detour to explain her too-large vagina, and no I’m not kidding. It scarred me for years, worrying that one day I could only be satisfied by a donkey-endowed man like Sonny Corleone.

If only it had been kept from me!