“Trainwreck,” the Amy Schumer movie that opened earlier this month, plays like a third-draft script (six were probably needed), made by people who simply don’t care about such things. It’s too long. Individual scenes go on forever and some don’t end so much as they run out of gas. There are weird tonal shifts. I kept hearing the voice of my screenwriting teacher in my ear, saying, “But how does this raise the stakes? What’s the point of this action?” As a reinvention of the rom-com, I give it a B-minus — tries hard, chickens out in the end. In other words, as much Judd Apatow as Schumer. Oh, well.
And yet, I laughed throughout and am glad I saw it. I wanted 30 percent more Tilda Swinton, 25 percent more LeBron James, 8 percent less Hollywood sex, i.e., the kind actors have in movies when they have contractually agreed not to show their nude bodies. You see it on premium cable a lot; I call it bra sex because actresses on HBO — at least the ones famous enough to have their names in the credits — are the only women who keep their bras on during the act. There’s one scene — again, too long and sorta pointless — where Schumer seems to be having sex entirely clothed, while her boyfriend, the pro wrestler John Cena, is entirely naked.
I’d like to have seen 15 percent more John Cena, too. Cena is sort of delightful, even with his clothes on, as is James. In fact, all the pro athletes in this mess are pretty great playing themselves, with the exception of poor Chris Evert, who reads two or three lines like a hostage statement, but then again — the scene she was in is terrible and makes no sense. See above.
Someday we’ll look back and realize that while “Saturday Night Live” gave a lot of promising actors a good start, it was mainly a waste of time, comedically. Improv and riffing can be wonderful things, but in a movie, it better sing. And a lot of “Trainwreck” is, in comparison, humming.
That said, the funny stuff is really funny. There’s an opening-scene flashback to her father’s explanation of why her parents are divorcing, a long speech about cheating and dolls, that’s hysterical. If it had stayed that funny and sharp throughout, it’d be perfect. Alas.
That was Saturday night. Friday night was a free Bootsy Collins show at Campus Martius park. It’s always interesting to attend events in the central business district that more accurately reflect the racial mix of the city as a whole. It was a hot night, hotter in the crowd, so after a while we extracted ourselves from the press and wandered over to the Hard Rock Cafe for a drink and some more remote listening. These folks were all around:
I see bikes tricked out like this every so often, first at the Dlectricity festival nighttime bike parade. I actually looked into adding some really flashy LEDs to my own ride, just for the sake of visibility. It added up real fast, and required battery packs and other foofraw I didn’t want to mess with. Glad to see someone’s getting creative.
Reading this story, about the strangeness of digital memories after the corporeal has passed — i.e, death — inspired me to write a letter, including all my social-media account logins and passwords, and seal it in an envelope with “J.C. Burns” written on the outside. It’s going in with my estate documents. I’m putting him in charge of my digital archive; he can have all the blog content to do with as he sees fit, and I’m asking him to seek out and destroy my Twitter, Facebook and Instagram accounts, as well as whatever else piles up in the interim. I’ve known a few people on those platforms who’ve died, and it absolutely kills me to get notifications of their birthdays, or to go to their pages and see people leaving miss-you messages months or years later. When I’m gone, I want to be gone.
If you had asked me last week what I wanted to read about the Lingerie Football League, I’d answer, “Um, nothing?” I was wrong. This was interesting:
A primer: Yes, they play football while wearing next to nothing; and yes, the spirals and tackles and playbooks are real. No, most players are not aspiring models or actresses; and no, they do not get paid. “If we paid a dime to a player, we wouldn’t sustain a season of play,” says Mitchell Mortaza, the league’s founder and chairman.
They practice seven to eight months a year, often three times a week. They show up in tank tops to sports bars and tailgates, where they sell tickets and promote the league. When they walk into the arena, they are transformed. “There is nothing,” says one former player, “like stepping onto that field and getting ready to knock a bitch out.” Although their sport can be a source of intense joy, it also creates acute pain. Bones break. Ligaments tear. Medical bills mount, and often, no support arrives. For some, hopelessness sets in: Are my skills really worth nothing? Few complain about the lingerie. They’re bothered more by what their uniforms seem to represent: that they are replaceable bodies, each no more valuable than the last.
“No one is here to watch you play football,” players say Mortaza has told them.
Raising children is hard. Raising children in public in the age of the smartphone is harder.
And with that, we march forth to face Monday.