The very expensive trash can.

Alex raises a question in the comments of an old thread: If Don Imus had referred to the Rutgers baseball players as lesbians rather than prostitutes, would the outcome today be different? Hmm.

“Nappy-headed dykes,” say, or (more likely) “tattooed dykes.” I don’t wish to be a cynic. But if I think his insult had been seasoned differently, had been about sexual identity — which all good Americans know is entirely a choice, something you pick out in a store like a pair of Levi’s — rather than race, Imus would be interviewing Frank Rich as we speak and we wouldn’t be looking at his Andy Rooney eyebrows in the newspaper today.

Since this topic is now so played it’s like discussing the weather (STILL TOO COLD), maybe we could take it away in that direction. Or maybe you’re as sick of hearing about it as I am.

Me, I went shopping yesterday. Nickel-and-dimed my discretionary spending away on things like foot cream and a misting fountain for Kate’s room (long story boiled short: she loves it). But I counted myself victorious, because I went to the Container Store and only bought two 99-cent plastic squeeze bottles and a marked-down iPod case. As soon as I walked through the doors I knew I was at high risk to produce a credit card and start making sweeping arm motions at entire aisles. The place is like a porn store for women, dangling the fantasy that we all hold in our heads — that somehow, somewhere, with the right filing system and a lot of clear plastic boxes, you can find a place for everything and put everything in its place.

Years ago, my sister bought a SimpleHuman trash can. It cost something like $130, which may strike you as insane (it did me, at the time), but everyone who experiences the marvel of this trash can is entirely sold on its clean design and smooth operation, then goes out and buys one. Yesterday I saw the logical upgrade — a $199 electronic model that raises its lid when you stick your foot in the sensor zone at its base.

No, I didn’t buy it. But I drooled. Afterward I came to my senses, the way a man who 20 minutes ago was thinking, “Hmm, yeah, Jenna Jameson might make a nice life partner for a guy like me” might wake up and say, “Um, maybe not.”

Visual joke: For sale at the checkout of the $199 trash can store? Copies of Real Simple magazine, pitched at the person vexed by owning too much stuff.

OK, we’re back on the road today. No. 1 on today’s to-do list: Find a babysitter. Because guess what snuck up on me? Tonight is Iggy at the Fox in Detroit. If necessary, Kate can sit in the car.

Posted at 9:49 am in Media, Popculch, Same ol' same ol' | 14 Comments
 

High-def guilt.

My neighbors have a big TV. Really big TV. How big is it? Can’t say — I’ve never seen it up close, because I don’t have to. If the curtains are open even a little bit, I can tell what they’re watching with 75 percent accuracy. (Right now, hockey.) And they live across the street and one door down; it’s a good 200 feet or more from my couch to their TV. That’s a big TV.

Big TVs are all the rage, now that the bugs have been worked out, now that they no longer have the footprint of a Volkswagen Beetle. Everybody I know is buying one. (True story: My friends John and Mary bought one, and hired a guy to hang it on the wall. He said he’d just finished a similar job at then-Sixer/now-Piston Chris Webber’s house. [Yes, he’s a Pointer.] He’d hung 13 of them. Thirteen flat-screens in one house! It’s like an episode of “Cribs.”)

Anyway, I guess eventually we’ll have a giant TV, too, once the price drops to $1.98, which it seems on track to do by year’s end. But I won’t feel good about it. I love TV now that TV is so much better than it used to be — thanks, HBO. I love watching DVDs at home. But my TV guilt-meter was calibrated in the days of “Three’s Company,” and there’s something about a giant TV that suggests a world of La-Z-Boy recliners with built-in cupholders and crocheted Kleenex-box cozies. It rings every snob bell I have, and I have a tower full of them. I hate myself. Why? Because part of me wants one, and the other part is covered in shame for doing so.

Here’s the thing about a giant TV: It wants to be on, all the time. I like a TV to be off most of the time. My first and most hard-core TV rule is this: If it’s on, the people in the room must be paying attention to it. If you leave the room for any reason other than a bathroom break or to fetch another beer, it must go off. Once I interviewed some lottery winners, plain old hardscrabble people who woke up one morning $9 million richer, courtesy of the state of Ohio. I caught them after they’d had the money for several months, which is to say, their old house was full to the rafters with new toys, but the new house — 1,000-square-foot master suite, cement pond out back, the works — was still under construction. There was a rock on her finger and a Corvette in his garage, and a giant TV in the living room, which was too small to accommodate it. It was mid-morning, around the time a movie old enough to shave was on TBS. I took a seat to the right of the screen, they sat opposite me. The TV stayed on. When I was talking, they both watched the TV. When they were talking, the one who was talking looked at me, the other one watched TV.

That was a formative experience in giant-TV culture. I still haven’t shaken it.

Oy, we had ourselves a day in the D yesterday. A “workplace shooting,” as they’ve come to be known. Guy fired from an accounting firm on Friday came back on Monday and shot a retiree helping out for tax season and two partners. The retiree died. The other two are still alive. Of course we have a sidebar story on how this might be avoided in the future. Grim humor within: An HR expert says Friday is “traditionally” the day to fire people. Really? I didn’t know that. I tried to think of firings I’ve witnessed, and the only common denominator they all had was the Box. You know the Box, usually a banker’s box, filled by either the fired party (or security) with the detritus of one work life — a few personal files, a stained coffee cup, a framed picture. Is there a sadder sight than a banker’s box with a “you don’t have to be crazy to work here, but it helps” mug overturned in the bottom? I don’t think so.

“The Office” has gone a long way toward pointing out the thousand soul-abrading, death-by-a-thousand-cuts indignities of life in cubicle land, but I don’t think they’ll tackle this subject for a while.

I predict [raises finger aloft] that we will come through this blogging thing, turn 320 degrees or so, and out the other side — yes, this is metaphor is intentional — with newfound respect for our unsung friend, the editor. Yesterday’s post was up for hours before I noticed I wrote “…for years I’ve tried very hard to annoy my site statistics.” I meant I ignore them. They’re like the quicksand of narcissism. I’ve read about people who monitor their credit scores daily, who track their eBay feedback nearly as often. And some people track their site stats obsessively, which is one reason I’ve avoided doing so. I mean, I like affirmation as much as the next person, but please.

However, Google Analytics is just out there waiting to be installed and noodled over, and today, my first day with it, was nearly enough to run me off the rails. I have a reader — or else a robo-reader — in Reykjavik. (Holla back, Iceland.) Someone came here via Googling the phrase “what hoody does TI wear in chevy commercial.” (Who’s TI?) And then there are those of you whom I can call by name. One reader in Portland (hey, Vince). One in Cincinnati (Rob!). Forty in Fort Wayne, approximately the remaining readership of the News-Sentinel. I have to stop. I have enough things to procrastinate with.

Posted at 10:36 am in Current events, Housekeeping, Popculch, Television | 29 Comments
 

Our colorful language.

I once interviewed a guy, back in the early days of blogging, who insisted on referring to the non-digital, non-online world as “meatspace.” It was trendy at the time, and he refused all nudges to use another word or phrase. The more I looked at my notes, the more I hated the word. It brought to mind a picture of walking veal chops and beef roasts, perhaps leaving grease trails in their wake, like slugs. (Has someone done an online quiz for this yet? “What Cut of Meat Are You?” I like to think of myself as something tasty and delicate, like rack of lamb, but I’m probably closer to a plain old pot roast — cheap, tough, but capable of tenderness after long simmering.)

The digital age has given us some imaginative slang. I think it was one of William Gibson’s cyberpunk novels that first used the term “meat puppet,” to describe genetically engineered sex workers. I like it better than “hooker,” but it never caught on. Whereas every third site I visit seems to use the term “pwned,” which I’ve never really understood. (Oh, I get that it’s a typo-y version of “owned.” So why not just say “owned?”)

“Meatspace” never got into wide use, either. I guess others didn’t think of themselves as whole fryers or pork tenderloins, either.

Anyway, I was thinking of slang this week, after my local weekly ran a story that sent me racing to the bathroom to check the mirror, so sure was I that I had stepped into a time-space crevasse and had fallen into 1971. The story was on the dangers of drugs. It included a sidebar, headlined “Some drug lingo rings a few bells.” It rang none with me, but then, I always ran with straight talkers.

The cocaine years raged around me in the 1980s, and in that time, I can recall only a few alternative words for it. There was “coke,” of course. Occasionally someone would call it “blow,” but always half-ironically, aware of sounding like a pamphlet. “Bolivian marching powder” was for total, arched-eyebrow wiseasses, specifically those who’d read “Bright Lights, Big City.” No one ever called it “nose candy,” which sounded like something a narc would say. And I never, ever heard anyone use the term “Angie,” which, my newspaper informed me, is not only slang for cocaine, it’s “the title of a song by the Rolling Stones.” As is “Aunt Nora,” “coconut” and “Roxanne.” Hmm.

Remember how old you felt when you learned rappers were calling marijuana “the chronic”? How about these hipster alternatives? “Babysitter,” “catnip,” “Colorado cocktail,” “haircut,” “yeh” and “yellow submarine.” I can’t wait to sidle up to a Grosse Pointe high school kid at TCBY and ask where I can score some haircut.

I read this Thursday afternoon and snickered to myself. I was working in the living room later that night when I heard Alan, at the kitchen table, mutter “Jesus Christ.”

“Someone’s reading the Grosse Pointe News,” I called out.

“Let’s ‘fly Mexican airlines,'” he called back. (“To smoke marijuana,” the paper informed its readers.)

One amusing passage I made a note of: To use Ecstasy and Viagra together is known as “hammerheading.” Woo-hoo.

(My favorite drug slang was always hyperlocal, like the time a truck driver told me that amphetamines of all sorts are known among long-haulers as “west coast turnarounds.” Maybe he just made it up. Great slang, though. A girl I knew swore that in the Upper Peninsula, marijuana was known as “browns.” The word was infinitely adaptable. You could smoke a brown. “Let’s get browned.” And my favorite, “Need a brown to bring you around?” She also claimed “strap” as a synonym for sex. Seldom have I heard a putdown as succinct as “All she wants to do is strap.” The UP is a funny-talking place.)

What’s the strangest, silliest or most apt slang you’ve heard? Leave it in the comments. I’ll be on the road most of Monday, so I look forward to coming home in the afternoon and building my vocabulary.

Posted at 1:28 am in Popculch | 55 Comments
 

Seconds?

It’s my blessing and curse to remember writing, the way a fashionista remembers details of an outfit years later (“…and then there was the most extraordinary string of Mikimoto pearls, in graduated sizes, about 18 inches, falling just below the clavicle notch…”). And so I recall, in much greater detail than I’d like, the overheated phrases of an Ann Landers column that ran when I was about Kate’s age. It was about the dangers of the drug scene. Er, drug “scene.” Ann hung quotes on every word that she identified as youth-culture slang, so it was quite the column. I particularly remember her description of a “sick thrill” she called “fruit salad.” The gist: Everyone comes to the party with whatever pills they could “score” on the street or “liberate” from mom’s medicine chest. All the pills are thrown together in a bowl, and everyone at the party swallows a handful.

(At this point I should say that in my youth, which included many brushes with drug culture, I never, ever saw anything resembling a “fruit salad” that didn’t consist of mixed berries and maybe kiwi. Of course, I was behind the bleeding edge of the baby boom, so who knows? As my friend Name Redacted used to mourn, “Pot was a party drug. You lit up a joint, you passed it to the closest person. It brought people together, it made the party more fun. Cocaine is all about shutting people out. You pick whoever you want to suck up to, and invite them to go to the bathroom with you. This isn’t a good thing.”)

(I should also note that when I was Kate’s age, I was reading the daily newspaper. Two of them, in fact, as we subscribed to both the Columbus Citizen-Journal and the afternoon Columbus Dispatch. I still subscribe to two newspapers. Kate doesn’t read either.)

Well, I’m rambling. My aim, today, is to finally give the Ann Landers fruit salad a proper name. I propose: Anna Nicole’s Casserole, or if you’re French, Cassoulet a la Anna Nicole. This is in honor of her autopsy report, released yesterday. Her system was so packed with fun that the Associated Press ran the full list as a sidebar. Seriously. Here’s the text, in its entirety:

The following drugs were found in Anna Nicole Smith’s body during the autopsy, according to the Broward County medical examiner’s office:

Brand Name (Drug) indication

— Ativan (lorazepam): anti-anxiety medication
— Cipro (ciprofloxacin): antibiotic
— Klonopin (clonazepam): anti-seizure medicine also used to treat anxiety
— Methadone: strong painkiller, often used to suppress withdrawal from heroin
— Noctec (chloral hydrate): sedative and sleeping medication
— Robaxin (methocarbamol): muscle relaxant
— Soma (meprobamate): muscle relaxant
— Topamax (topiramate): anti-seizure medication also used to treat migraines
— Tylenol (acetaminophen): pain reliever
— Valium (diazepam): anti-anxiety medication, also used as a sedative and to treat seizures

In addition, she had also taken these around the time of her death, according to interviews and other evidence gathered by the medical examiner’s office:

— Benadryl (diphenhydramine): antihistamine
— Human growth hormone: touted as a muscle-building, weight-reducing agent
— Nicorette (nicotine polacrilex): used to quit smoking
— Tamiflu (oseltamivir phosphate): anti-viral medicine
— Vitamin B12: helps formation of red blood cells

Source: Broward County medical examiner’s office; University of Miami toxicology department

My favorite single item? The B12. It’s one of those health cures I’ve heard about all my life. “I need a B12 shot,” people are always saying. “Really? What does B12 do?” I ask. No one knows. It’s like “toxins.” It’s good for you. Ask no questions.

My second-favorite item: The Tylenol. Talk about feeling no pain!

And finally, bringing up the rear: Nicorette gum. Because it’s important to give up one’s unhealthy habits.

This is better than River Phoenix, who died after a similar heapin’ helpin’ of Anna Nicole’s Casserole. But he was a vegetarian, because red meat can kill you, man.

Lots to do today, not enough time to do it in. Console yourselves, children, with bloggage:

The 10 Worst Rap Album Covers Ever Made. No. 1 belongs in the Smithsonian.

I’m so crushed “Rome” is over. I want to be BFF with Atia. Can’t we do a sequel?

And now, off to the gym. Class is called “Flex Appeal.” I have no idea what this means, but I could use some flexing.

Posted at 9:13 am in Current events, Popculch | 35 Comments
 

Daisy is in the house garage.

How did a deuce like me end up with an ace like Alan? This is something I think about frequently, usually on a day like yesterday, when I notice that my husband, the man who chose me to marry, is doing something like taking apart a 36-year-old bicycle drum brake and going hmm, OK, this goes here and that goes there and maybe we should clean out some of this rust, and, and…

Getting ahead of myself.

Project Tandem has reached its conclusion. After a series of coordinated phone calls, e-mails and a late-afternoon drive to Lansing, we’re the new owners of a 1971 Schwinn Deluxe Twinn, five-speed tranny, in Kool Lemon. It’s dreamy. And although it’s in excellent condition for a bike of its age, it hadn’t been ridden in decades and needed some work. Alan spent Sunday learning its mysteries.

First were the tires. How, we wondered, did such cracked and rotted tires, surely the originals, still manage to feel as full and drum-tight as they did? Whatever, they’d have to go; it was only a matter of time before they gave way. He drove a nail into one to deflate it. It not only didn’t go flat, it didn’t want to give up the nail. He tried prying the tire off the rim with a screwdriver, but it wouldn’t budge. Finally, I looked up to see Alan removing the tire with, yes, a saw. tube.jpgThe “tube,” such as it was, revealed itself to be a length of stout rubber hose suitable for beating South American political prisoners. Weighed about three pounds each. The guy at the bike shop said he’d only heard of such things; they’re a specialty item for slender rubber tires used in places where they’d go flat frequently, like the floor in a carpet-tack factory, perhaps.

Anyway, they’re gone now. Next was the brake.

I don’t know about you, but I approach most machinery with a certain wary respect. I’m not totally buffaloed by it, but I recognize that the capability of understanding precisely how things work is either beyond me or of little interest. Alan’s knowledge is harder-won; he grew up in a working-class family, where if you needed something fixed, you fixed it yourself. The idea of paying someone to do something you could do yourself was not only preposterous, but wasteful, like paying someone to scratch your back. And since Alan was a boy with a bicycle and then a minibike and then a motocross racer, in a family that owned outboard motors and lawn mowers and small electrics, he learned quickly that if you took something apart carefully, you could usually figure out what the problem was, fix it, and then reassemble it with no harm done, at a fraction of the price a repair shop would charge.

Anyway, this bike, which weighs around 60 pounds (65 with the old tires) and carries two people, needs more serious stopping power than two caliper-style brakes would provide. So the rear brake is a drum. “I really don’t know how that works,” the seller’s wife said as we were looking it over.

“It’s simple,” Alan said. “There’s a cam, and when you put on the brake, the cam rotates and presses two shoes to the outside of the drum, and stops its turning.” She nodded politely. I recognized the expression on her face.

Alan disconnected the cable from the brake, removed the wheel, removed two nuts and then a third, and lifted off the top of the drum. brake.jpg“Just as I suspected,” he said. “Rust.” He cleaned it out with mineral spirits and then — I still can’t believe he can do this — put it back together. Then he put it back on the frame. And then he reconnected the cable, which involved three or four different nuts and twisty things. And he drenched it all in WD-40. And now it works like aces.

I know the feeling he gets when I marvel over this; it’s the same one a woman gets when her 24-year-old boyfriend is tucking into the first home-cooked meal she’s made for him. He looks at her with love in his eyes. She has performed alchemy, just like Mom. She’s marriage material.

And then there was more WD-40, and an Unfortunate Chain Incident (quickly put right), and we were ready to take it out. I have no pictures of the shakedown cruise, but here’s the finished project:

daisy.jpg

The basket is for carrying home picturesque bags of groceries, with carrot greens and six inches of baguette protruding from the top. The lock is for current Detroit realities. (The brand’s motto: “Tough world. Tough locks.”) The rest is for fun.

So, bloggage:

Most of you aren’t journalists, so I won’t spend much time on this, but I got an e-mail from a friend last week, when the Great Los Angeles Times Guest Editor Crisis was unfolding. A short e-mail. In its entirety, it read: Is it just me, or has our profession gone completely off its rocker? I replied: It’s not just you. I was thinking the same thing. Michael Kinsley sums it up well.

Why I love This American Life: Last week’s show was “What I Learned From TV.” The last chapter has Dan Savage, gay parent, telling why he’s creeped out by “The Suite Life of Zack and Cody.” I was listening to it and found Kate creeping close to eavesdrop — after all, she kept hearing the names of characters she knows like siblings — and I had to say, while wiping laughter-tears from my eyes, “Look, someday you can hear this, but not yet.” (Astonishingly, she accepts this explanation.) But you, you’re a grown-up. Enjoy.

When I see a promo line reading, “George Will on anger,” I’m gonna read it. It should not surprise you to learn that George Will disapproves of anger. Why not try superciliousness, like him? The anger directed at Bush today, like that directed at Clinton during his presidency, luxuriates in its own vehemence, he writes. Funny how it didn’t bug him so much then.

Where does Ken Levine find these things? Girl is deathly afraid of pickles, so she goes on “Maury,” where people chase her around with pickles:

I like a nice crunchy garlic dill myself.

Posted at 9:51 am in Popculch, Same ol' same ol' | 21 Comments
 

Daisy, Daisy…

I’ve been shopping for a new toy of late — a tandem bicycle. I’m gonna offset me some carbon with a vengeance, once I get my hands on one. Kate and I will pedal all over the Pointes on it this summer, but first I have to find just the right candidate. My price range is “reasonable,” which means “below $500.” Mitch Harper had a drool-worthy one on his site earlier this week, but it’s way too rich for my blood, and I don’t think they’re going to drop the price by 50 percent. (It does, however, match my current bike perfectly; they’re both Cannondales from the same year.)

So the answer is, more likely, an old Schwinn Twinn or something similar. Poking around has led me deep into the world of vintage-bicycle nerds and their odd ideas of what things are worth. To give you a sense, I’ve seen Twinns in various states of repair at prices ranging from $80 to $1,500, and the condition of the bikes didn’t range nearly that wide. I’m convinced some people just don’t really want to sell, and so set outrageous price tags to make sure the bike stays in their garage.

Anyway, I have my eye on a couple. I love you, eBay. I cover you with kisses.

Bloggage:

Boy, Madonna and I really are nearly the same age, aren’t we? I kinda like some of these items from her H&M collection. They strike me as understated and classy. What’s wrong with me? What’s wrong with her?

Laura Lippman makes the NYT best-seller list this week: I’m #11, separated by an asterisk from Mitch Albom at #10, which means our sales are virtually the same for the week. That’s gotta be a good feeling. Congratulations. Buy the book. Let’s get her above Mitch next week. SHAMEFUL UPDATE: The book is “What the Dead Know.” (Blush.)

I shouldn’t spend so much time blowing love to Ken Levine, but I’d pay money to hear him tell Hollywood stories. Fortunately, he tells them free of charge:

Our line producer informed me that the studio refused to pay our secretary’s parking. The budget for each episode was over a million dollars. Weekly parking was $13. Above-the-line people (writers, directors, producers, actors) got to park on the lot for free. Below-the-line peons had to park in a structure across the street.

And don’t let the Hollywood address fool you. This was not a great neighborhood. I used to call the lot “Fort Paramount.” While working at WINGS on rewrite night we often watched drug deals go down across the street at the parking structure. An ice cream truck would arrive every night about 11 and we would say, “Cracky the clown is here. Looks like he’s got some great shit tonight for the kiddies!”

I’ve probably heard more inside-Hollywood stories than most Midwesterners, but far fewer than the average Californian. Nevertheless, I’m always amazed at how often parking plays a major role in showbiz power struggles. It’s a place where everyone works out all the time, and yet having to walk from a too-distant parking space is considered an appalling insult. (The safety factor Levine mentions is a wild card.) My screenwriting-rewrite teacher was working on a project with Katie Holmes the semester our class was meeting; this was before she became Scientology’s zombie bride. He was going out to Los Angeles most weeks and “taking” meetings with his writing partner and Katie, who was “attached” to this project. (I just love slinging that lingo, but my outsider status requires me to put it in quotes.) One day they arrived at a movie lot in two cars. My teacher and his partner were directed to an inside-the-gate spot, while Katie was told to park at a remote lot two blocks away. That she did this cheerfully and without complaint — even keeping a pair of sneakers in her car for just these occasions — was offered to us as proof of what a wonderful, sweet, not-Hollywood-at-all, down-to-earth girl she was. “She’s really from Toledo,” he’d say.

The project later dissolved before it bore fruit, as I gather 99 percent of them do. You know the rest of Katie’s story.

Posted at 9:30 am in Movies, Popculch | 29 Comments
 

Speaking in tongues.

Rented “Babel” this weekend, an event remarkable only in that it whittles the unseen-Oscar-best-picture-nominees down to two (“The Queen,” “Letters from Iwo Jima”), which is pretty good for post-parenthood Nance. I liked it a lot, but I’ve liked Alejandro González Iñárritu ever since “Amores Perros,” which blew my doors off. “The Mexican Quentin Tarantino,” he’s called, but he’s much better than that. More serious, anyway.

The theme of “Babel” and “Amores Perros” is one that I’m always a sucker for — the way our lives all connect, stranger to stranger, even across continents. The Butterfly Theory in human form, maybe. But here’s what I have to ask someone who saw it in the theater:

Were there subtitles?

Because there were none for the DVD, a pretty cheeky directorial decision for a film where characters speak in seven-count-’em-seven languages, according to IMDB: Japanese Sign Language, French, English, Spanish, Japanese, Berber and Arabic. When I realized none were forthcoming, I decided to just settle in and groove with it — dialogue is just words, and acting is a lot more — and found that I understood it pretty much perfectly, with the exception of the Japanese girl’s backstory, which was superfluous anyway. I know her backstory because I looked it up online; helpful souls at Wikipedia, who apparently speak all these tongues, figured it out and posted a complete synopsis. The movie is called “Babel,” after all. And making people do supplemental reading is totally, whoa, postmodern.

Before I took the DVD back to Blockbuster, I went through the menu until I found a setup screen. I selected “English subtitles” and hit “play.” No subtitles. So who the hell knows? I enjoyed the movie. Brad Pitt may be a handsome devil, but now he’s a handsome devil with serious eye-crinkle. Like his friend George Clooney, he’s striving to age in an interesting manner. I heard Alec Baldwin talk in an interview about the morning-afterness of being last year’s hunk, how it’s not as difficult for men as it is for women, but it is difficult, breaking through into something resembling serious work, especially when women fan themselves at the thought of your butt. (Or at least how it looked in “Thelma and Louise.”)

Through the magic of the Google, I looked up my old Prof. Terry’s take on “Babel.” He frequently surprises me, and this was one of them: Two lousy stars, and a flip of the hand:

Though “Babel” would seem to be a plea for more cross-cultural empathy and understanding … it fails to provide dramatic evidence that any of the bad things that happen to the generally good people here could have been avoided if we all spoke the same language.

Hmm, I didn’t get that that was its aim, but then, I watch a movie in my living room very differently than I do in a theater. At home, I’m a much easier lay. The other day I found myself whiling away an early Friday evening with “Imagine Me & You,” which I objectively recognized as a total piece of crap but still failed to turn off. I think it was because all the characters dressed so well. I just wanted to see what the next scene’s sweater would look like. (There were also a lot of knit hats in that one. I have never been able to wear a knit hat without looking like a person who sells newspapers out of a van on a busy corner.)

“300” — there’s another one I won’t be catching until it hits cable, even if it shaping up to be the “Billy Jack” of the Bush-boosters. Even if it is, like, the gayest movie since “Top Gun” and maybe gayer. Even the previews make that obvious, but this blogger puts the cherry on it:

Any movie that features this many half naked, really good looking guys running around thrusting long shafts into each other over and over and over again, in which so many men spend so much time demanding that other men kneel before them, and in which so many truly butch guys dressed only in panties and leather straps manage to get so constantly and thoroughly spattered with the body fluids of other men… I don’t know. I’m thinking that pointing out that the Greek culture which the Spartans were part of and which they were fighting, killing, and dying to defend was homosexual by choice is, well, appropriate, and merited.

Yeah, me too.

(By the way, those who have seen “300” — does Leonidas have any scene where he’s not yelling at the top of his lungs? The whole trailer, he’s bellowing. “This…is…SPAH-TA! Then we will fight…IN THE SHADE!!!” That would get old fast.)

I’m retooling my blog bookmarks again. My rule: The drop-down menu must not extend beyond the depth of the screen. Every few weeks I add and drop to make it fit. I added Bats left, throws right for the sheer novelty of a Hoosier liberal. Found Kim Morgan, who writes better about movies than I do, via Wolcott. Kept the increasingly disappointing DetNews politics blog because they provide my health insurance. Laura Lippman’s blogging her book tour, but she’s so nice she can’t say anything mean about anybody; her life is an exercise in gratitude. Also, discretion:

Just this morning, I tried on some outfits in anticipation of an engagement later this week. The outfit I ended up choosing is, according to the one outside opinion I sought, “classy and becoming.” It also is a) twelve years old and b) from Banana Republic. But no one will know that unless I wear it inside out. My hunch is that the context of the engagement — not to mention the killer shoes — will lead people to think the outfit is nicer than it is. Unless you read this blog, in which case, if you catch this particular gig, you’ll probably be thinking: “I can’t believe that Laura is such a dork that she’s wearing a 12-year-old Banana Republic outfit.”

From further analysis, I suspect the engagement was an appearance on CBS’ morning show, whatever they’re calling it these days. I missed it, and too bad, because I would have liked to fire off an e-mail to the producer chastising her guest for wearing a 12-year-old Banana Republic outfit.

And then there’s Ken Levine, whose St. Patrick’s Day post I didn’t see until after I’d done St. Patrick’s Day. It’s from a “Cheers” episode that he wrote, so he’s allowed to quote it:

AN IRISH BAND ENTERS. THEY’RE ALL WEARING CABLE-KNIT SWEATERS. ONE OF THEM IS NAMED SEAN.

THE BAND BEGINS TO SING AND PLAY A SLOW IRISH BALLAD:

SEAN
(singing) “They broke into our Dublin home, the dirty English dogs. They took away my sister and they beat my dad with logs.”

THEY BREAK INTO A QUICK UP BEAT IRISH JIG FOR A BEAT, THEN RESUME THE LYRICS:

SEAN
(singing) “Along the ring of Kerry you can hear the bleat of gulls, I’ll sip the blood of the English from their bleached and hollowed skulls.” (TO THE BAR) Everybody!!

Everybody! Happy week to all.

Posted at 1:06 am in Movies, Popculch | 18 Comments
 

Thanks be to Zorn.

Eric Zorn’s RSS reader must be the best one in the world, because it somehow snagged the Lost Post in the 120 seconds or so that it existed. So here it is, and we love us some Eric:

Among the pleasures of the internet age, from sub-sub-sub-niche pornography (brunettes in pure-white Keds, anyone?) to the London dailies a click away, I have a new nominee for Top 25 status: The online package tracker.

I do a certain amount of catalog ordering, and have fallen in love with the small joy of watching my box, on this trip holding New Balance running shoes and two sports bras — please, draw no conclusions about my fitness plans — make its way to me. Origin scan, March 9: Commerce City, Colo., after which it was scanned for departure, arrival and departure again, all at the same facility. (I’m assuming it’s a hub.) On to Omaha, then Davenport, Iowa — how are you enjoying the humidity of the east, shoes and bras? much different from Colorado, no? — then Hodgkins, Ill., wherever that is. From Hodgkins to Livonia, Mich., where it stayed only a few hours. Its final departure scan took it to Detroit. In at 6:45 a.m., out at 7:40, delivered at 1:49 p.m., to the back door.

The dog didn’t bark. He’s likely to sleep through these things, these days.

Why can’t they put this technology on the cable guy? “We’ll be there sometime between 8 a.m. and 2 p.m. Can’t be more specific than that, sorry.”

(Of course, one day they will. And I’ll complain that it’s wrong to micromanage human beings to this extent, and predict that the cable guy with a bar code on his forehead is the next disgruntled postal worker, and who will be able to blame them? People are not packages. Consistency, thy name is…not mine.)

But until then, it’s nice to dream.

I like my shoes and bras, by the way. They’re all closeouts, for obvious reasons which I won’t get into, except to say: Bra designers, don’t put seams right down the middle of the boob, OK? Most women prefer a nice smooth line there. But it’ll do for something to sweat in this summer.

One deadline passes, another approaches — they’re like telephone poles on the highway. In the meantime, though, I have to see my doctor this morning, to find out why my knee hurts. No, I know why (slipped on the ice); I need to know why so long. Also, I’m hoping to score some powerful narcotics. I wonder if that would work, not pussyfooting around with the so-called drug-seeking behavior, but just asking outright: “How about a little Vicodin/Oxycontin mixed grill, doc?” It worked with my old doctor, who appreciated directness, as well as the fact I never asked for anything stronger than Tylenol 3. (On a scale of 1-10, there’s a reason that one has a 3 in its name.) A few weeks back, the Wall Street Journal ran a story on off-label prescribing. The opening anecdote was about a woman who was licking those narco-lollipops for relief of pregnancy-related migraines*. She was up to five (!!!!) a day by the time labor started, and surprise surprise, her baby’s first words were, “(Sniff.) How much for an eightball, doc? Can I get it on credit? I seem to have left my wallet in my other diaper.”

Of course, if he says I have arthritis I’ll just ask for a bullet. To shoot myself.

In the meantime, festive bloggage:

I’m not the biggest fan of the Freep’s pop-music critic, but I thought he did a pretty good piece on Why Cobo Matters, even if that wasn’t the headline (but should have been).

Jacob Weisberg went to the American Enterprise Institute’s gala the other night, and wrote a nice piece for Slate. They should change their name to Home of the Unrepentant Neocon:

In his address, the 90-year-old (Bernard) Lewis did not revisit his argument that regime change in Iraq would provide the jolt needed to modernize the Middle East. Instead, he spoke at length about the millennial struggle between Christianity and Islam. Lewis argues that Muslims have adopted migration, along with terror, as the latest strategy in their “cosmic struggle for world domination.” This is a familiar framework from the original author of the phrase “the clash of civilizations”—made more famous by Harvard scholar Samuel Huntington. What did surprise me was Lewis’ denunciation of Pope John Paul II’s 2000 apology for the Crusades as political correctness run amok. This drew applause. Lewis’ view is that the Muslims started it by invading Europe in the eighth century. The Crusades were merely a failed imitation of Muslim jihad in an endless see-saw of conquest and re-conquest.

Were you to start counting the ironies here, where would you stop? Here was a Jewish scholar criticizing the pope for apologizing to Muslims for a holy war against Muslims, which was also a massacre of the Jews. Here were the theorists of the invasion of Iraq, many of them also Jewish, applauding the notion that the Crusades were not so terrible and embracing a time horizon that makes it impossible to judge them wrong. And here was the clubhouse of the neocons throwing itself a lavish ‘do, when the biggest question in American politics is how to escape the hole they’ve dug. Reality seemed to have taken up residence elsewhere for the evening.

Mark Steyn can turn a clever phrase, but reading this piece o’ crap (only the first two grafs available online, sorry) last night made me want to cancel my subscription to The Atlantic. Please, editors of the world, don’t let idealogues write arts criticism, OK? Styled as a tribute to the talent-free Denny Doherty (“the other Papa”), it comes off as one long snark about the excesses of the ’60s, which is a record played so often by this crowd you can’t even hear the music anymore. Not that they ever heard the music in the first place. Michelle Phillips, he says, is “seriously hot, in a way few rock chicks are in the cold light of day when the drugs have worn off.” Oh, please. How would you know? There’s more snarkage about Cass Elliot, who could only get laid because she had drugs, and pokes at John Phillips’ “vacuous” lyrics, proving Steyn may be the only person alive who could listen to the Mamas and the Papas and think their appeal was about the lyrics.

Put it this way: Reading this, I was reminded of the time Alexander Cockburn, hard-core leftist, described the scene in “The Untouchables,” where Elliot Ness throws Frank Nitti off the roof after the latter taunted Ness about how his recently departed colleague (Sean Connery, sigh), “squealed like a stuck Irish pig” before he died. This person, Nitti, Cockburn describes as “an unarmed murder suspect.” So there.

Off to tend the knee.

Late-breaking update: Knee diagnosis unclear, but he suspects arthritis. (Muffled gunshot. Thump.)

* I originally wrote “nausea.” My memory was faulty.

Posted at 1:11 pm in Popculch, Same ol' same ol' | 33 Comments
 

Sleep notes.

One of my Fort Wayne neighbors was a police officer, and worked overnight. I’m a part-time editor for a company whose senior staff works overnight, too. I have an easy shift; I knock off at 1 a.m., while they’re up until dawn and beyond crafting custom newspapers for corporate America to read on their BlackBerries on the pre-dawn treadmill. The woman who relieves me should be leaving work (i.e., turning off her computer) right about now, in fact.

I really hope there’s not a wood chipper outside her house at the moment, as there is at mine.

The world just isn’t set up for night-shift workers. After a year of this, I think I’ve finally settled upon the right mixture of coffee and naps that allows me to function on five hours of sleep a night (at best). Basically, it’s this: I write in the morning, I edit at night. Sometime after lunch, when the afternoon sleepies strike, I don’t fight them. I turn off the phone and go to bed. If I’m fortunate and there are no wood chippers about, I get one hour of decent sleep, which I pad out with some recreational reading in a prone position. I’m up and about by 3, feeling like aces.

I’m always looking for tips on how to make this work better. When Detroit hosted the Super Bowl, there were lots of stories in the media about Roger Penske, who was the main mover/shaker behind the event. Penske works pretty much all the time, and has the ability to turn himself on and off at will; he’ll say, “OK, time for a 20-minute power nap,” tilt his head to the side and drift off in seconds, then wake up precisely 20 minutes later. This is why he’s a billionaire and I’m not. Also, he probably doesn’t get bothered by wood chippers.

The business press is full of stories of high-functioning insomniacs and others who claim to be totally refreshed by absurdly little sleep. This is always reported in an admiring tone — such superhumans! — and for the life of me, I don’t understand why. Martha Stewart gets by on four or five hours, or so she says. Madonna, ditto. Half the corner offices, it seems, are occupied by people whose e-mail is time-stamped 3:20 a.m. Meanwhile, all the people I work with at my night job are on my buddy list (we communicate almost entirely by e-chat), and one has this as her Away message: “I’d BETTER be sleeping now.”

I used to be a night owl, and transitioned through my 30s into lark-hood. My natural body rhythms — banished now — would send me to bed between 10 and 11 and get me up around 6, and screw all these naps and cappuccinos. But who can live that way? Not this home-office worker. The price for all our flexibility, for being able to run errands during the day and start stews braising at 2 p.m. and beating the rush at the dry cleaner and grocery store, is paid 12 hours earlier, when I shut the laptop, stretch, turn out the lights, check the locks and look up and down the street at all the dark windows. I think: Lucky bastards. And then I join them.

The wood chipper has moved to the next block. Time to get some work done. For now, the bloggage:

“American Idol” is shaping up to be more talent-free that usual — can we fast-forward to the inevitable showdown between LaKisha and Melinda now? — but entertaining in many other ways. The sadism of the baby-boom producers continues to amuse, as we watch these young’uns forget the words to “Love Hangover,” a song I’d happily pay money to have excised from my brain. And young Sanjaya, cocking his head like a puppy when Simon uses a fancy-schmancy 10th-grade word like “wail.” (Sanjaya thought he was talking about the marine mammals.) This sort of entertaining brinksmanship is why we tune in. The assignment seems so simple — find a song you can sing from the back pages of Diana Ross, a woman who wasn’t much of a singer in the first place — and yet, hardly anyone can find one. I was astonished at how many of the old Motown finger-poppers were spurned in favor of Diana’s disco catalog, or the apres-disco craptastic stuff. (“I’ve chosen a song from ‘The Land Before Time,’ Ryan.”) Melinda should have sung “Touch Me in the Morning” if she wanted something downtempo and emotional. Why didn’t anyone tackle “Reflections”? Leave it to LaKisha to play the “Lady Sings the Blues” card and sidestep the whole oeuvre by snagging a Billie Holiday song. That was smart. If you can sing better than the supposed master-class teacher, don’t sing one of her songs.

Ken Levine is funnier than I am, however: Could they pad the show any more? Christ! It was so long Paula’s drugs were wearing off.

Today is Pi Day. Happy 3.14, etc. to presumed infinity, to you.

Posted at 10:33 am in Popculch, Same ol' same ol' | 17 Comments
 

Quitcher mewlin’

Today’s question: Have the British always existed solely for the amusement of others?

Yes, they had their world-conquering phase, but it’s hard to imagine anyone taking these folks seriously — although I’m sure the rifles helped — when you consider a case like this one, which I’ll call by the Telegraph’s headline: Mums behaving badly.

I defy you to read that story and not giggle. Every detail is funny. The gist: Gina Ford, a leading British “childcare guru,” is threatening legal action against the British website Mumsnet, over personal remarks made against her character by users of the site. Ford is the author of “The Contented Little Baby,” which has sharply divided parents along fairly predictable lines — that is, those who believe in her methods of strict scheduling and “controlled crying,” and those who believe she advocates “strapping babies to rockets and firing them into south Lebanon.”

Mumsnet has suspended all discussion of Ford and her books, pending arbitration. Among the remarks Ford took issue with is one describing her as a “a fart-faced, rolly-fluff poo,” but you don’t have to read very far into the story to suspect this is about more than a few playground taunts. Any mother of a certain age and education level and, shall we say, type-A temperament will find herself nodding along with this:

But this is more than simply a battle between David and Goliath, it is every bit as much a revealing portrait of the curiously fraught phenomenon that is modern motherhood.

Both Mumsnet and Ford offer very different coping strategies to help those beleaguered professionals who have climbed the career ladder without raising a sweat, who have video-conferenced and multi-tasked with effortless ease, and yet find themselves utterly floored by the arrival of a single mewling infant. A report last week into ageing mothers revealed that the number of women giving birth aged 40 to 44 has doubled, to 23,459, in a decade, and that these mothers were “nervous wrecks” during pregnancy, not least because many of them had never held a baby before. No wonder childcare experts are hailed as the new spiritual gurus.

In an age when the idea of having extended family nearby has all the pinch-me-I’m-dreaming nostalgia of a Hovis advert, there’s something uniquely isolating about 21st-century childbirth. Which is why Ford’s diktats have such a wide appeal among women used to being in control, who may feel their only hope of clawing back some shred of sanity in those milk-drenched, sleep-deprived early weeks is to impose an hour-by-hour timetable on a tiny baby, worthy of a Soviet apparatchik.

Part of my delight in this story is my anglophilic love of British English, which seems so much more pungent than the Yank variety; “mewling” is simply a better word for the fuss a new baby makes than “crying,” which should be reserved for the fuss a new mother makes. And part of it is the happy relief I feel over being beyond this part of parenthood, which the author describes as “a sea of cracked nipples and confusion.” I remember when I would have had a strong, fervently held opinion on Gina Ford’s book, when I would have spent hours online and in mother’s groups arguing about it. It’s the nature of new-motherhood.

But mostly because it’s hard to read a phrase like “fart-faced rolly-fluff poo” and not giggle. It’s already in heavy rotation here at NN.C Central.

It was 6 degrees when I rolled out of bed this morning, which may contribute to my lack of interest in women who wear scanty clothing — I get cold just looking at them — but would someone with a better handle on scantily clad women explain the Pussycat Dolls to me? I know they have some horrible single that makes “My Humps” sound like Mozart, but what are they actually? Singers, dancers, media celebrities, something else? What they are at the moment is stars of their own reality series, but you can say that about pretty much everyone these days, can’t you?

The guy who killed his wife — known around here as Torso Man — was shipped back to Macomb County today. You don’t see jail outfits like this so often, but it’s a classic look, and I’m pleased it’s making a comeback.

Have an acceptable day. I’m off to noodle through yet another radio essay draft.

Posted at 10:10 am in Popculch | 15 Comments