Going down swinging.

I have to say something about Henry Allen, a journalism story that’s mostly staying in journalism circles and probably that’s where it belongs, because it has no greater import or anything. I mention it mainly because I always wanted to work for or with Allen, a legendary writer and editor at the Washington Post, whose career ended abruptly last Friday when he scuffled with a writer who was chapping his ass. He literally went down swinging, and while I can’t condone punching one’s colleagues, I can certainly understand the urge to do so, and given that no one was hurt, let’s chalk it up to a final glimpse at a certain Front Page standard of newsroom behavior and leave it at that.

I first encountered Allen, then a superstar of the Style section, when I took a two-day writing workshop very early in my career. It was a strange trip — a hot weekend in late May. My salad-days starter car didn’t have air-conditioning, and I drove from Columbus to Champaign, Ill. with the windows down, wearing a pair of bib overalls with a bikini top for maximum air circulation. It was a long trip, and I arrived windblown and looking crazy, at least if I’m to judge from the looks the desk clerk at the hotel gave me. Things went further downhill when I realized I’d packed all my career clothes but not my career shoes, and had to attend the workshop and networking sessions in jeans and a T-shirt. A few of the young reporters stayed up late the first night, drinking wine in the courtyard of the hotel, asked by management several times to keep it down. (“It’s that girl with the overalls and bikini,” someone undoubtedly said.)

Allen’s seminar was the following day, and what I mainly remember about it was that I fell in love. He quoted a colleague at the Post: “I want to write stories people can dance to,” and I got it immediately. The guy next to me didn’t — I could tell by the look on his face — but I committed the phrase to memory, and use it from time to time when I’m teaching young writers. Prose, even journalistic prose, has rhythm and mood and recognizing it is very much like having an ear for music. It’s hard to teach that quality, but show me someone who understands the phrase — writing you can dance to — and I know I can work with him or her.

From then on, I mainly just sat there and made dreamy eyes at my new hero. He made fun of AP leads and talked about the drive in from the airport, and afterward, I came up to gush. He said he had a book coming out, and could he send me a copy? Who, me? Um, sure…. “Fool’s Mercy” arrived at my apartment a few weeks later, with a note, “Please, run to your library and demand it be taken off the shelves.”

(Recalling that note, I wonder who might be the source of this Amazon reader review, penned by A Customer: “This is a novel that has taken the art of shaping the reader’s worldview and raised it to the level of physical intervention. By that I mean that Mr. Allen has discovered techniques of using English syntax to alter synaptic relationships within the brain itself, possibly permanently. He may have gone deeper, as well, functioning as the analog of a computer hacker as he cracks the DNA code and blithely rearranges the human genome with untold consequences for generations to come. Were this novel some outre exercise in modernist befuddlement, the danger would be minimal, but Mr. Allen’s darkest motives are masked by a brisk yet poignant thriller populated with haunting personalities. As such, it may pose the severest test the First Amendment has faced since the founding of our republic — a book that is what the law calls ‘an attractive nuisance,’ but a nuisance on the level of Jacob-Kreutzfeld syndrome, the human equivalent of “mad cow” disease. It should not only be banned, but all of its known readers should be rounded up like cattle and incarcerated pending central-nervous-system biopsies. Meanwhile, it remains available to an unwary citizenry from Dryad Books, of 15 Sherman Ave., Takoma Park, Md. 20912.” I have a sneaking suspicion.)

I still take “Fool’s Mercy” off the shelf from time to time, to soak in his graceful prose style. Is it a great thriller? Probably not enough plot, and characters a bit too three-dimensional. But there are some wonderful descriptions, and, well, it was sent to me personally by the author. Those books are always special.

The story linked above said Allen, a 68-year-old former Marine and Vietnam vet, was moved to violence by the reaction of a reporter whose error-ridden “charticle” he was criticizing:

(Allen) gave pretty much the same sharp-elbowed spiel to both Hesse and Roig-Franzia. Hesse responded by asking for the story back so that she could iron out some of the wrinkles.

Roig-Franzia responded by saying, “Henry, don’t be such a cocksucker.”

Boom.

Oh, well. As is noted in the story, this is a new era in journalism. Chicago Sun-Times writers don’t pee off the ledges into the river anymore, either. It doesn’t mean we can’t miss the good ol’ days, at least a little.

Enjoy retirement, Henry. Write another novel. I’ll buy it. And I’ll still pay any price to hear whatever writing advice you might give at another University of Illinois workshop.

So. Up until 2 a.m. last night, but with an E-day school holiday, got to sleep clear until 8. They say you can count the hours of sleep Roger Penske gets on one hand, and that he is master of the power nap. He’ll announce, “I’m going to grab 40 minutes,” put his head down, fall asleep immediately and awaken 39 minutes and 59 seconds later.

My role model.

My other role model is Elmore Leonard. What does it say about me when my role models are old men? Vigorous old men, but still. The next thing you know, I’ll be asking for a Viagra prescription.

As you can imagine, yesterday was in the crazy-busy, and today will be the same. With that heedless extra hour of sleep I had to cut something, and today it was: Gym. Haven’t done that in a while. (Where’s my medal?) But if I’m ever going to learn Russian I have to give my homework the respect it deserves, and today I have to write 10 sentences, using the genitive singular. I’m inspired because I watched a Russian-language movie Friday night, one of the few truly indolent me-times I get in the week, and I understood more of it than I thought I would. It’s like I’m trembling on the brink of another leap in understanding, and I want to nurture it along.

The film? “The Italian,” or, as imdb.com insists on transliteration, “Italianetz.” Worth your time, even with subtitles.

One of these days it’ll be you folks I cut loose. Don’t assume I’ve been kidnapped or anything.

One brief item of bloggage: Eric Zorn finds the new GOP in North Carolina. Cooze, is this one of your neighbors?

Posted at 12:35 pm in Media, Same ol' same ol' | 33 Comments
 

Blowed up real good.

Someone is remaking “Red Dawn.” I know, I know: why? It’s perfect the way it is. What could ever top this mid-’80s Cold War paranoid fantasy? What’s the new story, now that the Evil Empire has been defanged and we still have the memory of those indelible performances — Patrick Swayze, at 32, playing a high-school boy; Ron O’Neal as an alternate-reality Che Guevara; and who can forget Harry Dean Stanton behind the wire at the drive-in/re-education camp, hollering “Avenge me, son!”

I can’t answer those questions. All I can say is, thank God Michigan is giving out these fat tax incentives, so the “Red Dawn” crew can come to Detroit and blow shit up:

(If you’re impatient, drag the playhead to the 40-second mark.) I don’t know what other American city would let you get away with that. Fortunately, we have a lot of empty buildings to spare.

On the downside, sometimes a post-apocalyptic wasteland behaves like one.

A little Googling tells me the updated story involves a military invasion of the U.S. by the Chinese. There’s a blog, too, with some great deets. A military convoy was photographed rolling down one of the downtown freeway legs on Sunday, something you likely haven’t seen in Fort Wayne lately.

I’d like to see the Chinese try to take this city. Of course, first they’d have to want to. I envision a scene like Tiananmen Square, only in reverse.

OK, enough small talk. Count me among one of the 1 million subscribers who will miss Gourmet magazine. It hurts even more because I’m a latecomer; I only started subscribing it a year ago. Before then, I thought it wasn’t my cup of expensive tea, but I was stupid not to trust that anything Ruth Reichl put her hands on would be worth my time. Far from being a snooty festival of luxury, it’s a well-written tribute to food and food culture, and the recipes are wonderful.

Kim Severson, another food writer I’d follow anywhere, takes a look at the death of Gourmet in the NYT today, and I think she gets to the heart of it right here:

Although it was easy to paint Gourmet as the food magazine for the elite, it was a chronicler of a nation’s food history, from its early fascination with the French culinary canon to its discovery of Mediterranean and Asian flavors to its recent focus on the source of food and the politics surrounding it.

In the decade since Ruth Reichl took over as editor, she underlined everything from the exploitation of tomato pickers in Florida to dishes like chicken and dumplings that could be on the stove, simmering, in 15 minutes.

That’s what I’ll miss about it, anyway. It really chaps my ass that Gourmet had to fold so that Vogue and Anna Wintour could live to fight another day.

Finally, I took Kate to see “Whip It” over the weekend, another shot-in-Detroit movie that seemed worth our time, and it was, although I’ve now come to see the PG-13 rating as the enemy of parents everywhere. It’s funny — after we came home and Kate went to bed, Alan and I watched the R-rated “Adventureland” on cable, and the latter, while more explicit in its F-bombs and so on, took much of the same material (young-adult sexuality, in part) and treated it with more respect and less snickering than the PG-13 “Whip It.” It’s not that one was exploitive and the other one not, it’s just that “Whip It” had several scenes and dialogue exchanges that seemed tacked on to avoid a straight PG and make the film edgier, somehow. All I know is, I feel more protected by lead actresses who refuse to take their bras off on camera than the MPAA ratings board.

Other than that, however, it was a pretty good little movie, exploring female empowerment through roller derby. I know Jeff Borden’s a big fan, and I had a twinge, remembering our departed Ashley Morris, whose wife Hana was a New Orleans roller girl. (Ashley chose her stage name, and crowned his wife, a native of the Czech Republic, “Soviet Bloc.”) Ellen Page, Drew Barrymore and Kristen Wiig do most of their own skating, and those girls certainly tear it up. I almost — not quite, but almost — forgave the cheesy product placement Barrymore snuck in there. Did you know a roller girl can never wear too much Lash Blast? Now you know.

After two nights, I think I’m finally caught up on my rest for the next few days. Sorry to be getting here late again, but ah well. Now to the giant pile of copy I’ve been putting off editing. Next time you see me, I’ll be cross-eyed and ink-stained. Have a good rest of the day.

Posted at 11:10 am in Detroit life, Media, Movies | 40 Comments
 

Treadmill as symbolism.

For a brief shining moment in 2005 or so, Kate and I had a shared TV ritual — “Wheel of Fortune” and “Jeopardy,” 7 to 8 p.m. in my market and probably yours, too. It was fun, and it was educational. Then she discovered “America’s Funniest Home Videos” was on opposite, and that was the end of winning $400 on Civil War trivia. Although I’ve tried to make the best of it.

“You know whenever you see a kid, a father and a baseball bat, something’s going to happen, and it’s going to be a shot to the junk,” I say, figuring it’s best to introduce film-analysis skills early. (You can say the same about trampolines positioned near basketball hoops.) Some parents teach their children what Chekhov said about guns and first acts. We work with the material we have.

It’s amusing, isn’t it, how AFV, as it’s called, predicted YouTube? (And how YouTube predicted “Ow! My Balls!”) Did you know there are more than 19,000 YouTube videos tagged “treadmill?” The treadmill, any fan of viral video can tell you, is even more predictive of wacky hijinks than baseball bats and fathers. Sometimes video makers don’t play fair. This one, for instance. There’s no reason for that treadmill to be on. This is like Chekhov writing a character who says, “May I leave my loaded gun here on this table? Make sure no one touches it. It’s loaded. And it’s a gun.”

Lately, it’s babies. Babies and Beyoncé.

I blame YouTube for ruining my attention span. It boggles my mind when I see people posting webcam videos of themselves talking about one thing or another, specimens that regularly clock in at eight or nine minutes. If I know one thing in this world, it’s that no one wants to watch you yak for eight minutes. Even “leave Britney alone” came in at under three.

Of course, when it comes to viral video, this is the only one you need to watch today:

HT: Sweet Juniper.

Not much for you today. Fortunately, Roger Ebert’s on the job, presenting his long-awaited recollection of O’Rourke’s, his old Chicago watering hole:

O’Rourke’s was our stage, and we displayed our personas there nightly. It was a shabby street-corner tavern on a dicey stretch of North Avenue, a block after Chicago’s Old Town stopped being a tourist haven. In its early days it was heated by a wood-burning pot-bellied stove, and ice formed on the insides of the windows. One night a kid from the street barged in, whacked a customer in the front booth with a baseball bat, and ran out again. When a roomer who lived upstairs died, his body was discovered when maggots started to drop through the ceiling. A man nobody knew was shot dead one night out in back. From the day it opened on Dec, 30, 1966 until the day I stopped drinking in 1979, I drank there more or less every night when I was in town. So did a lot of people.

Our place in Columbus wasn’t so colorful, but it was pretty fun — the Galleria. It was on the ground floor of an office building, and you entered through an indoor, well, galleria. I won’t try to match Ebert, but when I sift through my misty watercolored memories of the place, I remember Tim May, one of the sportswriters, looking through the window to see a homeless man shuffling by to use the bathroom. This was in the very early ’80s, when the public mental hospitals all closed justlikethat, and suddenly we were seeing homeless people everywhere.

“Someday I’m gonna write a book about those guys,” he said in his Texas drawl. “I’m gonna call it ‘Wrong Turn,’ ’cause somewhere along the line, those guys took a wrong turn.” He never wrote the book, but I still think that’s a tremendous title, and if I ever have occasion to use it myself, I’m going to credit Tim.

Off to the gym. I did Pilates yesterday, and am still waiting for the ab soreness to settle in. Sit-ups aren’t called sit-ups in Pilates, they’re called roll-ups. That’s because you do them very slowly, one vertebra at a time, and if you think that’s easy, try it sometime. Ouch.

Posted at 9:49 am in Media, Popculch | 65 Comments
 

A whole lot of nothin’.

Ruby the rabbit is turning out to be less pet by far than a dog or cat, but still amusing. I keep her close by, to monitor her chewing and miscellaneous destruction, but also to observe her wacky antics. She likes to climb to the tops of things, then jump up and down for the fun of it. Yesterday she interrupted a nap by placing a single paw on my back three or four times — hey, you awake? Lately she’s fond of long grooms, followed by mini-naps in fluffy-ball position, and then an extended paper-shred project. She prefers the paper be nice and crackly. I knew maintaining all these newspaper subscriptions would pay off one day.

The only bedroom I let her in is the guest room/office, which has a white bedspread (camouflage). I keep a couple of cheap blankets up there, and she likes to burrow and dig in them. She photographs better against the darker colors of the downstairs:

ruby

Why do we keep pets, anyway? Because we like carrying on conversations with them in squeaky voices? That’s my theory today, anyway.

You should hear the conversations Ruby and I can have over a bundle of carrot greens. You’d be …horrified.

Ugh. Another short night of sleep, another early meeting. I don’t feel capable of anything approaching serious discussion yet, so your loss, toots — sometimes you get what you pay for. How about a cavalcade of idiocy?

Everybody’s seen this by now, but the classics stay fresh forever: Ernie Anastos, anchorMAN! Stay classy, New York City.

A friend of mine works for the Palm Beach Post, and once told me the paper’s older, conservative readership dictates that they be downright prudish in their discussions of any story with a sex angle. You could read the entirety of the Bill and Monica clip file, for instance, and never know what, precisely, the two did together, as it was always referred to as simply “sex.” Well. Looks like they changed their policy. At least on the racy internets, anyway.

Look, free crack! And it’s not addictive at all; you can quit anytime you want. That’s what I tell myself, anyway.

You get in every morning, naked, and it makes you feel warm and good. So of course it’s out to kill you.

Meeting. Bicycle. Back later.

Posted at 8:58 am in Media, Same ol' same ol' | 88 Comments
 

Help me find a way.

The first great-books club meeting of the year was yesterday, although maybe that’s pushing it. We don’t read any great books in toto, we read selections from them, in a master text called “Great Conversations,” which the library, the sponsor of this shindig, provides. There was dark talk of budget cuts affecting this year’s schedule, but so far — fingers crossed — we’re hanging in there. Members of the group may have to lead a session or two, should we lose our librarian, but we’re ready for that. I signed on for “The Chilean Earthquake” by Heinrich von Kleist, a work and a writer I had never even heard of before, and so much for that English minor, eh?

Anyway, when I joined the group I was hoping for a raucous bunch of table-pounders. I got five retirees. Ah, well. It’s also where I found my Russian teacher, after we read a selection from the “War and Peace” and she revealed she’d just finished her second read of the entire novel — in the original language. And the retirees are always interesting, especially when they make small talk. One recently tuned in to WJR and heard Mark Levin, who is apparently a talk-show host who makes Rush Limbaugh sound like Walter Cronkite. I have to take someone else’s word for this, because I can’t listen to commercial radio anymore. I force myself to take in a little on the weekends, because if it weren’t for the XM they play at the gym, car commercials and these few brief hours of weekend exposure, I wouldn’t hear new music anywhere.

I draw the line at talk, however, no matter when it’s on. Just can’t do it, and when I hear Rush or Sean or someone else drifting from an open window or the UPS truck, my default setting is the same one I employ when I pass a homeless person muttering about motherfuckers. I assume: Crazy. Avoid eye contact. Do not engage.

My book-club friend, a nice lady who was most engaged by the tangent we took on left brain/right brain issues, was horrified by Levin. WJR is a community institution here much the way WOWO is in Fort Wayne, but like lots of AM stations, it’s had to stake out its position in right-wing talk. They generally go for the A-team national shows with lots of local-local hosts, and I notice they sneak Levin on in the evenings, when the rational part of the nation is watching TV and only the insane ones are down in their basements, radio on, cleaning their guns or building birdhouse after birdhouse under a bare light bulb. (And hey, check it out — Dr. Laura now has the coveted 11 p.m.-1 a.m. slot. How the mighty have fallen.)

It’s good to see someone else is horrified. Although less comforting to know more people are seeking this stuff out.

I’m short on time today, and want to say a little about Mary Travers, the latest in this year’s long, long line of obituaries. I can’t exactly mourn her passing — what has Peter, Paul and Mary been since 1970 or so? — but I’d like to at least take note of what she was a part of. “A Mighty Wind” had a mighty fine time mocking the early-’60s folkie era, but I was a young child then, and these were some of the earliest records I can recall choosing myself out of the pile and putting on the turntable. The world won’t mourn the last New Christy Minstrel who leaves the earth, but for all the fun you can poke at it, this was some great music. It was also maybe the last time that overtly religious traditional music was heard in the public square. (I’m not counting “Godspell” and “Jesus Christ Superstar,” and you can’t make me.) The first PP&M record is a little work of art in a time capsule, and today, while we’re marking the passage of the blonde, lots of people will call your attention to “Blowin’ in the Wind” and “Puff the Magic Dragon.” Meh. This is the only PPM record you need, and this is its best single song (side one, track one, I believe). Yes, it’s the one that was used on that “Mad Men” episode last season. Enjoy, and RIP Mary Travers:

Posted at 9:59 am in Media, Popculch | 68 Comments
 

Fun with numbers.

I’m wondering if I need to stop paying attention to politics for a while. It was a beautiful weekend, and while checking e-mail Saturday I surfed over to Memeorandum to see what was going on with the teabaggers. Michelle Malkin’s blog proclaimed the march at 2 million strong. I rolled my eyes, shut down my browser and went back downstairs to think about what to do with the pattypan squash I bought at the farmer’s market.

I’m one of the worst crowd-estimators in journalism, in keeping with the long tradition of people who are good with words being stupid with numbers. I always avoided making crowd estimates in stories I wrote, and when I was pressed to do so, fudged with time-tested phrases like “a packed hearing room” or “scores,” or else found a less numerically challenged source to give me a number. But even I know 2 million is plain and simple balderdash. Nate Silver at fivethirtyeight.com explains how the whopper came to be — the very short answer: Someone lied to Malkin — and adds:

Malkin herself did not lie; she merely repeated a lie. It does not particularly call into question her character. It does, however, call into question her judgment. The reason is that if there had in fact been 2 million protesters in Washington yesterday, there would have been no need to lie about it — the magnitude of the protests would have been self-evident. I was in Washington for the inauguration, an event at which there really were almost 2 million people present — and let me tell you, it was a Holy Mess. Hotels, charging double or treble their usual rates, were booked weeks in advance. Major stations on the Metro system were shut down for hours at a time. The National Guard was brought in. At least 3,000 people got stuck in a tunnel. Essentially the entirety of the National Mall, from the Capitol to the Washington Monument, was dotted with onlookers. Heaps of trash were left behind. The entire city was basically a warzone for a period of about 20 hours, from midnight through mid-evening.

“It does, however, call into question her judgment.” That’s it in a nutshell. That’s the problem with journalism as practiced by mere mortals, but it’s especially the problem with mortals who are proudly partisan, who scoff at “objectivity” as a fiction, etc. I’m not one of those journalists — and lately, I should add, I don’t consider myself much of one; I feel like I’m on a floe that has broken away from the main icecap and is steadily drifting away — who worries what will happen to Journalism when all the newspapers have been hollowed out or killed. That’s because I already know (and excuse me if I’ve said this before; I think I’ll be saying it for a long time). We’re headed into an age when we will flock to the media source that flatters our own prejudices with a unique set of facts. We had that for a long time, in fact; although nearly everybody here is too young to remember when even middling cities had multiple dailies to reflect every reading niche, from labor to plutocrats. You could even make the argument that the vaunted value of Fairness and Objectivity, which in J-school you learn was handed down from Mt. Olympus, is really just a cold-eyed business tactic, that once the Workers Daily and the Plutocracy Times folded, the net needed to be cast a lot wider and the masthead slogan changed from Screwing the Proles since 1851 to Shining the Light of Truth.

Most reputable crowd estimates put it in the “tens of thousands,” perhaps as many as 100,000. The Daily Mail in London, relying on “Mail Foreign Service,” went with “up to two million.” Damn liberal media.

This isn’t really about politics, anyway; it’s about numeric shenanigans. I love Silver’s blog because he’s that rarity, a genius with numbers and more than competent with words. I love stories that make a splash because someone challenged numeric conventional wisdom. One of the Denver papers won a Pulitzer in the ’80s for pointing out that the numbers of missing and abducted children were wildly inflated, that if every face on the milk carton belonged to a kid who’d been snatched by a stranger, virtually everyone in the country would know someone whose child had suffered such a fate. And yet, we repeat these whoppers over and over.

Oh, well. It was a lovely weekend. Spent a chunk of it at a local block party, which featured a DJ. I took a moment to marvel how it only took a cute dance to turn “Y.M.C.A.” from a tune about anonymous gay sex in a public gymnasium (as Garry Trudeau amusingly put it), to a song adorable toddlers tumble to while their parents look on and snap pictures. Which Village Person are you? I think I’m the construction worker.

If a woman this size shook her tennis racquet at me, I don’t know if I’d feel in fear for my life, but I might tremble a little. What a whiny baby; she deserved to lose that one. And what is it about tennis that seems to breed these uniquely awful tantrum-tossers?

And speaking of rude…

So another Monday begins? The Magic 8 ball says yes.

Posted at 7:40 am in Media, Popculch | 58 Comments
 

What came after.

I suppose we can all say what we were doing when it happened. I’ll spare you my recollections; they’re unremarkable and who really cares? What I think about at this distance isn’t just what happened that day, it’s what happened after. A mental data dump in no particular order, with a media-centric focus:

It was the beginning of the end of John Bob Edwards on “Morning Edition.” (Yes, yes — trivial.) I remember driving to work, wondering why the hell NPR wasn’t live with this, when I had just heard a phoner with their correspondent in the Pentagon, who’d said, “I just heard something. I think I have to go now.” It was the plane hitting, somewhere on the other side of the building. (That’s the amazing attack, to me. It’s one thing for a half-trained pilot to fly into a building standing 110 stories high. But to essentially bellyflop into one with only five floors? Damn that guy’s luck, for sure.) But here it was, after 9 a.m., and “Morning Edition” had segued into Garrison Keillor’s Writer’s Almanac, and if there’s a voice you really don’t want to hear when your adrenaline is racing and you want information, dammit, it’s that one. I think Keillor would agree. NPR had no structure in place to go live for national breaking news. That would change pretty soon, and Mr. Sleepy Morning Avuncularity was shoved aside.

Flying went from bad to worse. I remember racing onto a flight in the ’80s, a remarkable flight that didn’t last long — Fort Wayne to Toledo on Delta. Fourteen minutes in the air, $14 one-way. That doesn’t seem possible, that price, but that’s my recollection. J.C. was in Toledo for a night, working on a station there, and I left work early to meet him. I was running late and blasted through the terminal with my carry-on, a newsboy’s delivery bag. Threw it on the machine’s belt and zipped through the metal detector, and was the last one aboard, while the stewardess tap-tapped her foot impatiently at the jetway. Total time from parking lot to fasten-seat-belts, about five minutes. Now when I have to fly, I rise hours early, remember to keep my ID handy and always wear slip-on shoes. I remember flying maybe a year afterward, watching a TSA agent wanding a septuagenarian in Newark, the wand beeping at his belt line, the old man plaintively barking, “It’s my artificial hip!” Well, at least we didn’t profile.

It was a dark, dark night for my section of the newspaper — features. Jesus Christ, but my brain nearly exploded, seeing what the features editors of the world came up with to help us process the pain. They made Sports look profound. I distinctly recall one around Christmastime on “the new comfort,” which quoted a Land’s End representative saying yes, they were selling more cashmere throws and other soft things this season than last, and yes, it seemed to indicate the nation planned to spend its first post-9/11 winter on the couch with the covers pulled up tight. Imagine if the Slanky or Bleeves or, what’s it called? Right, the Snuggie — imagine if we’d had Snuggies then. The mind reels.

But the worst was the Wall Street Journal features section, which ran a story saying more people were eating in as part of the new comfort and new austerity, but it turns out that’s not much of a savings over restaurants, because have you priced a set of All-Clad lately? Nine hundred dollars! And here’s some girl who invited some friends over for a dinner party, and was shocked at how much truffles cost, and don’t even get her started on lemongrass. One magazine had a short item on how the Carrie Bradshaws of Gotham were changing their fitness routines as a result of the attacks. One had started swimming laps, so she could make her escape from Manhattan by water, if necessary. I only wish I were making it up.

This marked the rise of the blogosphere, too. Everyone wanted a blog, so they could tell their story and share their feelings. I recall being amazed at how many people took the attacks personally, and by that I mean really personally, people in places like the Midwest who were convinced Muhammed Atta went to his death screaming, “You’re next, Bob Smith of Kansas City, you and your twins Jason and Jordan, and also your filthy dog Bingo!” If nothing else, 9/11 made me glad I lived in a Hoosier backwater no one would bother bombing. Alan had a job interview with a non-profit the following spring that would have taken us to Traverse City, Michigan, and that would have been even more suitable, being too far north to be downwind of Chicago, surely next on al-Qaeda’s list.

(I often wonder how many police agencies in places like East Methane, Tenn., went to the county commissioners with a wish list in those immediately-after months, in case terrorism came to town. I mean, they have an armored police vehicle in Defiance, Ohio, these days. Why?)

Oh, but that didn’t stop people in Fort Wayne from feeling very, very threatened. I sat next to the police scanner, and listened to it the Friday after the attacks. Call after call after call to investigate a swarthy individual seen walking on a downtown street. I really couldn’t blame them, though — we all went a little crazy. To this day, I forgive anyone who wrote or said something insane between 9/11/2001 and 12/31/2001. Crazy times provoke crazy responses. Four crashed airliners followed by anthrax via mail? Maureen Dowd was reduced to jibbering. (That’s a straight line for anyone who wants it, btw.) So were a lot of other people. Ego te absolvo.

Needless to say, irony didn’t end.

My favorite post-9/11 cartoon.

My second-favorite.

What came after for you?

Posted at 10:06 am in Current events, Media | 71 Comments
 

The toy department.

Wow. The people calling this the “most astonishingly tasteless thing I’ve ever read in a newspaper,” are somehow …selling it short. For those of you too time-starved to click through, here’s the lead on Mark Whicker’s column yesterday in the Orange County Register:

It doesn’t sound as if Jaycee Dugard got to see a sports page.

Box scores were not available to her from June 10, 1991 until Aug. 31 of this year.

She never saw a highlight. Never got to the ballpark for Beach Towel Night. Probably hasn’t high-fived in a while.

She was not allowed to spike a volleyball. Or pitch a softball. Or smack a forehand down the line. Or run in a 5-footer for double bogey.

Now, that’s deprivation.

The rest goes on to lay out the last 18 years in sports for this newly freed captive, who as you recall spent that time not in some wacky Rip Van Winkle state of suspended animation, but as a literal sex slave to a monster. Of course, now that she’s been out for a few days, she might want to, you know, catch up on the sports pages and have a few laffs:

Mike Tyson now makes fun of himself in movies. …For the most part, fans have stopped doing The Wave. …USC is one of college football’s elite programs, three coaches later.

And so on, until he winds up with this extended fart:

Congratulations, Jaycee. You left the yard.

I showed it to Alan. He said, “He probably turned it in six minutes before deadline. His editor was too busy to deal with it and punted it to the desk, where they ran spellcheck, slapped a hed on it and pushed the button.” I might add: And everyone who had a problem with it figured it had likely been approved from on high. And there were three copy editors handling a work load that was previously handled by 12. And anyway, we just had a meeting where we were urged to be “edgy,” and here goes nothin’.

There’s always the strong possibility he’s a dumb jock-sniffer who really thinks the worst part about such an ordeal would be missing the early career of Tiger Woods. But I’ll give him the benefit of the doubt and credit him instead with profound cluelessness. Code of the Columnist and all.

OK, then. I’m not going to talk about the guy from South Carolina, but you all are welcome to. What’s to say, anyway? That he violated some code of conduct? Of course he did, but this is the same chamber that saw the caning of Charles Sumner, after all. (Technically, it was the Senate, also where Dick Cheney told Sen. Leahy to go fuck himself, but I don’t think bad behavior is confined to one chamber.) Again, though, it’s the strong b.s. factor, the fact that these very people were the ones wringing their hands over the death of civility and Bush Derangement Syndrome just a few short years ago. Obama can take a little trash-talk, although I find it amusing that it was Rahm Emanuel who put the word out that he wanted an apology on his desk, soonest. (I can’t find the cite for that, but I read it last night.) I wish he’d added, “and the motherfucker’s finger, I want that too,” and who knows, maybe he did, and that exchange is merely lost to the mists of time:

Politics aren’t for the weak of stomach. The Brits survive Question Time, and they’re famously polite.

Anyway, the first lady wore sleeves last night, so I hope we can all be happy about that.

Boy, I’m mellow and forgiving this morning, aren’t I?

Mellow bloggage: Bookmark 5 Second Films, and hit “random” a few times the next time you’re on hold. Today’s home-page film contains mild profanity. HT: Mr. Felsing, down Charlotte way, via FB.

Kudos to yesterday’s comments, which slaughtered, filleted, consumed and excreted California Assemblyman Michael Duvall so I didn’t have to, as well as whoever pointed out that the lobbyist who hauled his old-man ashes probably shouldn’t lose her job over this, as she’s pretty much just sticking to the job description. May I just add, however? Ewwww.

(A slight tangent: I was trying to decide if Kate could handle “The Hurt Locker” and watched a clip online of the first seven minutes. The soldiers are using one of those remote-control bomb-investigation ‘bots, and bantering over it: “Just stick it in.” “You stick it in.” “Pretend it’s your dick.” And so on. I asked a friend if men talk about anything else, and he pointed out, correctly, that he hardly ever talks that way with his friends. And yet, here’s Assemblyman Duvall chatting up bodily fluids with a colleague. Again: Ewwww.)

They can’t win, so they’re playing the dog card: The Detroit Lions produce a pet calendar for charity. Aw, what nice young men.

Now we’ve seen everything: Hef files for divorce, cites infidelity. Hers.

And now I’m off to write a short essay in Russian, using lots of past tense. I still can’t find the bathroom in Moscow, however.

Posted at 8:36 am in Current events, Media | 69 Comments
 

Just desserts.

Is there any phrase in journalism more compelling than “fiery crash?” Just saying it makes my mouth water. We had one this morning in Detroit, which followed another Pavlovian term, “high-speed chase.” Rumor has it a TV station had video, which I didn’t see; the TV doesn’t go on until late in the day at Casa NN.C, and that station in particular, the Fox affiliate, gives me bleeding hives.

Besides, if you wait, sooner or later everything goes on YouTube. Note ironic detail: Although the truck was stolen and the driver fleeing police, the crash was actually precipitated by another motorist, who failed to yield and turned left in front of the truck.

I hate police chases. We’ve had a couple of late hereabouts, and while they’ve all ended the way they’re “supposed” to — i.e., with the culprit smashing into something and injuring only himself — it’s only a matter of time before one doesn’t. What if the truck this morning had hit that minivan broadside and killed not only himself, but the people in the van? We’d have multiple deaths for a stolen car, a crime that happens approximately 11 zillion times a day around here. I know police give a great deal of thought to these things and don’t enter into them lightly, but there’s an adrenaline thing that takes over, too.

Pals, I’m working on a story this morning, trying to get it done a day early so I can spend tomorrow prepping for a week of vacay. Why don’t you guys suggest the bloggage today? If I had more time, I’d wade into this account of the fiery crash and parse the odd mix of journalese, euphemism and can’t-talk-very-well-on-live-TV language that comprises the reporter’s stand-up. The driver is “deceased in the vehicle,” which would make a great name for a band. (And note the signs on the post as the cameras pan by: HOUSES FOR SALE $9,000 or best cash offer. Good times.)

You carry the ball for a while, and I’ll be back later.

Posted at 11:18 am in Detroit life, Media | 77 Comments
 

Regretting the error.

I have a feeling John McIntyre is one of those copy-desk chiefs I would have loved with an all-consuming passion right up until the moment I didn’t. Recently released from the Baltimore Sun, he now writes a blog at…

(May I just pause for a moment and marvel at how I could almost put that sentence on a user key? Name of Journalist worked at Name of Newspaper for XX years, was [laid off/bought out] in Year and now keeps a blog at URL. While you’re spending your richly subsidized retirement updating your Facebook friends on your golf handicap, publishers of the world, I hope you spend a few moments considering you once had a workforce that cannot stop working, who took lousy/so-so money for most of their careers and now do it free. And you flushed it away. Although that’s not what you’re thinking, is it? You’re thinking, “I could have paid them even less and bumped the profit margin a few more points. Dumb me!”)

Back to McIntyre: He, like many of us, has been considering the Strange Case of Alessandra Stanley, the New York Times’ TV critic and corrections machine. Her “appraisal” of Walter Cronkite contained seven errors. Clark Hoyt, the NYT public editor, tries to get to the bottom of it:

In her haste, she said, she looked up the dates for two big stories that Cronkite covered — the assassination of Martin Luther King and the moment Neil Armstrong set foot on the moon — and copied them incorrectly. She wrote that Cronkite stormed the beaches on D-Day when he actually covered the invasion from a B-17 bomber. She never meant that literally, she said. “I didn’t reread it carefully enough to see people would think he was on the sands of Omaha Beach.”

It gets better:

For all her skills as a critic, Stanley was the cause of so many corrections in 2005 that she was assigned a single copy editor responsible for checking her facts. Her error rate dropped precipitously and stayed down after the editor was promoted and the arrangement was discontinued. Until the Cronkite errors, she was not even in the top 20 among reporters and editors most responsible for corrections this year. Now, she has jumped to No. 4 and will again get special editing attention.

I could go on like this for many, many words and you know what I will say, so let’s not, and instead turn to McIntyre’s central advice to writers, because it is universal, no matter what your job:

You, the reporter/writer, are responsible for the accuracy of what you write. It is your job to make sure that every statement of fact, every quotation, is represented accurately. If you slap something together and turn it in assuming that someone else will clean up after you, you are committing malpractice.

This should go without saying, for everybody in every job, and yet, it happens every day. About six weeks into my own stint on the copy desk, after dealing with yet another editor who shrugged when I pointed out he’d just turned over a story to me, the paper’s last line of defense, with sentence fragments and repetitive passages and weird tangents, etc. … I feel the Saigon flashback starting already. Anyway, I told my own boss, McIntyre’s equivalent, that I finally understood exactly what Holden Caulfiend was talking about when he said he was the catcher in the rye. All those stories are running toward the cliff, and I have to catch them before they pitch over the edge. You get this one, and another one slips right by you, and — (descending whistle sound) splat.

If only there were fewer of them. If only the previous editor had worked a little harder on it. But as one whose true job was as a writer, to me it always came down to the source. If only the reporter had taken her job seriously in the first place. But there are lots of Alessandra Stanleys out there, or were, writers who think it’s not their job to look up silly things like how, precisely, Walter Cronkite covered D-Day, or the date of the moon landing, or anything else. “That’s the copy desk’s job” — some of them would actually say that. They were big-picture people. Details were for the anal nitpickers in the thick glasses.

No matter what your job, if you work upstream of the cliff, you owe it to everyone to do it the best you can, at every stage. Especially now. Unless you’re Alessandra Stanley, evidently.

I said at the beginning of this tedious little lecture that I probably would love McIntyre until I didn’t. Sooner or later, all writers and editors face that estrangement. Maybe it comes over the latter’s hair-splitting over convince and persuade, or the teeny lecture they want you to listen to, the one where they stand over your desk and explain the difference between an argument and a quarrel. (I know I’ve used the argument/quarrel anecdote more than once, but the way that particular copy editor brandished that distinction, the smugness in his voice as he took credit for saving 60,000 households from the horror of seeing the wrong word describing what happened before a drug-related shooting– well, it still rankles. Especially when he was also fond of disappearing on deadline to chat up the interns in the hall. See above. Do your job.)

A little bloggage before I go:

Someone sent me this Modern Love column with a note: “How many people I wonder fail to understand that one prson’s meltdown is more about that person and not the spouse?” I’m not a big fan of Modern Love, but this one was worth reading.

< marilyn voice > Happy birthday, Mr. President: < /marilyn voice > Now go get yourself a lava cake.

It’s just like sitting around someone’s basement in high school! Highdeas — a place you can post the great ideas you get when you’re stoned. My favorite from the first page: a full body tattoo on your backside, so when you were naked ( you would need to be bald too), it would like like a person walking backwards, or vise versa It’s the “you would need to be bald too” part that cracked me up.

Posted at 8:29 am in Media | 21 Comments