Monday might be my least-favorite blogging day of the week. Nothing ever happens to me on a Monday. Usually I go to the downtown office, so that’s something. But usually nothing interesting happens there, either. You see movies about journalists, and you think it’s all running around to fires and stuff, and there’s some of that, or used to be. For me and my colleagues, it’s mostly talking on the phone and staring at a computer screen.
I once had lunch with an editor who worked in the same office complex, or cluster, or whatever, as the Wall Street Journal editorial page. He could walk by and see them at work. What did he observe, you might wonder? Spells being cast, raucous staff meetings, Nerf basketball?
“Emails,” he said. “Lots and lots of emails.” That’s journalism today.
And since I brown-bagged it, I didn’t even get the fun of going out onto the sweaty streets to see what’s up. Except at the bus stop, which was pretty quiet. I think the whole world goes on vacation in July and August.
I did get a road report from the Deadly Vipers: The three shows so far have been in small spaces that were tightly packed with sweaty, moshing, toilet paper roll-throwing celebrants. They’ve been called back for encores all three shows, and “we’re selling a lot of tapes.” Yes, tapes, because some guy in Brooklyn is releasing their music on cassette. As I recall, the last time I was there people were gathering under a tent at a street festival to take a turn working on that wacky wayback machine known as a typewriter.
The rest of you can check out two tracks from the four-track EP via Soundcloud.
I know Americans have hardly covered themselves with glory abroad. I know idiots have scratched Ryan + Amber 4Ever on the Stonehenge monuments, touched stuff they were told not to and otherwise stumbled and bumbled their way through the world’s glories — don’t even get me started on that stupid locks-on-the-bridge thing in Paris — but honestly, there’s something about the lead of this story that makes me want to drop a bomb on France, just to get this guy:
Andre Saraiva is an internationally known graffiti artist. He owns nightclubs in Paris and New York, works as a top editor of the men’s fashion magazine L’Officiel Hommes and has appeared in countless glossy magazines as a tastemaker and bon vivant.
Two months ago he showed up on the decidedly un-fashionista website Modern Hiker, along with a photo of a boulder he tagged in Joshua Tree National Park. Since then, Saraiva, who lives in France and is known by his fans as Mr. Andre and Mr. A., has been scorned by American nature lovers and thrust into a highly charged debate.
Saraiva is of a new generation of graffiti artists who regard nature — not just the built environment — as their canvas. They tag national parks, then post photos of their work on the Internet.
The next bomb goes on the front office of the magazine whose editor offered this priceless observation:
“This is a very complex issue,” said Casey Schreiner, editor of Modern Hiker. “How different is graffiti in national parks than street art? If street art is OK, is this OK? Is there a correlation?”
Answers, in order: Very, no, no. Next question.
This is an interesting piece to consider, as demographics and trends move the wheel around. Remember the anonymous suburban office park in “Office Space?” Remember how you thought, “God, there are a million of those in my city alone?” Well, there are. And they’re falling out of favor:
The building in North Bethesda has eight floors. It is 98.7 percent vacant. There is one life form within its nearly 210,000 square feet — not counting the lobby fern on life support — and she wears a security uniform, sits at the front desk and listens to the muffled whine of a faulty alarm for hours at a time, every day between 6 a.m. and 2 p.m.
“It’s quite annoying,” say Lum Tumentang, the guard. The building engineer sometimes stops by and turns it off, but it inevitably trips again. There’s one or two IT people who do IT stuff one flight up, but they’re not here right now. The building was built in 1989, and it shows: a mountain of tinted glass and beige concrete in commercial dullsville. Over the past decade, its value dropped by 64 percent. The largest tenant, the National Institutes of Health and its contractors, started packing up two years ago as leases expired. By 2014, the owner reported cash-flow problems, foreclosure arrived this past January, and that was it for 6116 Executive Blvd.
That’s in D.C. Your town is likely not far behind.
So, then, Monday is in the books and Tuesday lies ahead. Enjoy whatever it holds for you.